The Top 25 Hip-Hop/R&B Albums of 2019

2019 Collage.jpg

Welcome to StereoVision’s top 25 hip-hop/r&b albums of 2019. The past twelve months have been filled with highly anticipated releases that exceeded expectations, debut albums that catapulted unknown artists into stardom, and experimental projects that pushed boundaries and continued to move us towards a world where music can no longer be described by genre. With so much great music constantly being released, it can be hard to keep up and sometimes exceptional albums go overlooked. That’s where we come in. Over the last two weeks on 2019, our team of writers and critic here at StereoVision have been revisiting 2019’s deep discography and making sure that our readers won’t enter the new decade having missed out on one of the best projects of the year. For each album selected in our year-end list, our team selected three standout tracks from the record which were compiled into a playlist which you can find here:

Listen along as you read and get a taste of any project you might have not tapped into in 2019. Now without further ado, the top 25 hip-hop/r&b projects of 2019:


25. Please Excuse ME For Being AntiSocial by Roddy Ricch

 
Please Excuse Me For Being Antisocial.jpg
 

Release Date: December 6th

Record Label: Atlantic Records

At the beginning of December, LA’s golden child released his debut album Please Excuse Me For Being Antisocial and solidified his spot as one of the top emerging emcees rapping. After dropping potentially the song of the year in “Ballin” with DJ Mustard, Roddy Ricch continued to ride his momentum into his first real album creating a project that is packed with hits without ever sacrificing cohesion or the flow. The album clearly showcases everything fans love about Roddy: His vivid story telling that instantly transports listeners to South Central Los Angeles upon pressing play (“Intro”), his ear for hit melodies and cool California vernacular (“The Box”), and his piercing singing voice that always flexes perfect pitch (“High Fashion”). The cherry on top of this excellent offering is masterfully crafted transitions that allow each song to seamlessly flow into the next making the entire album feel complete. Omitting only Baby Keem, there is no new artist I’m more excited to hear music from in 2020 than Roddy Ricch. -Spencer Lobdell

Favorite Tracks:

The Box

High Fashion (Feat. Mustard)

Bacc Seat (Feat. Ty Dolla $ign)


24. foto by Kota the friend

 
FOTO.jpg
 

Release Date: May 15th

Record Label: Independent

This spring, Kota the friend dropped the incredibly bright FOTO, an instant classic for his cult following and a wholesome introduction to the New York rapper to new listeners. Throughout the album’s hour long run time, Kota uses each song as a different memory painting an authentic self portrait and helping us understand who Kota the Friend truly is. This intimate connection he is able to make with listeners is undoubtably why the rising artist has such a dedicated fan base and why his stock continues to rise everyday. On FOTO Kota accomplishes exactly what he set out to achieve. He paints a picture of his life so vivid that I felt like I was there when Kota’s mom and his aunt Marcell saw their father at the dance studio for the first time in years. Kota beautifully creates a photo album that he can go back to and reference while still keeping the quality of his music and its mainstream appeal at an all-time high. Thank you to Kota The Friend for a summer soundtrack that I predict will still be getting played in years to come. -Spencer Lobdell

Favorite Songs:

Church

Hollywood

Alkaline


23. Outer peace by toro y moi

 
Outer Peace.jpg
 

Release Date: January 18th

Record Label: Carpark Records

Within the first few weeks of 2019, fans of Toro Y Moi were blessed with a new album from Chaz Bear himself. During the promotion for Outer Peace, Bear frequently mentioned how he was tired of making sad love songs, and on Outer Peace there is a clear shift from the pensive sadness of 2017’s Boo Boo into a emotional range that while being fun and optimistic, still has its moments of melancholy and doubt. At 10 tracks long, the Bay-Area native provides his fans with a diverse family of tracks, some low-fi and melodic like “New House” or “Monte Carlo” featuring Wet, others infectiously catchy and uplifting like “Freelance” and “Who Am I”. This was my favorite record of the year, and I have found myself revisiting these tracks almost constantly. The record is perfect for every occasion, so don’t be afraid to throw this on next time you get aux. You won’t regret it. -Carter Fife

Favorite Tracks:

Law of the Universe

New House

Monte Carlo (Feat. Wet)


22. Rap or go to the league by 2 Chainz

 
ROGTTL.jpg
 

Release Date: March 1st

Record Label: Def Jam Records

Completely A&Red by LeBron James, Rap or Go to the League is a triumphant comeback for our favorite trapper, 2 Chainz. The album is conceptual and frequently draws parallels between rap and basketball while diving deeper into the troubling idea that the two occupations are two of the only viable options for underprivileged blacks to succeed in America. Chainz uses a polished pen to do so and flexes some of his most impressive verses since his come up on this project. With help from an impressive feature list including Kendrick Lamar, Travis Scott, Ariana Grande, Lil Wayne, E-40, Chance the Rapper, and many others, it should come as no surprise that Rap or Go to the League secured a spot on our list. -Spencer Lobdell

Favorite Tracks:

Money In The Way

Momma I Hit a Lick (Feat. Kendrick Lamar)

I’m Not Crazy, Life Is (Feat. Chance The Rapper & Kodak Black)


21. Perfect ten by Mustard

 
Perfect Ten.jpg
 

Release Date: June 28th

Record Label: Interscope Records

LA producer Mustard, formerly known as DJ Mustard, gave us everything we wanted and more in his third studio album Perfect 10. Aside from many features from hot artists like Roddy Ricch, Migos, and Nipsey Hussle, Mustard killed the execution on the production side. It is chock-full of anthems and there is so much bounce throughout the whole project that it’s almost impossible to sit still while bumping the album. His #1 song off of the album, “Ballin”, is now grammy nominated for best rap/sung performance. This turned out to be both Mustard and Roddy Ricch’s first ever grammy nomination, and it was definitely well-deserved. -Colson O’Connor

Favorite Tracks:

Baguettes in the Face (Feat. NAV, Playboi Carti, & A Boogie Wit Da Hoodie)

Ballin’ (Feat. Roddy Ricch)

Perfect Ten (Feat. Nipsey Hussle)


20. Fever by Megan Thee Stallion

 
Fever.png
 

Release Date: May 17th

Record Label: 300 Entertainment

Megan Thee Stallion is the “it girl” of 2019. This summer, Megan blew up with her mixtape Fever, ​released in May. ​Fever​ was the perfect project to kick off the summer, with Megan trading in her Tina Snow persona for a new one she deemed “Hot Girl Meg.” Hot Girl Meg was what she called a “college party girl,” and was the embodiment of sex appeal, independence, and a carefree attitude. On ​Fever​, Megan showed her range in being able to rap about anything from sensual lovemaking to robbing a man of everything he is worth. Truly an inspiration for the girls. -Kaila Cherry

Favorite Tracks:

Cash Shit (Feat. DaBaby)

Best You Ever Had

Simon Says (Feat. Juicy J)


19. The Life of pi’erre 4 by pi’erre bourne

 
TLOP4.jpg
 

Release Date: June 21st

Record Label: Interscope Records

The return of famed rapper/producer Pi’erre Bourne has been long awaited. Since wrapping up 2018 with his collaborative record with fellow producer Cardo, many have been anxiously awaiting the fourth installment in the ‘The Life of Pi’erre’ saga. When the album finally dropped in June 2019, fans were not disappointed. TLOP 4 is a rollercoaster through contemporary hip-hop from the eyes of the man who has helped shape it. From forming the careers of artists like Young Nudy, Playboi Carti, and 6ix9ine, Pi’erre Bourne’s influence and expertise in modern hip-hop/trap synthesis cannot be understated. On his newest record Pi’erre constantly flexes his production skills and his songwriting abilities, delivering heartfelt and saccharine tracks like “Ballad” and “Racer” in one moment, and fast-paced bangers like “Routine” and “Speed Dial” the next. Each track is dense with expert engineering skills and tactics, while still being accessible enough to appeal to hip-hop fans both old and new. -Carter Fife

Favorite Tracks:

Poof

Routine

Speed Dial


18. baby on Baby by dababy

 
Baby On Baby.jpg
 

Release Date: March 1st

Record Label: Interscope Records

DaBaby shows the world that short men do in fact have rights with his infectious breakthrough project Baby on Baby which was the beginning of a dominant 2019 for the Charlotte newcomer. DaBaby does not take himself too seriously in his music or his visual aesthetic. His music videos are completely kitschy and absurd. He has posed as figures such as Scarface and Suge Knight, and even filmed a video that parodied sitcom television. DaBaby’s bars are hilarious and clever. But do not get it twisted: He is not one to mess with. He is tough as hell, and, as he spits in the track “Suge,” if given any disrespect he will “... beat your ass up all in front of your partners and children.” Baby on Baby is a refreshing project that is funny, surprisingly crude, and full of dope bangers prime for all your summer antics. Kaila Cherry

Favorite Tracks:

Suge

Pony

Carpet Burn


17. assume form by James Blake

 
Assume Form.jpg
 

Release Date: January 18th

Record Label: Polydor Records

Ominous, hypnotic, and ultimately gorgeous, James Blake blends his signature downtempo sound with elements of rap and trip-hop on Assume Form. Blake’s vocal melodies soar over the album’s minimalist production, and the instrumentals show just how much he can make out of so little. Moments such as the climactic ending to “Barefoot in the Park” and James’ vocal cracks in “I’ll Come Too” are enough to conjure emotions on their own, and his candid lyrics only make these segments more potent. His arrangements are simply beautiful—even experimental at times—and the result is an extremely cohesive blend of alternative music and hip-hop. -Owen Tait

