Albums To Ride Out the Quarantine To

By StereoVision Staff

As many of us remain isolated in our homes, resigned to living lives devoid of social interaction not involving our roommates or family members, it can feel difficult not to go a little bit stir-crazy. Whether you live totally alone, or if you came back home to help your parents only to be asked to sanitize every room of the house on a tri-weekly basis (yours truly), many of us have had to get creative when coping to this change of lifestyle. Luckily, some members of the Stereovision team decided to provide their favorite records for riding out the all the sheltering, social distancing, and quarantines that have quickly dominated our daily agendas. From recent releases to modern classics, we hope you give these records a listen.

Toro Y Moi - Anything In Return (2013)

“Speaking from my own perspective - I am so fucking anxious all the time, so naturally you can expect that the past month has not been the greatest time for me. In dire need of an outlet where I can allow myself the opportunity to *relax*, I find myself listening to this album almost constantly. Straight from the brain of one of the people who popularized the term ‘chillwave’, Toro Y Moi’s 2013 opus is packed with easily digestible indie-electronic tracks that can range from relaxing to plain fun.” -Carter Fife

Jay Electronica - A Written Testimony (2020)

“After patiently waiting many years, Jay Electronica fans rejoice now that his new album A Written Testimony has dropped. The timing of the release couldn’t have been better, considering his wisdom can provide us with a sense of clarity in this uncertain time. The best part is we all have more time now, allowing us to give he album the in-depth listen it deserves.” -Colson O’Connor

G Herbo - PTSD (2020)

“Most G Herbo projects are definitely an acquired taste for many listeners from outside his hometown of Chicago, Illinois. PTSD is slightly different. G Herbo's reflections in songs such as "Feelings" and "Intuition" are a clear indication that the rapper is transforming into a better artist and person. The most popular song named after the album features Chance the Rapper, Juice WRLD, and Lil Uzi Vert. Sitting at just around a month old, it is time to give PTSD a listen if you have not already. Check out a more in-depth review of the album here!” -Amaya Lorick

Mac Miller - Circles (2020)

Being stuck around the house all the time can put you through a lot of different moods. Mac Miller’s ingenious album Circles, consists of songs for every one of those moods. His slow-tempo, rainy day jams are perfect for staying sane at home during this crazy time.” -Colson O’Connor

Sevdaliza - Ison (2017)

“Dutch-Iranian songwriter & producer Sevdaliza delivers a dark, atmospheric, and lush blend of alternative R&B and trip-hop with her debut album Ison. Across the project’s exploration of love and what it means to be a woman in our modern world, she creates a landscape of stuttering drum loops, sinister chord progressions, and haunting vocal refrains that ultimately transcend into pure, unadulterated beauty. It’s one of my personal favorites of all time, and I would highly recommend listening to the tracklist in order, but if I had to pick and choose a few standout tracks, then “Hubris,” “Amandine Insensible,” “Hero,” and “Loves Way” would be a good place to start.” -Owen Tait

REASON - There You Have It (2018)

“Top Dawg Entertainment signee, REASON, is still early in his career but has already made a name for himself in his debut album There You Have It. The project opens with a skit, titled "Rufus Collection", and is followed by 11 vividly reflective songs. Before signing with TDE in August 2018, There You Have It was independently released in 2017. The remastered project's most popular song Better Dayz was well received by Ice Cube in a special segment posted by Genius. This album was a great introduction to where REASON came from and could possibly be key to understanding who he is as an artist.” -Amaya Lorick

Jai Paul - Leak 04-13 (Bait Ones) (2019)

“Originally leaked six years earlier by an anonymous user on Bandcamp, UK producer, singer, and songwriter Jai Paul officially released Leaked 04-13 (Bait Ones) to streaming services in 2019. The project is a collection of 16 demos Paul wrote prior to the album’s leak, but the quality of the music here wouldn’t indicate their unfinished nature in the slightest. Featuring slick vocal hooks and tons of wonky production tricks throughout, Bait Ones is a tight, feel-good alternative pop record that will be sure to keep your vibes up during social isolation. Check out tracks such as “Str8 Outta Mumbai” and “jasmine - demo” for a good taste of what this album has to offer.” -Owen Tait

Isaiah Rashad - The Sun’s Tirade (2016)