Favorite Tracks:

Mile High (Feat. Travis Scott & Metro Boomin)

Where’s the Catch (Feat. André 3000)

Don’t Miss It


16. Everythings for sale by boogie

 
Everything's For Sale.jpg
 

Release Date: January 25th

Record Label: Interscope Records

Compton MC Boogie made some major waves in 2018 when he received a huge Eminem cosign and an actual record deal from Shady Records. In January, the young rapper returned with his Shady Records debut Everythings For Sale and it did not disappoint. Over the 40-minute run time, Boogies honestly reflects on a broken relationship, new fame, and his current day to day life. Throughout the tape Boogie proves why Pitchfork called him one of the best young emcees in the country. The tape is exceptionally cohesive and if you immerse yourself in Boogie’s world and experiences you should find that 40-minutes will feel more like 20. Boogie’s lyricism is a perfect mix of cool California dialect and witty lines that emphasize his smart and reflective themes. He gives us up-beat bangers like the JID assisted “Soho” as well as introspective reflections like “Lolsmh” or “Whose Fault”. This album is complete, thought-provoking, and one of the best releases of the year. -Spencer Lobdell

Favorite Tracks:

Silent Ride

Soho (Feat. JID)

Live 95


15. crash talk by schoolboy q

 
Crash Talk.jpg
 

Release Date: April 26th

Record Label: Interscope Records

From a rap standpoint, Schoolboy Q has everything. Critical acclaim came to him with the Blank Face LP. He is a member of arguable the most respects collective in hip-hop in TDE. Yet his life outside of music has not been a walk in the park. On CrasH Talk Q looks at himself as a man and takes a step back to evaluate his own life and the people around him. This is the most relatable he has every sounded on any project. He does stay true to his hardened exterior on excellent cuts like “Numb Numb Juice”, on which he sound cut throat and motivated from the start. While this was the single released from the album, what is a more accurate representation of what makes CrasH Talk so quality is a song like “Black Folk”. Schoolboy strips away all ego and is just a man with many doubts and fears which he articulates over the ominous production in the background. This is what people want from artists when they release projects, not more of the same. This is an honest picture that Schoolboy painted for us of his life right now, he isn't a gangster or famous rapper, but a person just like you or me with doubts about himself, his carrer, and the world around him. While it may seem like a melancholy collection of music, Q finds a way to communicate these feelings in an interesting way and still come the conclusion that no person to ever walk this Earth is immune to what he, and a lot of us, are going through and that is perfectly okay. -Miles Hagan

Favorite Tracks:

Drunk (Feat. 6LACK)

Black Folk

Dangerous (Feat. Kid Cudi)


14. flamagrama by flying lotus

 
Flamagrama.jpg
 

Release Date: May 24th

Record Label: Warp Records

Very few names carry the weight that Flying Lotus’s does in music. A mysterious prodigy who masterfully meanders through genres like electronic, experimental, R&B, jazz, funk, and hip-hop, Lotus returns from a long hiatus to deliver ‘Flamagra’, a 27-track record that spends approximately an hour showcasing Lotus’s musical prowess. It is impossible to sum up this album in just one paragraph, but listening to this album is an experience very akin to Alice’s trip through Wonderland. While some tracks may not last as long as one might wish, they each leave lasting impressions that resonate within long after Flying Lotus transitions to another musical ideas. Featuring help from artists like Thundercat, Toro Y Moi, Solange, David Lynch, Denzel Curry, and Anderson .Paak (just to name a few), Flamagra was certainly worth the wait. -Carter Fife

Favorite Tracks:

Post Requisite

More (Feat. Anderson .Paak)

Land of Honey (Feat. Solange)


13. The lost boy by ybn cordae

 
The Lost Boy.png
 

Release Date: July 26th

Record Label: Atlantic Records

Although he is only 22 years old, YBN Cordae managed to get two Grammy nominations on his debut studio album The Lost Boy: one for best rap album and the other for best rap song. YBN Cordae seemingly came out of nowhere and took the world by storm. He released his album in July and is already touring internationally with hundreds of thousands of fans screaming his lyrics. Cordae brings an original sound and flow to the table that is undeniably smooth. When you take that and pair it up with a couple features from incredibly successful artists such as Anderson .Paak and Chance the Rapper, it’s a no-brainer he was grammy nominated twice. The best part is, he is only just getting started, and we’re excited to see what the future holds for him in 2020. -Colson O’Connor

Favorite Tracks:

RNP (Feat. Anderson .Paak)

Broke As Fuck

We Gon Make It (Feat. Meek Mill)


12. revenge of the dreamers iii by dreamville

 
ROTD III.jpg
 

Release Date: July 5th

Record Label: Interscope Records

This year J. Cole and the rest of his Dreamville team set out to create a rap album unlike anything we’ve seen before. With fear of regret not working with more artists in his career, Cole decided to host a 10-day rap camp. Golden ticket-like invites were sent out to over 100 artists and producers from all over the music genre spectrum. Not only was it the diversity of the artists that was so important, but the blend of popular and low-key artists is what made the project so special. It gave smaller artists a chance to finally get some recognition for their outstanding talent. A documentary was released along with the album, and it truly painted the picture of the competition that was created among themselves. In a situation like this, you don’t get put on the album by being passive. You gotta come with the heat and you must make the most of your opportunities as only the top songs will make the cut. This created a friendly and competitive energy, and they would feed off of each other to push themselves to bring out their best work. When discussing the top rap album of 2019, Revenge of the Dreamers III must be in the conversation. -Colson O’Connor

Favorite Tracks:

Under the Sun (Feat. J. Cole, Lute, & DaBaby)

Down Bad (Feat. JID, Bas, J. Cole, EARTHGANG, & Young Nudy)

Sacrifices (Feat. EARTHGANG, J. Cole, Smino, & Saba)


11. Angel’s pulse by blood orange

 
Angels Pulse.jpg
 

Release Date: July 12th

Record Label: Domino Recording Company

Following the release of his fourth studio album ​Negro Swan ​in 2018, Blood Orange kept the up his momentuem with the drop of his mixtape ​Angel’s Pulse i​ n July. Blood Orange is an incredibly multifaceted artist who, over the course of his decades long music career has created rock tracks, funk, R&B, indie pop, and even dabbled in a bit of hip hop and rap. ​Angel’s Pulse ​is nothing short of these influences with Blood Orange traversing through different musical styles and genres effortlessly throughout the course of the project. With his wonderfully smooth and funky production style coupled with his immaculate lyricism, ​Angel’s Pulse ​was undoubtedly one of the most refreshing and artistic projects of the year. -Kaila Cherry

Favorite Tracks:

Dark & Handsome (Feat. Toro y Moi)

Benzo

Tuesday Feeling (Choose to Stay) (Feat. Tinashe)


10. All My Heroes are cornballs by jpegmafia

 
All My Heros Are Cornballs.jpg
 

Release Date: September 13th

Record Label: EQT Recordings

Rapper & experimental producer JPEGMAFIA follows up his captivatingly chaotic Veteran with an equally unpredictable and glitchy trip on All My Heroes Are Cornballs. Opting to incorporate sung hooks and melodic verses, JPEG’s delivery is more dynamic than ever, and the plunky synths and heavy chords he casts across the record compliment his characteristically unhinged drum patterns extremely well. Despite this instrumental shift in tone, JPEG’s lyrics are as aggressive and self-aware as ever, and he evens manages to shout his way through verses on tracks such as “PRONE!” and “Kenan Vs. Kel.” Overall, the album displays a larger range of what JPEGMAFIA is musically capable of, all while remaining compact, cryptic, and undeniably awesome. -Owen Tait

Favorite Tracks:

Kenan Vs. Kel

All My Heroes Are Cornballs

Thot Tactics


9. Zuu by denzel curry

 
ZUU.jpg
 

Release Date: May 31st

Record Label: Loma Vista Recordings

Coming off his most conceptual album to date (TA13OO), many wondered what direction Denzel would head next. The answer to that was obvious to Curry: he would go home. With ZUU, Denzel tastefully simplified his music showing us that sometimes the obvious answer can be the best answer with proper execution. ZUU is a short album with no skippable tracks. It’s abrasive and in-your-face without being inaccessible for less intense fans thanks to cuts like “WISH” and “SHAKE 88”. Songs like “BIRDZ”, “AUTOMATIC”, and “RICKY” provide long term Denzel fans with his unmatched flow and clever lyricism that they have grown to expect. All-in-all, Denzel made an excellent career decision and the result is a Miami masterpiece. -Spencer Lobdell

Favorite Tracks:

WISH (Feat. Kiddo Marv)

SPEEDBOAT

CAROLMART (Feat. Ice Billion Berg)


8. Bandana by freddie gibbs & madlib

 
bandana.jpg
 

Release Date: June 28th

Record Label: RCA Records

If it’s bars you’re looking for, look no further. Backed by lush, opulent instrumentals from legendary hip-hop producer Madlib, Freddie Gibbs flows effortlessly throughout the vast majority of Bandana’s runtime. The midwestern rapper tackles his past, his success, his wrongdoings, and an array of sociopolitical issues that truly allow his lyrical & storytelling abilities to shine. And while Gibbs is certainly capable of manning an album by himself, he is more than happy to add excellent features from his A-list friends, with Pusha T even turning in Complex’s “Rap Verse of the Year” on the sixth cut “Palmolive”. The power behind Gibbs’ words and his technical abilities were enough to make the album continue to grow on me throughout the year, and standout features from Gibbs’ colleagues solidified the project’s spot on my list. -Owen Tait

Favorite Tracks:

Palmolive (Feat. Pusha T & Killer Mike)

Flat Tummy Tea

Giannis (Feat. Anderson .Paak)


7. Mirrorland by earthgang

 
Mirrorland.jpg
 

Release Date: September 6th

Record Label: Interscope Records

BREAKOUT ALBUM! That is the only way that Mirrorland can and should be described. Johnny Venus and Doctur Dot put the rap game on notice that they are a force to be reckoned with and maybe the best duo in rap right now. Mirrorland sounds exactly like them, and it is incredible to see these young artists make their major label debut and not compromise. Instead they use it to get a host of guest features that simply lift the album to a completely different level. Young Thug on “Proud of U” brings an energy that perfectly matches EARTHGANG, and it seems like the three Atlanta rappers have been spitting together for years. As the album slows down the group calls upon Kehlani to deliver a seductive smooth verse on “Trippin”. Mirrorland perfectly displays the versatility of the group. The first half of the project gives audiences the energy and flows that caught the attention of people early on in their careers, but the second half where they slow their storytelling ability and emotion makes the project so great. They should get praise for getting T-Pain to deliver on of his best contributions to a song in a very long time. It all come to a fitting conclusion on “Wings”, where the boys reflect on where they came from and where they want to go. If Mirrorland is any indication, they have a very bright future. -Miles Hagan

Favorite Tracks:

Tequila (Feat. T-Pain)

Trippin (Feat. Kehlani)

Wings


6. Die For my bitch by baby keem

 
Die For My Bitch.jpg
 

Release Date: July 19th

Record Label: Independent

If you tapped into Baby Keem’s Die For My Bitch in 2019 you witnessed history. On my personal favorite album of the year, fans witnessed an artist with an unmatched ceiling come into his own and deliver his first excellent body of work. The LA artist showed significant growth since his last project highlighting his aggressive rise to inevitable stardom. The tape sacrifices unity and cohesion to instead display Keem’s wide variety of sounds and styles that he is proficient in, a great decision for an upcoming rapper looking to catch the attention of unfamiliar fans. While “ORANGE SODA” was one of the most fun hip-hop moments of the year and introduced the world to Keem’s sharp flow and one-of-a-kind vocabulary, some fans might not have realized that Keem’s entire album is equally as captivating and entertaining. All the claims I made throughout 2019 saying that Keem was a superstar were confirmed in November when I went to his show in Los Angeles and was treated with one of the most electric live performances I’ve ever been to. There’s a reason that A$AP Rocky and Kendrick Lamar were spotted at his shows on the Die For My Bitch tour. There’s a reason he was photographed having lunch with Jay-Z this past winter. There’s a reason that Drake called Die For My Bitch the best album of 2019 along with Young Thug’s So Much Fun. On the second track “Honest” the LA artist raps “Baby Keem, shit I’m chosen” and after one listen through Die For My Bitch, it’s hard not to believe him. -Spencer Lobdell

Favorite Tracks:

ROCKSTAR P

ORANGE SODA

APOLOGIZE


5. When I get home by solange

 
When I Get Home.jpg
 

Release Date: March 1st

Record Label: Columbia Records

Solange Knowles’ radical album When I Get Home is easily the most artistic project of the year. When I Get Home is not easy to explain, to start, what exactly is the genre? Is it hip-hop, as suggested by features with prominent rap artists Playboi Carti and Gucci Mane? Is it soul? R&B? Further, what is the “home” that Solange is referring to? Is this place literal or figurative? Solange manages to answer all of these questions throughout the course of the album. When I Get Home is an iconographic representation of the black experience in the most celebratory sense. Solange embraces her black womanhood and embraces Houston, Texas. The project radiates warmth and familiarity. It creates a home within itself. When I Get Home is wholly inviting, sonically stunning, and lyrically beautiful album that I cannot help but come back to when I am in need of empathy, of comfort, of a place to call home. -Kaila Cherry

Favorite Tracks:

Almeda (Feat. Playboi Carti)

My Skin My Logo (Feat. Gucci Mane)

Binz


4. BUBBA by kaytranada

 
Bubba.jpg
 

Release Date: December 13th

Record Label: RCA Records

It has been over three long years since the Montreal prodigy Kaytranada released his debut LP 99.9%, a funk-laden electronic record complete with over a dozen guest appearances (including names like hip-hop favorite Anderson .Paak and jazz legend Karriem Riggins). BUBBA, Kaytranada’s recently released sophomore album, is another example of masterful and intentional dance/hip-hop/funk synthesis. On tracks like “10%” with Kali Uchis and “Grey Area” with Mick Jenkins, fans are treated to a signature style of electronic that urges the listeners to lean forward, and lay back simultaneously. Not every track is played safety to Kaytranada’s strong suits however, as certain dancehall-inspired tracks like “Go Dj” and “Vex Oh” show signs of risk-taking that pays off as the record becomes more familiar. It was a long wait for BUBBA, but after hearing Kaytranada collaborate with industry heavyweights like Tinashe and Pharrell, it is safe to say that fans will be satiated for a while. -Carter Fife

Favorite Tracks:

2 The Music (Feat. Iman Omari)

Puff Lah

The Worst In Me (Feat. Tinashe)


3. Ventura by Anderson .paak

 
Ventura.jpg
 

Release Date: April 11th

Record Label: Interscope Records

Anderson .Paak’s Ventura showcases everything we love about the soulful California native. Said to be a counter-part to his prior album Oxnard which was released five months earlier, Ventura showcases Paak in his ideal environment being authentically himself. It is musically unmatched and conceptually rich. It’s both sexy (“Jet Black”) and politically charged (“King James”) but always in moderation to keep it tasteful. Ventura is an album that proved it’s enduring replay value by getting better everyday since it’s release in early April. With Ventura Anderson truly created timeless music as I foresee songs like “Make It Better” and “What Can We Do” staying in my musical rotation until I can no longer hear. Well we all would like to be, no one is quite as smooth as .Paak. -Spencer Lobdell

Favorite Tracks:

Make It Better (Feat. Smokey Robinson)

King James

Jet Black (Feat. Brandy)


2. So Much fun by young thug

 
 

Release Date: August 16th

Record Label: Atlantic Records

Does Young Thug Speak English? I think he answered that question with 2018’s Slime Language. The album title speaks for itself. So much of what makes So Much Fun great can really be seen through the way Thugger has talked about the project both before and after the release. There is no concept, no real goal or take-away, rather it is just Thug having a good time making music that will make his fans have a good time listening to. What we received was once again a version of the Atlanta rapper we were not accustomed to. “What’s the Move” and “Hop off a Jet” have a crisp beautiful island sound of production that captures the listener's ear instantly. The features across the board do not disappoint and help carry the project. So Much Fun also features what may be one of the most popular songs this year with “Hot” and its remix. Thug’s protegé, Gunna, shines on this effort and his verse on “Diamonds”on the deluxe version of the album needs to be talked about. What can really be taken away from this album is how it fits into the landscape of 2019. Hip-Hop has lost a lot of great talent recently because of the drug culture that artists like Young Thug and Future were a large part of creating. Thugger seems to be moving away from those narratives, or at least doing his best. There is a way to be this same well respects talented performer without the use of such detrimental lyrics, and its seems like Thug may have caught on to that. So Much Fun is a breath of fresh air, with an artist at the peak of his powers creating a vibe of positivity. -Miles Hagan

Favorite Tracks:

Hot (Feat. Gunna)

What’s The Move (Feat. Lil Uzi Vert)

Big Tipper (Feat. Lil Keed)


1. igor by tyler, the creator

 
IGOR.jpg
 

Release Date: May 17th

Record Label: Columbia Records

In a time where it feels like so many creatives are doing things for popularity or to be the next big meme, an artist who goes against expectations to make a beautiful piece of art that is entirely authentic is invaluable. This is exactly the feat Tyler, the Creator accomplishes on IGOR. This project comes on the heels of his most successful mainstream record yet, Flower Boy. Expectations were high and everyone was wondering what was next for the 28 year old rapper. If Flower Boy was his most honest album, on IGOR he tells the best story. The entire album plays like a movie not navigated by lyrics, but by stellar productions. Songs like “I THINK” and “RUNNING OUT OF TIME” are so incredible because they capture the feeling of falling for someone despite your best efforts almost entirely through the way the track sounds. Throughout, it seems Tyler’s character IGOR is trying to find out what is next the same way we all are and it is beautiful. Tyler still has tracks where he flexes his skills as an emcee. “A BOY IS A GUN” has bars from front to back, but he never overstays his welcome. Gone are the days of him trying to shock the world with every bar that comes out his mouth, now he is focused and precise with everything that he touches. That is what makes IGOR album of the year. There is nothing else that came out this year that sounds anything like it, and Tyler is an artist that is still hungry to get better, and that deserves to be celebrated. -Miles Hagan

Favorite Tracks:

EARFQUAKE

A BOY IS A GUN*

ARE WE STILL FRIENDS?


Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

Top 20 Hip-Hop and R&B Albums of the First Half of 2019

Top 20 Albums.jpg

Welcome to StereoVision’s top 20 albums of the first half of 2019. It has been a great six months for Hip-Hop, R&B, and music in general making this list challenging yet insanely fun to form. The creation of this list came from compiling all of our writers personal AOTY (Album of the Year) lists as well as extensive album debate and conversation throughout the first half of the year to ensure we have the perfect list that represents exactly what we dig at StereoVision. To get this list out in time, we had to cut off all albums released after June 23rd from consideration meaning albums like “Bandana” by Freddie Gibbs that were released in the last week of June are not eligible for selection. Listen along to our top 20 albums of the first half of 2019 by tapping in to our Spotify and Apple Music playlist which contains three spotlight songs from each selection. Stream it here:

 

This platylist contains three spotlight songs off of each of our top 20 Hip-Hop/R&B albums released during the first half of 2019

 

Without further ado, our top albums of the first half of 2019:

20. Still Summer in the projects by 03 greedo

 
Still Summer In The Projects.jpeg
 

Release Date: April 19th, 2019

Record Label: Alamo Records

03 Greedo is a living legend and if his face tattoo of that exact phrase doesn’t convince you, one listen through Still Summer in the Projects should do the trick. The album is Greedo’s most cohesive effort to date and plays smoothly from start to finish. Greedo raps about familiar topics such as living life in Watts (“10 purple Summers”) as well as unfamiliar ones like a new perspective he received from being in the middle of a 20-year prison sentence (“Visions”). Overall Still Summer In The Projects is another exceptional release from 03 Greedo and with news that Greedo might be able to get out after five years on good behavior, we can only prey this is the case and continue to support his truly unparalleled music. Greedo is a musical anomaly, a figurehead for his hood, an LA icon, but above all, a living legend. Free 03! -Spencer Lobdell

Favorite Tracks:

10 Purple Summers

Gettin’ Ready

Visions


19. Grey Area by Little Simz

 
GREY Area.jpg
 

Release Date: March 1st, 2019

Record Label: Independent

At the beginning of March majority of the United States was introduced to London-based emcee Little Simz and the pleasure was all ours. Deviating from the eccentric, dreamy, synth sounds that characterized her last album, on GREY Area, Simz opted for a blend of aggression, vulnerability, and genre-splicing to convey her experiences growing up and developing as an artist in a male-dominated industry. While following a theme of self-discovery and personal development, Simz displays true artistry through the presence of influences from a variety of musical genres that elevate her voice and message. The English artist displays great strength with hard hitting verses on cuts such as “Offence” and “Boss” but reels it back allowing us to invade her headspace on songs like the excellent “Venom”. With every bar she spits it’s clear that Simz has something to say and she demands you listen. -Izzy Stroobandt

Favorite Tracks:

Offence

Wounds

Venom


18. diaspora by goldlink

 
Diaspora.jpg
 

Release Date: June 11th, 2019

Record Label: RCA Records

Diaspora is an ambitious project. GoldLink tasked himself with consolidating the global sounds of the black experience into a single album. And with each genre he explored, he owed it to the culture in which he drew from to do their music justice, to represent them accurately and genuinely with his audience. Diaspora is just that: the amalgamation of the black cultural experience as told through the sound we engage with in each pocket of the world we inhabit. GoldLink features afrobeat, house, Carribean dancehall, reggaeton, trap, classic hip hop, and more on his extremely diverse and funky project. Not the most lyrically strong, GoldLink nearly makes up for it with how well he executed the concept for the album. Diaspora is an accessible project for anyone, from the person who wants to globalize their ear to the person who just needs some tunes to vibe to. -Kaila Cherry

Favorite Tracks:

Joke Ting (feat. Ari PenSmith)

Maniac

U Say (feat. Tyler the Creator and Jay Prince)


17. Baby on Baby by Dababy

 
Baby On Baby.jpg
 

Release Date: March 1st, 2019

Record Label: Interscope Records

DaBaby shows the world that short men do in fact have rights with his infectious breakthrough project Baby on Baby. DaBaby does not take himself too seriously in his music or his visual aesthetic. His music videos are completely kitschy and absurd. He has posed as figures such as Scarface and Suge Knight, and even filmed a video that parodied sitcom television. DaBaby’s bars are hilarious and clever. But do not get it twisted: He is not one to mess with. He is tough as hell, and, as he spits in the track “Suge,” if given any disrespect he will “... beat your ass up all in front of your partners and children.” Baby on Baby is a refreshing project that is funny, surprisingly crude, and full of dope bangers prime for all your summer antics. -Kaila Cherry

Favorite Tracks:

Suge

Pony

Carpet Burn


16. We All shine by ynw melly

 
We All Shine.jpg
 

Release Date: January 18th, 2019

Record Label: Independent

YNW Melly’s We All Shine is far and away the best music he has every released. The Florida rapper is packed with personality and it comes through on every track. His songs are filled with authentic emotion giving them a powerful effect on listeners. “Ingredients” is fun and infectious to the point where you can’t listen without smiling while “No More” is a passionate public service announcement where he calls out a homie on his bullshit. If it wasn’t for a timely jail sentence, We All Shine showed every sign of being Melly’s coming out party and ushering him towards being a household name. Hopefully he can get out soon and continue to make excellent music full of emotion, substance, and his unparalleled pipes. -Spencer Lobdell

Favorite Tracks:

Robbery

Mixed Personalities (Feat. Kanye West)

Ingredients (Feat. Fredo Bang)


15. Flamagrama by Flying Lotus

 
Flamagrama.jpg
 

Release Date: May 24th, 2019

Record Label: Warp Records

Very few names carry the weight that Flying Lotus’s does in music. A mysterious prodigy who masterfully meanders through genres like electronic, experimental, R&B, jazz, funk, and hip-hop, Lotus returns from a long hiatus to deliver ‘Flamagra’, a 27-track record that spends approximately an hour showcasing Lotus’s musical prowess. It is impossible to sum up this album in just one paragraph, but listening to this album is an experience very akin to Alice’s trip through Wonderland. While some tracks may not last as long as one might wish, they each leave lasting impressions that resonate within long after Flying Lotus transitions to another musical ideas. Featuring help from artists like Thundercat, Toro Y Moi, Solange, David Lynch, Denzel Curry, and Anderson .Paak (just to name a few), Flamagra was certainly worth the wait. -Carter Fife

Favorite Tracks:

Post Requisite

More (Feat. Anderson .Paak)

9 Carrots (Feat. Toro Y Moi)


14. Assume form by james blake

 
Assume Form.jpg
 

Release Date: January 18th, 2019

Record Label: Polydor Records

James Blake’s presence in contemporary music has grown heavily over the past several years. No longer is the singer-songwriter confined to the occasional appearance or feature on throwaway tracks, instead now Blake has evolved into a cultural mainstay. While previously established as an expert in the realm of laments and dejected tracks laced with heavy electronic instrumentation or glitchy production effects, Assume Form sees Blake exiting a depressive period. Blake quite literally assumes form on tracks like “I’ll Come Too” or “Power On”, where the listener can track in real time Blake shedding his reserved and destructive tendencies in the enjoyment of a new love interest. Each track is just as incredible as the last, featuring help from artists like Travis Scott, Moses Sumney, Andre 3000, Metro Boomin and ROSALÍA. Although some of the moments on this record could be explored more thoroughly, James Blake offers a precise and relatable emotional tone on this record that will not soon be forgotten. -Carter Fife

Favorite Tracks:

Assume Form

I’ll Come Too

Power On


13. Foto by kota the friend

 
FOTO.jpg
 

Release Date: May 14th, 2019

Record Label: Independent

FOTO was the perfect album for the summer. Kota the Friend is an artist who seems to have really found a signature sound on this project. He mixes his slick flows and relatable lyrics with laid back gorgeous beats. Rather than attempting to force a message on the listener, he paints a vivid picture with each track. A stand out single from the project was “Birdie”. On the album, he added a beautiful saxophone from Hello Oshay which compliments the song perfectly. He captures what it feels like to really be in love with the girl of your dreams. He shines on this project when he is really just rapping about his thoughts and feelings because Kota is a very relatable character. “Hollywood” offers a realistic perspective on fame and all that comes with it. Kota doesn't want to be that stereotypical rapper who went “Hollywood” and forgot who he was, but rather wants to attain this success in the industry through remembering and honoring where he came from. This idea of him paying homage to the people and experiences that brought him to this point is what makes FOTO so endearing to even the most hardened of listeners. -Miles Hagan

Favorite Tracks:

Church 

Birdie (Feat. Hello Oshay)