Isaiah Rashad has no problem having his fans wait for new music. This album from 2016 is what really put him on the map as the next one up out of TDE. The Sun’s Tirade is a showcase of emotional and self reflective raps, and the sounds on this range from jazzy instrumentation to more traditional trap. -Miles Hagan

Rich Gang - Tha Tour Pt. 1 (2014)

“Prior to the beef and bullshit, one duo reigned supreme, prolifically dropping music and poised to take over the rap game. In 2014, Young Thug and Rich Homie Quan might as well have been Andre 3000 and Big Boi the way they took the direction the sound was heading and forced it to turn on a dime, changing the course of hip-hop history in the process. The duo resembled Outkast in more ways than the influence though. Rich Homie Quan acted as the Big Boi to Thugger’s three stacks by anchoring the young superstar and providing constancy, allowing him to develop into one of the all-time great he was born to be. In addition, there are few tapes that show such palpable influence to today’s specific pop rap sound, just listen to “I Know It” once and tell me you don’t hear DaBaby, Gunna, and Lil Baby. Tha Tour 1 is one of the most important mixtapes of this generation and is absolutely as slimy as it gets.” - Spencer Lobdell

The Internet - Ego Death (2015)

“Lead by Odd Future vocalist Syd and assisted by artists such as Steve Lacy and Kaytranada, The Internet’s Ego Death is a fresh, charismatic fusion of R&B and neo-soul that will ease the pressure of being cooped up at home. Boasting plenty of groovy bass lines and jazz-inspired percussion, this project is simply hypnotic, a quality that is certainly aided by Syd’s infectious refrains and melodies. The standout tracks on this record include—but are not limited to—“Go With It,” “Under Control,” and ‘Special Affair.’ ” -Owen Tait

Grimes - Art Angels (2015)

“You might be thinking: What if being too relaxed is my biggest problem right now, and what if I am struggling to feel something underneath the weight of perpetual isolation’s monotony? Look no further - Art Angels is so off-the-walls and high-octane that one listen will have you sprinting around your home screaming “B-E-H-A-V-E, arrest us!” into your hairbrush. At just under 50 minutes long, it will provide you with the perfect daily workout, forgetting you are confined to your home in the first place” -Carter Fife

Action Bronson - Mr. Wonderful (2015)

In a time where our scenery may get a bit repetitive music is a way for us to still paint vivid pictures. Few are better at this than Action, who delivers slick verses over incredible and unique production. There are several standout singles from this project that still impress me till this day. -Miles Hagan

EARTHGANG - Torba (2015)

“Throw it back to 2015 in quarantine and listen to EARTHGANG’s EP “Torba”. Every track is named after each day of the week, and each cut perfectly depicts the vibe of each day. The beats on this album have such a unique bounce, and EARTHGANG comes in with a crazy flow that do the beats justice. There also happen to be smooth features from artists Mac Miller and JID that add to the greatness of this EP.” -Colson O’Connor

NxWorries - Yes Lawd! (2016)

“In 2016, NxWorries (Duo made up of singer/rapper Anderson .Paak & producer Knxledge) released their only project ever titled Yes Lawd! While Anderson .Paak music is always excellent, Knxledge’s production brought greatness out of the artist and led to him creating his best music ever. The album is one of the more cohesive hip-hop projects I’ve ever heard showcasing a similar chill vibe and cool energy that never gets old on most tracks. I don’t know if it’s Paak’s cutting vocal inflections, ultra-dynamic singing voice, or the introspective ways he writes about love, but something about his performance on this record is very special to me, solidifying Yes Lawd! as a personal top five record of all time.” - Spencer

KAYTRANADA - 99.9% (2016)

Production allows the imagination to wander. 99.9% is one of the best albums we have received from a producer in a while. Not only does he offer stellar beats from start to finish, but the list of guest features is to notch. Its upbeat tone and wild creativity draw you in from the moment you press play, and make it hard to press pause for the next hour. -Miles Hagan

Dom Kennedy - Los Angeles Is Not for Sale, Vol. 1 (2016) 

“While LA native Dom Kennedy has made some great music over the course of his career, nothing comes close to his magnum opus, Los Angeles Is Not for Sale, Vol. 1. Nobody does relaxed west coast gangsta rap like Kennedy and he is in full force throughout this entire project. On this record, Dom combines a sharp pen with a laid back SoCal delivery resulting in an hour of addicting bops to hotbox your mom’s car to.” -Spencer Lobdell

Donnie Trumpet & The Social Experiment - Surf (2015)

“Back in 2015, Chance the Rapper, Nico Segal (formerly known as Donnie Trumpet, and their band partnered with Apple Music to release Surf for free! It's leading single "Sunday Candy" will get you in the mood to do something productive and spread love from afar. The 16-song project has features including Big Sean, J. Cole, and Quavo but these artists were purposely left unlisted. If you have not already listened to Surf, I challenge you to allow yourself to be surprised by all of its guest appearances.” -Amaya Lorick

Baby Keem - DIE FOR MY BITCH (2019)

“I really do not have too much to say about this one. Is it too late to call it a deep-cut at this point? It doesn’t matter. Fans of outrageous rap and stellar production link up and join the Baby Keem fandom before the hype-train leaves the station. Keem’s irresistibly catchy hooks on tracks like ‘BULLIES’ and ‘TOP RAMEN’ will make you an instant fan, and the possibility of an upcoming collaboration with Kendrick might give you something to look forward to this year. Whether or not you’re already a fan, it is never too early - or too late - to enjoy this record.” -Carter Fife

We hope these records help lift your spirits in such an uncertain time. Stay safe out there, and be sure to let us know what you’ve been listening to over the past few weeks.

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The Double-Edged Sword of Kaytranada: "BUBBA" Album Review

By Carter Fife

The year is 2016. It is June, and you and your friends are spending the summer days going to new places, eating at new restaurants, and making the most of the warm weather. You go out at night and misbehave without a care in the world. Life is simple, and the music is good, but what’s on rotation? If you were in my circle - it would certainly be a cornucopia of both commercial and strange music. On some days, we would play Travis Scott’s Rodeo, Kanye’s The Life of Pablo, Drake’s Views, and maybe even Chance’s Coloring Book if we were feeling like it. On others we would play Blank Banshee’s Blank Banshee 0, The Avalanches’ Wildflower, Anderson .Paak’s Malibu, and Toro Y Moi’s Samantha. No album, however, got as much airtime as Kaytranada’s first studio album, 99.9%.

I cannot even describe how much this album meant to me back then. I had just graduated high school, and I was in one of the best eras of my life. When people make memes about Summer ‘16 being the last time they felt happy, I understand exactly what they mean, even though I don’t think that it was all downhill from there (like Frank Ocean would say at the end of the summer on 2016’s Blonde). Kaytranada’s unique synthesis of electronic, dance, hip-hop, and funk music made for an album packed with simultaneously chill and hyped-up tracks like ‘GOT IT GOOD’ with Craig David, or the mega-hit ‘GLOWED UP’ with Anderson .Paak, who at that point was still relatively unknown. I hate to be cliché, but this was the soundtrack to my summer, and things never really went back to normal once I started college that fall. 

Since then I have tracked Kaytranada’s career like a borderline psychopath. In doing so I have inadvertently developed an eerily accurate ear for his production style, so when listening to a new album I can identify whether or not kaytranada worked on the record or not. My enthusiasm for the Montreal-DJ has made me into a bit of a know-it-all, but I don’t care. I could talk for hours about his unreleased tracks and where he played them, his infamous Boiler Room set and the various characters that weave in and out of the frame, and even the artists that were rumored to have been in the studio with him. For over three long years, I waited for a new record, devouring the handful of singles we were treated to as they were released. Eventually, in November of 2019, a new record was announced and shortly thereafter released. Finally Kaytranada’s sophomore album Bubba was here, and my expectations were sky-high. 

The Question: Could it live up to the hype, and reignite a youthful exuberance that had been waning since that fateful romantic summer of 2016?

The Answer: Kind of? Allow me to explain.

Bubba sees the return of Kaytranada doing what he does best - synthesizing electronic and funk together into fun bouncy club bangers. This time around, he has brought out many more friends than he did in 2016. This record features contributions from artists like Tinashe, Pharrell Williams, Mick Jenkins, Estelle, Vanjess, Masego, Kali Uchis, SiR, Goldlink, and Ari PenSmith. Clearly the budget for this record is enormous, but does this translate into good music? For the most part - yes it does. 