Alkaline


12. Outer Peace by Toro y moi

 
Outer Peace.jpg
 

Release Date: January 18th, 2019

Record Label: Carpark records

Within the first few weeks of 2019, fans of Toro Y Moi were blessed with a new album from Chaz Bear himself. During the promotion for Outer Peace, Bear frequently mentioned how he was tired of making sad love songs, and on Outer Peace there is a clear shift from the pensive sadness of 2017’s Boo Boo into a emotional range that while being fun and optimistic, still has its moments of melancholy and doubt. At 10 tracks long, the Bay-Area native provides his fans with a diverse family of tracks, some low-fi and melodic like “New House” or “Monte Carlo” featuring Wet, others infectiously catchy and uplifting like “Freelance” and “Who Am I”. Although I wish it were longer than half an hour, this summery record has something for everyone. -Carter Fife

Favorite Tracks:

Laws of the Universe

Freelance

Monte Carlo (Feat. Wet)


11. Rap or go to the league by 2chainz

 
ROGTTL.jpg
 

Release Date: March 1st, 2019

Record Label: Def Jam Recordings

It seems like whenever 2 Chainz releases a project at least one song off of it is a hit single in clubs and at parties all over the country. He has made some solid projects over the years, and is an established vet in the rap game. That being said Rap or Go to the League felt different. From the lack of singles before its release, to it being executively produced by LeBron James, this had the potential to be a great album from the well-versed trapper. What we got was actually one of the most cohesive projects of his entire career. A Standout track like “I’m not Crazy Life is” shows just how good this project is when it’s at its best. 2 Chainz flows over stellar production that allows him to really get across a point to the audience. There is a constant parallel between rap music and basketball throughout the album which intentionally alludes to America’s current social climate where young African American males feel like those are their only two ways out of their current situation. While Rap or Go to the League does have a message, there are still some bangers. “Momma I Hit a Lick” may take some listeners a few times to appreciate, but eventually the hard beat and unique flows from 2 Chainz and Kendrick Lamar are too much to deny. Overall this project succeeds because its feels like 2 Chainz really had a goal in mind this time around, rather than aim for as many radio plays as previous works. -Miles Hagan

Favorite Tracks:

Forgiven (Feat. Marsha Ambrosius)

Momma I Hit a Lick (Feat. Kendrick Lamar)

I'm Not Crazy Life Is (Feat. Chance the Rapper & Kodak Black)


10. the falling man by duckwrth

 
The Falling Man.jpg
 

Release Date: May 17th, 2019

Record Label: Republic Records

For those whose know Duckwrth solely from his earlier works such as I'm Uugly (2016) and An Extra Uugly Mixtape (2017), they will be quite surprised to hear the direction the South Central rapper went for his latest EP, The Falling Man. A complete divergence from the pop influenced lo-fi aesthetic he leaned on for the first leg of his career, The Falling Man shows Duckwrth experimenting with genre, voice inflection, and lyrical depth in a way he has never done before. Duckwrth dips his toes into rock, gospel, and trap throughout the course of the album and each venture is a success. The Falling Man is, for lack of a more creative term, a very solid album. It is a reliable listen that keeps listeners engaged and intrigued. Seeing Duckwrth explore and expand the scope of his music is exciting, and I am eager to see what he has in store for us next. -Kaila Cherry

Favorite Tracks:

Bow

King King

Nobody Falls (feat. Kiana Lede, Terrence Martin, Madasin)


9. Arizona baby by Kevin Abstract

 
Arizona Baby.jpg
 

Release Date: April 25th, 2019

Record Label: Question Everything Inc/RCA Records

Kevin Abstract has managed to maintain his individual stardom while being part of the wildly successful super-group, Brockhampton. He has been able to accomplish this rare feat by always making sure his music contains emotion. Each track on ARIZONA BABY, no matter what the subject matter or actual lyrics are, is uncompromisingly honest. Sometimes this honesty is beautiful like on the track “Peach”, which features two of Kevin’s Brockhampton band mates in Joba and Bearface as well as rising star Domonik Fike. Like many of the songs on this project, it is able to mix a more sing song chorus and beautifully played guitars with some solid rap verses from Kevin. While the appeal of this track mainly stems from it just simply sounding beautiful, Kevin really shows his talent as a rapper on a track like “Use Me”. This has one of the most interesting and unique beats to be used in a rap song. Kevin experiments with different flows and tells a compelling story on this cut, but is so impressive because like most of the other tracks on ARIZONA BABY we have never heard anyone spit over sounds like this. This project shows what the bright future of rap in this generation has the potential to be. A seamless combination of rap and incredibly produced pop music. No other mind would be better equipped to spearhead this new sound than the very talented Kevin Abstract. -Miles Hagan

Favorite Tracks: 

Baby Boy

Use Me

Peach


8. The Life of pi’erre 4 by Pi’erre bourne

 
TLOP4.jpg
 

Release Date: June 21st, 2019

Record Label: SossHouse/Interscope Records

The return of famed rapper/producer Pi’erre Bourne has been long awaited. Since wrapping up 2018 with his collaborative record with fellow producer Cardo, many have been anxiously awaiting the fourth installment in the ‘The Life of Pi’erre’ saga. When the album finally dropped in June 2019, fans were not disappointed. TLOP 4 is a rollercoaster through contemporary hip-hop from the eyes of the man who has helped shape it. From forming the careers of artists like Young Nudy, Playboi Carti, and 6ix9ine, Pi’erre Bourne’s influence and expertise in modern hip-hop/trap synthesis cannot be understated. On his newest record Pi’erre constantly flexes his production skills and his songwriting abilities, delivering heartfelt and saccharine tracks like “Ballad” and “Racer” in one moment, and fast-paced bangers like “Routine” and “Speed Dial” the next. Each track is dense with expert engineering skills and tactics, while still being accessible enough to appeal to hip-hop fans both old and new. -Carter Fife

Favorite Tracks:

Ballad

Doublemint

Speed Dial


7. Anger Management by Rico Nasty

 
Anger Management.jpg
 

Release Date: April 25th, 2019

Record Label: Sugar Trap Records

Rico Nasty is one of the most awesome, if not the most awesome female rappers to enter the game over the past few years. To take note of her womanhood is not to say that she does not hold her own in comparison to male rappers. It is instead to say that what Rico Nasty does as an artist and a personality is extremely revolutionary, and her gender is a large part of what makes what she is doing right now so impactful. On her newest project Anger Management, Rico Nasty does not water down the aggressive, in-your-face rap style she became known for with singles such as “Smack a Bitch” and “Key Lime OG.” Rico Nasty reclaims anger not as something inherently negative. She rejects the notion that black women are angry without cause. On Anger Management, Rico Nasty explores the various facets of aggression, frustration, and how such emotions dissolve into, or are perhaps fronts for, melancholy and exhaustion. And with the entire tape produced by the dynamic Kenny Beats, Anger Management is not a project to sleep on. -Kaila Cherry

Favorite Tracks:

Cheat Code (Feat. Baauer)

Hatin

Big Titties (Feat. Baauer and EarthGang)


6. Everythings for sale by boogie

 
Everything's For Sale.jpg
 

Release Date: January 25th, 2019

Record Label: Shady Records/Interscope Records

Compton MC Boogie made some major waves last October when he received a huge Eminem cosign and an actual record deal from Shady Records. In January, the young rapper returned with his Shady Records debut Everythings For Sale and it did not disappoint. Over the 40-minute run time, Boogies honestly reflects on a broken relationship, new fame, and his current day to day life. Throughout the tape Boogie proves why Pitchfork called him one of the best young emcees in the country. The tape is exceptionally cohesive and if you immerse yourself in Boogie’s world and experiences you should find that 40-minutes will feel more like 20. Boogie’s lyricism is a perfect mix of cool California dialect and witty lines that emphasize his smart and reflective themes. He gives us up-beat bangers like the JID assisted “Soho” as well as introspective reflections like “Lolsmh” or “Whose Fault”. This album is complete, thought-provoking, and one of the best releases of the year. -Spencer Lobdell

Favorite Tracks:

Silent Ride

Soho (Feat. JID)

Live 95


5. Crash talk by schoolboy q

 
Crash Talk.jpg
 

Release Date: April 26th, 2019

Record Label: Top Dawg Entertainment/Interscope Records

When a TDE project drops it is almost a lock that it will be one of the best of the year and CrasH Talk seems like an album that Q really made for himself. This album finds the Los Angeles artist in a vulnerable headspace as he not only was going through depression, but also dealing with the passing of two of his peers in Mac Miller and Nipsey Hussle. What came out of this tragedy was an album that really gave us an audience a look into the inner workings of Schoolboy Q’s mind. A track like “Numb Numb Juice” is still able to be one of the standouts on CrasH Talk because of just how hard hitting and quality the beat is, and the way Q is able to sound so cut throat during the duration of the song. That being said this is in stark contrast to a song like “Black Folk” which is very self deprecating. Q acknowledges his shortcomings and fears not even just as a rapper, but as a man walking through life. He no longer has the gangster exterior that audiences have grown so accustomed to, but instead is now a vulnerable man who is just trying to do right by himself and the people he loves. That is the whole theme of CrasH Talk and it can be seen even more clearly in the title track “CrasH”. Though we all may not be famous rappers or have grown up in the streets of California like Schoolboy Q, we all could “crash” at some point. No person is invincible to the struggles of life, and Schoolboy reminds us that we should embrace these difficulties and use them to make us that much better in the long run. -Miles Hagan

Favorite Tracks:

Numb Numb Juice 

Drunk (Feat. 6LACK)