‘2 The Music’ is a classic intense Kaytranada dance track with an unconventional chord structure, a mix that sounds better than sex and more low frequencies than my Apple AirPods can handle. Mick Jenkins and Kali Uchis both do their thing on their respective tracks, lending their sing-rapping over Kaytranada’s production brilliance, and for the most part the album does not disappoint. For some reason, however, this album has me craving more. This is not so much due to my ravenous nature as a Kaytranada fan, but I feel that Bubba, while impressive and enjoyable, sees Kaytranada integrating more elements from R&B, dancehall and afrobeat styles of music than funk and hip-hop. This is not a bad thing by itself, but on a 17-track record like Bubba the repetition can negatively impact how ‘replayable’ some of the tracks become as they age. 

Take for example ‘Midsection’ featuring the GOAT Pharrell Williams. This song in a vacuum is enjoyable, as there is nothing wrong with it sonically and if I heard it at a party I would surely be excited. The structure of the song however features little variance despite the track being almost five minutes in length - an eternity for a dance track. The low-fidelity vocal melodies are fun but I have slowly noticed myself skipping this song more and more as it has come up when shuffling my music. The merits of the track, at least for me, quickly become circumstantial, and I am left looking at my individual track ratings that I allotted to the album last December (mostly 4 and 5 stars) with more and more confusion. I wish I could go back to when the album was new to me - a sentiment that I now hold for both of Kaytranada’s albums. 

It must be said that Kaytranada’s work on Bubba in perfecting his craft is apparent, as ‘The Worst In Me’ with Tinashe showcases just how much of an apex R&B powerhouse Kaytranada has become. There are other tracks just like this, though despite them exemplifying production expertise, they are far too similar to the sounds heard 3 years ago to make much of a lasting impact. Then there are other tracks that venture into new musical sounds, but are too repetitive to justify listening to for the song’s whole duration. ‘Puff Lah’ is a 2 minute track that continuously loops an eight second dance loop. It is enjoyable while it is on, but after a while the song changes and you can barely remember what the song sounded like despite its repetitiveness. 

Bubba is a great record, whose greatest flaw lies in that its innovations do not resonate with someone with my music tastes. There are certainly many enjoyable tracks that may not age as gracefully this time around, as compared to 2016’s 99.9%, but that is not to say the record was not worth the wait. Maybe it did not revive my youthful vigor, but instead it helped put things into perspective. To be 22, and to write about myself at 18 like I am 60 years old is frankly ridiculous. Kaytranada and I both have changed since the simple comforting summer days years ago, and to expect that this record would take us both back while mirroring 99% is both unfair and unrealistic. In many ways this album is a meditation on aging and the progression of an artist, as it both innovates from and recedes into previous musical styles already perfected by Kaytranada. I hope that this album ages well and enters my weekly rotation over the next three years, and I know that the next time Kaytranada releases music I will be eager to listen.

Favorite Tracks

2 The Music (Feat. Iman Omari)

Grey Area (Feat. Mick Jenkins)

The Worst in Me (Feat. Tinashe)

Rating: 7

Listen to BUBBA here:

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The Top 25 Hip-Hop/R&B Albums of 2019

By StereoVision Staff

Welcome to StereoVision’s top 25 hip-hop/r&b albums of 2019. The past twelve months have been filled with highly anticipated releases that exceeded expectations, debut albums that catapulted unknown artists into stardom, and experimental projects that pushed boundaries and continued to move us towards a world where music can no longer be described by genre. With so much great music constantly being released, it can be hard to keep up and sometimes exceptional albums go overlooked. That’s where we come in. Over the last two weeks on 2019, our team of writers and critic here at StereoVision have been revisiting 2019’s deep discography and making sure that our readers won’t enter the new decade having missed out on one of the best projects of the year. For each album selected in our year-end list, our team selected three standout tracks from the record which were compiled into a playlist which you can find here:

Listen along as you read and get a taste of any project you might have not tapped into in 2019. Now without further ado, the top 25 hip-hop/r&b projects of 2019:

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25. Please Excuse ME For Being AntiSocial by Roddy Ricch

Release Date: December 6th

Record Label: Atlantic Records

At the beginning of December, LA’s golden child released his debut album Please Excuse Me For Being Antisocial and solidified his spot as one of the top emerging emcees rapping. After dropping potentially the song of the year in “Ballin” with DJ Mustard, Roddy Ricch continued to ride his momentum into his first real album creating a project that is packed with hits without ever sacrificing cohesion or the flow. The album clearly showcases everything fans love about Roddy: His vivid story telling that instantly transports listeners to South Central Los Angeles upon pressing play (“Intro”), his ear for hit melodies and cool California vernacular (“The Box”), and his piercing singing voice that always flexes perfect pitch (“High Fashion”). The cherry on top of this excellent offering is masterfully crafted transitions that allow each song to seamlessly flow into the next making the entire album feel complete. Omitting only Baby Keem, there is no new artist I’m more excited to hear music from in 2020 than Roddy Ricch. -Spencer Lobdell

Favorite Tracks:

The Box

High Fashion (Feat. Mustard)

Bacc Seat (Feat. Ty Dolla $ign)

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24. foto by Kota the friend

Release Date: May 15th

Record Label: Independent

This spring, Kota the friend dropped the incredibly bright FOTO, an instant classic for his cult following and a wholesome introduction to the New York rapper to new listeners. Throughout the album’s hour long run time, Kota uses each song as a different memory painting an authentic self portrait and helping us understand who Kota the Friend truly is. This intimate connection he is able to make with listeners is undoubtably why the rising artist has such a dedicated fan base and why his stock continues to rise everyday. On FOTO Kota accomplishes exactly what he set out to achieve. He paints a picture of his life so vivid that I felt like I was there when Kota’s mom and his aunt Marcell saw their father at the dance studio for the first time in years. Kota beautifully creates a photo album that he can go back to and reference while still keeping the quality of his music and its mainstream appeal at an all-time high. Thank you to Kota The Friend for a summer soundtrack that I predict will still be getting played in years to come. -Spencer Lobdell

Favorite Songs:

Church

Hollywood

Alkaline

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23. Outer peace by toro y moi

Release Date: January 18th

Record Label: Carpark Records

Within the first few weeks of 2019, fans of Toro Y Moi were blessed with a new album from Chaz Bear himself. During the promotion for Outer Peace, Bear frequently mentioned how he was tired of making sad love songs, and on Outer Peace there is a clear shift from the pensive sadness of 2017’s Boo Boo into a emotional range that while being fun and optimistic, still has its moments of melancholy and doubt. At 10 tracks long, the Bay-Area native provides his fans with a diverse family of tracks, some low-fi and melodic like “New House” or “Monte Carlo” featuring Wet, others infectiously catchy and uplifting like “Freelance” and “Who Am I”. This was my favorite record of the year, and I have found myself revisiting these tracks almost constantly. The record is perfect for every occasion, so don’t be afraid to throw this on next time you get aux. You won’t regret it. -Carter Fife

Favorite Tracks:

Law of the Universe

New House

Monte Carlo (Feat. Wet)

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22. Rap or go to the league by 2 Chainz

Release Date: March 1st

Record Label: Def Jam Records

Completely A&Red by LeBron James, Rap or Go to the League is a triumphant comeback for our favorite trapper, 2 Chainz. The album is conceptual and frequently draws parallels between rap and basketball while diving deeper into the troubling idea that the two occupations are two of the only viable options for underprivileged blacks to succeed in America. Chainz uses a polished pen to do so and flexes some of his most impressive verses since his come up on this project. With help from an impressive feature list including Kendrick Lamar, Travis Scott, Ariana Grande, Lil Wayne, E-40, Chance the Rapper, and many others, it should come as no surprise that Rap or Go to the League secured a spot on our list. -Spencer Lobdell

Favorite Tracks:

Money In The Way

Momma I Hit a Lick (Feat. Kendrick Lamar)

I’m Not Crazy, Life Is (Feat. Chance The Rapper & Kodak Black)

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21. Perfect ten by Mustard

Release Date: June 28th

Record Label: Interscope Records

LA producer Mustard, formerly known as DJ Mustard, gave us everything we wanted and more in his third studio album Perfect 10. Aside from many features from hot artists like Roddy Ricch, Migos, and Nipsey Hussle, Mustard killed the execution on the production side. It is chock-full of anthems and there is so much bounce throughout the whole project that it’s almost impossible to sit still while bumping the album. His #1 song off of the album, “Ballin”, is now grammy nominated for best rap/sung performance. This turned out to be both Mustard and Roddy Ricch’s first ever grammy nomination, and it was definitely well-deserved. -Colson O’Connor