Black Folk


4. ventura by anderson .paak

 
Ventura.jpg
 

Release Date: April 11th, 2019

Record Label: Aftermath Entertainment/Interscope Records

Anderson .Paak’s Ventura showcases everything we love about the soulful California native. Said to be a counter-part to his prior album Oxnard which was released five months earlier, Ventura showcases Paak in his ideal environment being authentically himself. It is musically unmatched and conceptually rich. It’s both sexy (“Jet Black”) and politically charged (“King James”) but always in moderation to keep it tasteful. With Ventura Anderson truly created timeless music as I foresee songs like “Make It Better” and “What Can We Do” staying in my musical rotation until I can no longer hear. -Spencer Lobdell

Favorite Tracks:

Make It Better (Feat. Smokey Robinson)

Jet Black (Feat. Brandy)

What Can We Do (Feat. Nate Dogg)


3. When I get home by solange

 
 

Release Date: March 1st, 2019

Record Label: Columbia Records

Solange Knowles’ radical album When I Get Home is easily the most artistic project of the year so far. When I Get Home is not easy to explain, to start, what exactly is the genre? Is it hip hop, as suggested by features with prominent rap artists Playboi Carti and Gucci Mane? Is it soul? R&B? Further, what is the “home” that Solange is referring to? Is this place literal or figurative? Solange manages to answer all of these questions throughout the course of the album. When I Get Home is an iconographic representation of the black experience in the most celebratory sense. Solange embraces her black womanhood and embraces Houston, Texas. The project radiates warmth and familiarity. It creates a home within itself. When I Get Home is wholly inviting, sonically stunning, and lyrically beautiful album that I cannot help but come back to when I am in need of empathy, of comfort, of a place to call home. -Kaila Cherry

Favorite Tracks:

My Skin, My Logo (Feat. Gucci Mane)

Jerrod

Beltway


2. Zuu by denzel curry

 
ZUU.jpg
 

Release Date: May 31st, 2019

Record Label: Loma Vista Records

Coming off his most conceptual album to date (TA13OO), many wondered what direction Denzel would head next. The answer to that was obvious to Curry: he would go home. With ZUU, Denzel tastefully simplified his music showing us that sometimes the obvious answer can be the best answer with proper execution. ZUU is a short album with no skippable tracks. It’s abrasive and in-your-face without being inaccessible for less intense fans thanks to cuts like “WISH” and “SHAKE 88”. Songs like “BIRDZ”, “AUTOMATIC”, and “RICKY” provide long term Denzel fans with his unmatched flow and clever lyricism that they have grown to expect. All-in-all, Denzel made an excellent career decision and the result is a Miami masterpiece. -Spencer Lobdell

Favorite Tracks:

ZUU

RICKY

AUTOMATIC (Feat. Tay Keith)


1. IGOr by Tyler, the creator

 
IGOR.jpg
 

Release Date: May 17th, 2019

Record Label: Columbia Records

Tyler, The Creator can't be ignored any longer. It is officially his time. Gone are the days of him trying to shock the audience more and more with each track on an album. On IGOR, Tyler manages to continue his incredible growth while also remaining appealing to mainstream audience. A song like “EARFQUAKE” sounds like nothing else that has been put out this year, but is also topping the charts and is able to seamlessly utilize one of the most unique talents rapping today in Playboi Carti. Not only is IGOR sonically interesting, but it also tells a story of falling in and out of love that any listener could relate too. While a song like “A BOY IS A GUN” has some of Tyler’s best rapping on the project, what shines through is what he is saying about the dangers of falling for someone who may not feel the same way back. What makes this the album of the year thus far is that we are seeing an artist who knows his talents as a lyricist, yet still tries to make an album that is great without the traditional constraints of the rap genre. Each track is produced with great care and focus so that the beats aren't just something in the background of him rapping, but actually what helps the listener really feel what Tyler wants them to feel. The perfect example of this is the closing track of the album “ARE WE STILL FRIENDS”. This is a beautiful conclusion to the journey that Tyler just took us on. On this conclusion, Tyler doesn’t even rap but instead he once again lets his amazing production take the stage and what comes out of it one of the most heartfelt and emotional tracks on an album that deserves every bit of critical acclaim that it has received. Though clearly not a trained singer, Tyler doesn't shy away from his more melodic side and it comes across as honest and real. IGOR is one of the best albums of the year because it isn’t just a great rap album, but a great musical experience throughout. -Miles Hagan

Favorite Tracks:

Earfquake 

A Boy is a Gun

Are We Still Friends


Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

The Idiosyncratic Genius of Flying Lotus: “Flamagra” Album Review

Flying Lotus.jpg

The first time I ever heard Flying Lotus I was in high school driving around downtown San Fransisco with a close friend of mine who had the privilege of selecting the soundtrack for the day. I can distinctly remember when “Coronus, The Terminator” came through the speakers, and I immediately turned to my friend and asked him: “What is this, and is there more of it?”. The song was so minimal in composition, while also demonstrating an emotional tone so passionate and meaningful that I had to hear more. Few artists have provoked such an instant interest within me, and since then I have delved deeply into every album, every project, and every track that he has been involved with thus far. Although Flying Lotus, also known as ‘FlyLo’, has not been exactly radio silent since his last album in 2014, the amount of excitement that a five year wait can instill into a fanbase as committed as his is almost unparalleled. 

Announced just a month ago, I spent the past few weeks ravenous for new information and music from the Los Angeles Native. Before listening to the album on release day, I combed through the liner notes. I felt joy seeing names I recognized, and researched the names I didn’t. I wanted to know what to expect, who would be playing what instrument on certain tracks, and who the writers, producers and engineers were as well. Gradually, the hype I felt shifted increasingly into a synthesis of excitement and anxiety as I read names like Solange, Thundercat, and even a personal hero of mine, Toro Y Moi as contributors to the album. This anxiety may seem uncommon, but after similar experiences with the Gorillaz’s 2017 return HUMANZ, and Travis Scott’s sophomore album Birds in the Trap Sing McKnight, I was worried that the 27 track, 67 minute album that many had waited so long for would be potentially too busy. While the previous albums weren’t necessarily disappointments, I was concerned that Flying Lotus’s sixth studio record may have been muddled with the ideas of others preventing the talent of FlyLo to shine through. 

I could not have been more wrong.

Flamagra sees Ellison at his peak, with almost every track being simultaneously quick and easy to digest, while also having the depth and richness of a legendary piece of classical music. This is not an understatement. Somehow each of the 27 tracks are just as resonant as the last, lending themselves to a cohesive whole, though some songs exist in  totally different musical genres. Every moment subverts your expectations, whether it is the melodies, arrangements, chord progression, percussion, or even the brief moments of lyricism on certain tracks. Back from a long hiatus, Ellison presents the listener with 27 tracks that are the aural equivalent of rich appetizers: easy to consume but almost impossible to completely understand. That is a good thing however, as I’ve listened to certain tracks dozens of times and am still picking out drums, effects, and vocals that were previously hidden.

The opening track “Heroes” is an eerie introduction to Flying Lotus’s return to form. The lush instrumentation and hazy feel gives the song an almost vaporware-flavor. Suddenly as the percussion picks up, samples from Dragonball Z come in as the musical tone shifts as well. The track turns over into a more jazz-oriented composition, with Thundercat simply massacring the track with a hectic but funky guitar riff. The guitar ends, “Heroes” turns over once more into a spacious and ambient track as if to say, “catch your breath, there’s no slowing down”, and the next track begins. 

“Post Requisite”, the second track, borrows many musical themes and ideas previously explored in Flylo’s genre-defining Cosmogramma and Los Angeles albums. Fans of favorites like “Auntie’s Harp” and “Do the Astral Plane” will be unable to resist this banger, as Post Requisite's funk-laden baselines and constantly changing drum patterns make it clear that Thundercat had a hand in this song’s creation. In addition to this, the jazzy low-fi elements of this track almost feels like Flying Lotus has returned home with a few new tricks up his sleeve. 

“Heroes in a Half Shell” is another track with the classic random humor of Ellison in the title, and although it is only half as long as the previous track, it still contains a busy and hectic piano arrangement with notes drifting in and out of earshot, as if one was floating down a river with multiple piano concerts happening just feet away. The song transitions nicely into “More” featuring a truly killer performance by Anderson .Paak, who delivers a mediation on love and self-reflection. He sings on the infectiously catchy hook, "Breakin' you down to size / There's gotta be more to life than myself / That's when I caught light of myself / Gotta be somethin' more that I can't tell”. Paak’s effortless confidence pairs well with the background vocals from Norelle, and clocking in at just over 4 minutes, this track is one of only three songs on the album to break the four minute mark.

The next track “Capillaries” is a slightly off-kilter and glitchy cut from the album, with delicate piano melodies that are vaguely reminiscent of entering a quiet bathroom during a busy party. The track also features very heavy percussion that conveys a hard-hitting marching feel when paired with the other instruments. This rhythm continues into “Burning Down the House”, where kicks and claps come together with a sometimes funky, sometimes ambient instrumentation. It is a nice detour before “Spontaneous” featuring the Swedish electronic-fusion band Little Dragon, an ethereal track with vocals so dreamlike that only Little Dragon could deliver. This track is all over the place, sometimes sounding like 80’s rock music, and other times like jazz or funk, but by the time the song ends, it feels just as consistent as it did in the opening seconds. 

“Takashi” is the longest track on the album by far, and at just under six-minutes, it is easily also one of the most infectiously fun and playful cuts off the album. Flylo’s use of the classic analog Rhodes synthesizer paired with the mechanical and calculated feeling of the drums makes this song truly unique and an invaluable part of Flamagra as a whole. The upbeat and electric feeling of the song fits almost every situation, whether it be a crowded house party, or a quiet morning at home. The song ends before you know it, slowly winding down while still maintaining its funky atmosphere before transitioning into “Pilgrim Side Eye. One of the goofiest and most eclectic tracks on the album, this moment features writing credits from Herbie Hancock and features instruments that are played in reverse in instances akin to a modern Captain Beefheart. Right when you think you have the track figured out, the beat switches into spacious and dreamlike pads that transition nicely into track ten, “All Spies”. 

Featuring a much more conventional drum track, “All Spies” has a distinctly nostalgic 8-bit feel that was commonly invoked on Ellison’s 2014 album You’re Dead!. It is fun, experimental, and features a bit of a musical shift in the track list. “Yellow Belly” featuring Philadelphia native Tierra Whack is a very heavy throwback to FlyLo’s “Dead Man’s Tetris”, with playful rapping paired over stilted percussion and weighty low-pitch synth melodies. Whack raps humerously "In the sky, I'm so high, everyone looks up to me / You a virgin, you could not compete (I put my titties in his face)” before the song quickly changes into the comparably darker experimental rap-track “Black Balloons Reprise” featuring Denzel Curry. 

This track is everything one could hope for from a Flying Lotus and Denzel Curry collaboration, where themes from Curry’s 2018 TA13OO shine through when he raps "The night turns to day and my days don't seem the brightest / ... I wanna take a bite out of what life is / If the President fuck around and piss off ISIS / Bury me in blueberry bills, jewels, and ices”. With multiple layers of background vocal layers, the song carries with it a simultaneously funky, and choir-inspired classic rap track. Curry closes his verse by lamenting "I kick that funky shit until my casket closed”, and he is not wrong.

The next track “Fire is Coming” contains a horrifying spoken word piece by David Lynch about a family realizing that a fire is approaching their house. This is a theme that Flamagra is centered around, a concept that Ellison describes as “...a lingering concept about fire, an eternal flame sitting on a hill […] Some people love it, some people hate it”. The track, like the concept, contains a science-fiction adjacent composition with ambient and space-like pads and heavy bass, with the classic Thundercat and Flying Lotus funk that is so present on the record. Released as one of the singles leading up to the album’s release, “Fire is Coming” ended up being a self-fulfilling prophecy about Lotus’s own upcoming album. 

Inside Your Home” is a much more spacious and elegant track, with occasionally hectic and busy moments that one would come to expect from Flying Lotus. It acts as a short interlude before “Actually Virtual” featuring vocals from the legendary Seattle-based group, Shabazz Palaces. Delivering lines like "From east blew in a plush wind, with nomads that blow grass /To gold flow that's so passionate, styles dash, we so cash”, this track is incredibly engaging despite the sparse instrumentation that occupies the background of the song. The following track Andromeda is a very chill and relaxed track that almost sounds like it could be an indie-rock song at times. It is just as enjoyable as it is short, as just after a minute passes, it is over. 

The last third of the album begins with “Remind U”, a similarly chill and laid-back track that gradually unfolds and flourishes as the song becomes more and more upbeat. The drums pick up, the bass lines go faster, and right before they reach a climax they recoil back as a glittering piano track ends the song as quickly as it began. “Say Something” is a beautifully haunting track containing some of the most vaudevillian string melodies since Panic! At The Disco’s A Fever You Can’t Sweat Out almost a decade ago. Although the song is also fairly short, the wonky piano melodies in the background make the track a nice but ominous detour before Debbie is Depressed. This track is a simultaneously funky and upbeat soulful track, though the vocals contain some of the most dejected lyricism on the album. The song is about the monotony of quotidian life, and how it is both a blessing and a curse. The track ends quickly with an angelic string arrangement that stands in strong opposition to the sadness laid out in the track. “Find Your Own Way Home” continues this string track into a track that softly blooms and wilts in under two minutes.

The Climb” features vocals from Thundercat, and fans of his last album Drunk will be sure to love this song. The vocal harmonies are incredibly lush, and Thundercat’s falsetto singing sounds amazing over the jazzy and hip-hop influenced drums and the dense string sections. Created in perhaps an optimistic light after “Debbie is Depressed”, Thundercat sings "Most of the things we're going through make no sense / Even though you feel alone, it's not the end / And when you're feeling out of place and nowhere you can hide / Just close your eyes and take a breath and you'll be alright”. “The Climb” is definitely one of the high points on the album, as Thundercat and Flying Lotus are able to pair jazz, soul, disco, and hip-hop into one easily accessible track that will be in heavy rotation for many fans of the like this summer. After the song ends, the two take a breather with “Pygmy, a fun and exotic-sounding track containing echoing nature samples and chill contemporary piano melodies. 

Flying Lotus 2.jpg

Thins begin to pick up again on “9 Carrots” featuring Toro Y Moi, where the track begins with powerfully delicate strings and angelic vocal harmonies before transitioning into a funky and vintage soul beat. Ellison and Bear trade lines while singing about the loss of love, detailing its emotional strain with lyrics like "There's a woman that I know / Who now wants me feeling happier when the day breaks / … / Don't you give it away, give it away”. Both Bear and Ellison’s signature styles of chill wave and experimental electronic funk find a new home on this track, and together they both sound utterly incredible. 

Ff4” is one of the four closing tracks on the album, featuring a soft and elegant instrumental arrangement of piano flourishes and chords, as well as low-fi drum patterns that almost make this sound like a direct cut off of the youtube playlist ‘low-fi songs to chill/study to’. The track ends, an ominous and beautiful string arrangement fades in and out, and Solange begins to sing on “Land of Honey. There is not much to say about this song that can accurately portray how well Flying Lotus and Solange pair together, as their combined talents offer themselves on a track that is the musical equivalent to slowly sauntering around a beautifully overgrown garden. Solange even nods to the concept directing Flamagra, singing "When you see smoke, there's fire”, and softly singing “Hallelujah” as the song quietly ends. 

Thank You Malcolm” is very similar to “Remind U”, as both tracks start soft before increasing in intensity, and right before their peak, the song transitions into the next track. Both these tracks, while beautiful in their own rights, act as springboards into the following tracks, and in the case of “Thank You Malcolm, the song launches the the listener into the final track, “Hot Oct.”.

Like the very first moments on Flamagra, “Hot Oct. contains many elements of vaporware music that convey a sense of the fantastical and the surreal. Ambient pads and down-pitched vocals slowly lead the listener out of the album, as the song slowly and peacefully fades away. Like Denzel Curry said on Black Balloons Reprise, “We all die”, and just like that Flamagra is over.

It is no easy task to host as many musicians and collaborators as Flying Lotus has on Flamagra, while still maintaining the personal integrity and identity of the album as your own album. This balancing act is made effortless by Flying Lotus, as each collaborator, such as Thundercat and his camp, Anderson .Paak and his camp, Little Dragon, Toro Y Moi, Tierra Whack, Denzel Curry and Herbie Hancock, is in a position that makes sense within the narrative of the album. None of them overpower the work of Flying Lotus, as each one is able to play with and flourish under the canvas that Flying Lotus has laid out for them. While at first I was skeptical as to how Ellison could pull this off, he proved me wrong by creating Flamagra, an album that is so layered and complex that it seems much more appropriate to call it an elaborate dinner party that Flying Lotus is hosting for his friends. 

Very few other artists host the talents that Flying Lotus has, and even fewer artists could pull off such an exceptional feat such as this project. Every song is its own moment of diverse instrumentation and emotional tone, and I am happy to say that Flamagra was worth the wait. Few artists alive are as idiosyncratic and talented as Flying Lotus, so it logically follows that if any artist could pull this off after all, it would be him. Be sure to check him out at a live show sometime, his visuals and music will be sure to capitate even the most skeptical critics. In the meantime, I’ll be anxiously awaiting the release of his next project.

Favorite Tracks:

(too many to choose)

Post Requisite

The Climb (Feat. Thundercat)

9 Carrots (Feat. Toro Y Moi)

Rating 10

Listen to Flamagra here:

Flamagra, an album by Flying Lotus on Spotify

Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

Songs of the Week: May 19th

 
Goldlink.jpg

Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior along with one throwback song of the week. To stay up to date on all new music, follow my Spotify playlist “What I’m Feeling” which is updated weekly to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:

A playlist updated weekly with whatever new songs I'm feeling at the time. Always 30 songs and in order with what I'm feeling the most at the top.

New Songs of the Week:

“Zulu Screams” by GoldLink (Feat. Maleek Berry & Bibi Bourelly)

Zulu Screams (feat. Maleek Berry & Bibi Bourelly), a song by GoldLink, Maleek Berry, Bibi Bourelly on Spotify

Last Tuesday DMV rapper GoldLink blessed us with one of the most infectious cuts released this year. “Zulu Screams” is packed with energy and the pulsing P2J instrumental makes it impossible to not get up and move from the first four-count. While I’m unsure of the status of GoldLink’s next album, it seems safe to assume that “Zulu Screams” will make the cut meaning we will hopefully get the tape sooner rather than later. Maleek Berry gives the smooth joint a latino feel with a beautifully sung hook that gives us a break from GoldLinks unorthodox flow that is so captivating. Bibi Bourelly comes in on the bridge for an intense, dance-hall inspired deviation from the cut that really ties the song together and sets it apart as one of the most interesting releases this year.