Favorite Tracks:

Baguettes in the Face (Feat. NAV, Playboi Carti, & A Boogie Wit Da Hoodie)

Ballin’ (Feat. Roddy Ricch)

Perfect Ten (Feat. Nipsey Hussle)

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20. Fever by Megan Thee Stallion

Release Date: May 17th

Record Label: 300 Entertainment

Megan Thee Stallion is the “it girl” of 2019. This summer, Megan blew up with her mixtape Fever, ​released in May. ​Fever​ was the perfect project to kick off the summer, with Megan trading in her Tina Snow persona for a new one she deemed “Hot Girl Meg.” Hot Girl Meg was what she called a “college party girl,” and was the embodiment of sex appeal, independence, and a carefree attitude. On ​Fever​, Megan showed her range in being able to rap about anything from sensual lovemaking to robbing a man of everything he is worth. Truly an inspiration for the girls. -Kaila Cherry

Favorite Tracks:

Cash Shit (Feat. DaBaby)

Best You Ever Had

Simon Says (Feat. Juicy J)

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19. The Life of pi’erre 4 by pi’erre bourne

Release Date: June 21st

Record Label: Interscope Records

The return of famed rapper/producer Pi’erre Bourne has been long awaited. Since wrapping up 2018 with his collaborative record with fellow producer Cardo, many have been anxiously awaiting the fourth installment in the ‘The Life of Pi’erre’ saga. When the album finally dropped in June 2019, fans were not disappointed. TLOP 4 is a rollercoaster through contemporary hip-hop from the eyes of the man who has helped shape it. From forming the careers of artists like Young Nudy, Playboi Carti, and 6ix9ine, Pi’erre Bourne’s influence and expertise in modern hip-hop/trap synthesis cannot be understated. On his newest record Pi’erre constantly flexes his production skills and his songwriting abilities, delivering heartfelt and saccharine tracks like “Ballad” and “Racer” in one moment, and fast-paced bangers like “Routine” and “Speed Dial” the next. Each track is dense with expert engineering skills and tactics, while still being accessible enough to appeal to hip-hop fans both old and new. -Carter Fife

Favorite Tracks:

Poof

Routine

Speed Dial

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18. baby on Baby by dababy

Release Date: March 1st

Record Label: Interscope Records

DaBaby shows the world that short men do in fact have rights with his infectious breakthrough project Baby on Baby which was the beginning of a dominant 2019 for the Charlotte newcomer. DaBaby does not take himself too seriously in his music or his visual aesthetic. His music videos are completely kitschy and absurd. He has posed as figures such as Scarface and Suge Knight, and even filmed a video that parodied sitcom television. DaBaby’s bars are hilarious and clever. But do not get it twisted: He is not one to mess with. He is tough as hell, and, as he spits in the track “Suge,” if given any disrespect he will “... beat your ass up all in front of your partners and children.” Baby on Baby is a refreshing project that is funny, surprisingly crude, and full of dope bangers prime for all your summer antics. —Kaila Cherry

Favorite Tracks:

Suge

Pony

Carpet Burn

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17. assume form by James Blake

Release Date: January 18th

Record Label: Polydor Records

Ominous, hypnotic, and ultimately gorgeous, James Blake blends his signature downtempo sound with elements of rap and trip-hop on Assume Form. Blake’s vocal melodies soar over the album’s minimalist production, and the instrumentals show just how much he can make out of so little. Moments such as the climactic ending to “Barefoot in the Park” and James’ vocal cracks in “I’ll Come Too” are enough to conjure emotions on their own, and his candid lyrics only make these segments more potent. His arrangements are simply beautiful—even experimental at times—and the result is an extremely cohesive blend of alternative music and hip-hop. -Owen Tait

Favorite Tracks:

Mile High (Feat. Travis Scott & Metro Boomin)

Where’s the Catch (Feat. André 3000)

Don’t Miss It

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16. Everythings for sale by boogie