Feelin’ like a brand new me
And the entourage where the latest be
And the sun don’t shine where the gangstas be
And we Russian roulette to a game of three
— GoldLink "Zulu Screams"

“I THINK” by Tyler, The Creator (Feat. Solange)

I THINK, a song by Tyler, The Creator on Spotify

While many songs off of Tyler’s newest album IGOR could’ve been selected in this spot, “I THINK” was chosen because of Tyler’s extremely relatable writing, the awe-inspiring production that graces the entire album, and Solange’s beautiful vocal layering and background melodies on the hook. On “I THINK” Tyler wonders if he should continue to be vulnerable with a partner who has hurt him. While he knows it would be in his best interest to separate from this person, he is overly curious and hooked like many of us have been before. Two minutes into the track the songs dives into an instrumental bridge that is carried by one of Tyler’s favorite synth sounds as it dances across a scale and beautifully builds us up back into the hook. “I THINK” is one of my favorite moments off of IGOR.

Mess with T on-off
Fuckin’ up my ambiance, pause
You drive me cuckoo and I cough
’Cause I want you like Leon Ware
— Tyler, The Creator "I THINK"

“Higher” by DJ Khaled (Feat. Nipsey Hussle & John Legend)

Higher (feat. Nipsey Hussle & John Legend), a song by DJ Khaled, Nipsey Hussle, John Legend on Spotify

Where it was difficult to pick which Tyler track to feature this week, it was a no brainer (no pun intended) when it came to DJ Khaled’s new album Father of Asahd. The late king of LA and Crenshaw rapper Nipsey Hussle delivers two excellent verses in his first release since his passing. His first verse is uplifting and motivating as he raps about his grandparents and how he came to be in America. For the second verse, Khaled switches the beat to something less grand and more mischievous. Nipsey matches this instrumental perfectly and reflects on the harder parts of his life living in South Central. This verse is harder to listen to now that we know Nipsey’s tragic fate. Lines like, “Emptied out the clip, it was broad day/Fuck niggas always gotta learn the hard way” hit different when you’ve seen videos of the late rapper getting shot in the middle of the day. R.I.P to a true king, the marathon continues, long live Nipsey Hussle.

South Central state of mind, high crime rate
Homicide, hate, gang banging’ll get you all day
And look at my fate
— Nipsey Hussle "Higher"

Throwback Song of the Week:

“65 Hunnid” by Vince Staples

65 Hunnid, a song by Vince Staples on Spotify

“65 Hunnid” is the second track off of Vince’s Staples’ Def Jam debut mixtape Hell Can Wait and one of the hardest songs in his discography. The greatness of this song begins with the eerie instrumental by Infamous. The horns at the beginning of this song are so fitting and beautifully segway us into the first hook. The drums used on this track are unusual but yet feel right at home under Vince’s Long Beach drawl. Lyrically, Vince is extremely sharp which should surprise no one. Throughout the song he continues to switch up his flow and use different rhyme patterns I’ve never heard before. “65 Hunnid” is an absolutely essential track from one of the most talented emcees making music right now.

Feel the 4, when I’m feelin’ low, time to stretch a nigga
Ridin through ya section, shit, I hope you got protection with ya
— Vince Staples "65 Hunnid"

Check back in next week for three new hot songs and one new throwback! Follow us on Twitter and Instagram to get updated when we post:

 
Gallery Block
This is an example. To display your Instagram posts, double-click here to add an account or select an existing connected account. Learn more

Solange's “When I Get Home” is a Gentle Ode to Love and Culture

solange-when-i-get-home-album.jpg

Solange is no stranger to the music industry. It is easy for someone less familiar with her discography to believe that she was not active in the community prior to her seminal album A Seat at the Table, released in 2015. Solange has been making and releasing projects for nearly two decades. In that time, she has defined her sound, solidified her personal aesthetic, and delved deeper and deeper into her own artistry. The culmination of these facets of her image manifest themselves without trepidation on her new studio album When I Get Home.

The title of the album communicates a sense of longing and a desire to go back to where she came from. The concept of “home” for Solange is her city and state of origin, Houston, Texas. References to Houston culture are apparent throughout the project. In “Way to the Show,” Solange sings of chrome decorated “candy painted” cars. The song titles “Almeda” and “Binz” are named after streets in Southern Houston, and she pays homage to the late Houston hip hop legend DJ Screw throughout the project.

When I Get Home is not simply a love letter to Solange's hometown. It is also a love letter to black culture. In tracks such as “Almeda,” “My Skin My Logo,” and “Binz,” Solange celebrates the beauty of blackness with full conviction. In “Almeda,” the chorus is the naming of “black” things, both in color, like molasses, and in cultural significance, such as braids. She then asserts, “These are black-owned things/ Black faith still can't be washed away.” “My Skin My Logo” is a collaboration between Solange and Gucci Mane, in which they both take pride in the things they enjoy, whether that be, in Solange's case, drinking and shopping, or in Gucci’s, “slanging” and “banging.” “Binz” features the lyrical couplet “Dollars never show up on CP time/I just wanna wake up on CP time.” CP time is an abbreviation for “colored people time” which plays into the stereotype that black people are always late. Solange reclaims this negative rhetoric and turns it on its head in such a clever way that I couldn’t help but grin when I first heard it.

When I Get Home also carries within it the themes of self love, sexuality, and female empowerment. Of the 19 tracks on the project, five of them are interludes. Some of these are wholly instrumental while others include some kind of narration. On “Can I Hold The Mic?” Solange embraces the multiplicity of her identity with the lyric: “I can't be a singular expression of myself, there's too many parts, too many spaces, too many manifestations…” making it clear to us that she will not be contained, limited, or kept in a box by any person, institution, or entity. Later on the album, the interlude “We Deal with the Freakin” takes a sample from an Alexyss K. Tylor video entitled “Sperm Power 2” where she says, “It's not about the physical manifestation of sex...First, I’m tryna get women to understand the dynamic power and the spiritual energy. Do you know how magnificent you are?” The interludes work to connect the various themes of the album together and they heavily aid to the overall cohesiveness of the project.

700534967.jpg

Outside of being thematically solid and artistically strong, When I Get Home has the additional benefit of being worked on by an array of extremely talented and cutting edge artists. Big names such as Earl Sweatshirt, Gucci Mane, Cassie, Pharrell Williams , Tyler, the Creator, Steve Lacy, Metro Boomin, Playboi Carti produced tracks, provided instrumentation, sang background vocals, or, in the cases of Playboi Carti and Gucci Mane, had full features on the project. Solange did not only pull from this prominent pool of hip hop and alternative artists. She also collaborated on tracks with Dev Hynes of Blood Orange, Sampha, The-Dream, Panda Bear from the experimental pop group Animal Collective, and female rapper Abra of the Atlanta rap label Awful Records.

The amount of artists that came together to work on the project added a new layer of depth and interest to Solange’s floaty, dreamy, jazzy R&B sound. When I Get Home incorporates sparkly instrumentation, with bright piano chords, high pitched synths, and deep bass hooks all bolsted with echo effects and reverb. With the sweet and calming tone of Solange’s vocals and harmonies, the album is wonderfully enchanting, addicting, and undeniably vibey.

It can be hard to believe that with 19 tracks the duration of the album is only 40 minutes. With most songs being under or slightly above three minutes long (with the exceptions of “Down With the Clique” and “Time (is)”), Solange is able to pack a lot of content into a small package. Although Solange’s melodies and some of the instrumental aspects of the album can lose their definition as the album nears its end, When I Get Home does not drag significantly or feel too long. Moreover, many of the songs on the project feature lyrical repetition. This could be seen as a detriment to some, but I believe the repetition throughout the album is never done absentmindedly or as filler. Solange’s repetition of certain lyrics or certain flows is intended to bolster the album’s easy listenability, give attention to the beauty of the instrumental work and production, and to reinforce themes and ideas that she wants to ensure we continue to think about and engage with long after the last track finishes.

When I Get Home is a patchwork quilt of the most interesting, creative, and innovative musical minds in the industry today. Outside of that, Solange uses the album as a declaration to all that she loves. She loves Houston. She loves her blackness. She loves her femininity. She loves sex. She loves wealth and prosperity. And Solange is able to express this love for herself and her life in way that is not braggadocious. Solange invites us through her album on a journey of self actualization. When I Get Home is a mechanism through which we can reflect upon our own values, legacies, and desires and encourages us to not be afraid to show admiration for all the parts of us that make us who we are.

Solange, you beautiful black cowgirl, you truly created an incredible piece of art.

Best Songs:

Binz

Almeda (feat. The-Dream and Playboi Carti)

Stay Flo

Rating: 9

Stream When I Get Home here:

When I Get Home, an album by Solange on Spotify


Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

Gallery Block
This is an example. To display your Instagram posts, double-click here to add an account or select an existing connected account. Learn more