Release Date: January 25th

Record Label: Interscope Records

Compton MC Boogie made some major waves in 2018 when he received a huge Eminem cosign and an actual record deal from Shady Records. In January, the young rapper returned with his Shady Records debut Everythings For Sale and it did not disappoint. Over the 40-minute run time, Boogies honestly reflects on a broken relationship, new fame, and his current day to day life. Throughout the tape Boogie proves why Pitchfork called him one of the best young emcees in the country. The tape is exceptionally cohesive and if you immerse yourself in Boogie’s world and experiences you should find that 40-minutes will feel more like 20. Boogie’s lyricism is a perfect mix of cool California dialect and witty lines that emphasize his smart and reflective themes. He gives us up-beat bangers like the JID assisted “Soho” as well as introspective reflections like “Lolsmh” or “Whose Fault”. This album is complete, thought-provoking, and one of the best releases of the year. -Spencer Lobdell

Favorite Tracks:

Silent Ride

Soho (Feat. JID)

Live 95

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15. crash talk by schoolboy q

Release Date: April 26th

Record Label: Interscope Records

From a rap standpoint, Schoolboy Q has everything. Critical acclaim came to him with the Blank Face LP. He is a member of arguable the most respects collective in hip-hop in TDE. Yet his life outside of music has not been a walk in the park. On CrasH Talk Q looks at himself as a man and takes a step back to evaluate his own life and the people around him. This is the most relatable he has every sounded on any project. He does stay true to his hardened exterior on excellent cuts like “Numb Numb Juice”, on which he sound cut throat and motivated from the start. While this was the single released from the album, what is a more accurate representation of what makes CrasH Talk so quality is a song like “Black Folk”. Schoolboy strips away all ego and is just a man with many doubts and fears which he articulates over the ominous production in the background. This is what people want from artists when they release projects, not more of the same. This is an honest picture that Schoolboy painted for us of his life right now, he isn't a gangster or famous rapper, but a person just like you or me with doubts about himself, his carrer, and the world around him. While it may seem like a melancholy collection of music, Q finds a way to communicate these feelings in an interesting way and still come the conclusion that no person to ever walk this Earth is immune to what he, and a lot of us, are going through and that is perfectly okay. -Miles Hagan

Favorite Tracks:

Drunk (Feat. 6LACK)

Black Folk

Dangerous (Feat. Kid Cudi)

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14. flamagrama by flying lotus

Release Date: May 24th

Record Label: Warp Records

Very few names carry the weight that Flying Lotus’s does in music. A mysterious prodigy who masterfully meanders through genres like electronic, experimental, R&B, jazz, funk, and hip-hop, Lotus returns from a long hiatus to deliver ‘Flamagra’, a 27-track record that spends approximately an hour showcasing Lotus’s musical prowess. It is impossible to sum up this album in just one paragraph, but listening to this album is an experience very akin to Alice’s trip through Wonderland. While some tracks may not last as long as one might wish, they each leave lasting impressions that resonate within long after Flying Lotus transitions to another musical ideas. Featuring help from artists like Thundercat, Toro Y Moi, Solange, David Lynch, Denzel Curry, and Anderson .Paak (just to name a few), Flamagra was certainly worth the wait. -Carter Fife

Favorite Tracks:

Post Requisite

More (Feat. Anderson .Paak)

Land of Honey (Feat. Solange)

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13. The lost boy by ybn cordae

Release Date: July 26th

Record Label: Atlantic Records

Although he is only 22 years old, YBN Cordae managed to get two Grammy nominations on his debut studio album The Lost Boy: one for best rap album and the other for best rap song. YBN Cordae seemingly came out of nowhere and took the world by storm. He released his album in July and is already touring internationally with hundreds of thousands of fans screaming his lyrics. Cordae brings an original sound and flow to the table that is undeniably smooth. When you take that and pair it up with a couple features from incredibly successful artists such as Anderson .Paak and Chance the Rapper, it’s a no-brainer he was grammy nominated twice. The best part is, he is only just getting started, and we’re excited to see what the future holds for him in 2020. -Colson O’Connor

Favorite Tracks:

RNP (Feat. Anderson .Paak)

Broke As Fuck

We Gon Make It (Feat. Meek Mill)

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12. revenge of the dreamers iii by dreamville

Release Date: July 5th

Record Label: Interscope Records

This year J. Cole and the rest of his Dreamville team set out to create a rap album unlike anything we’ve seen before. With fear of regret not working with more artists in his career, Cole decided to host a 10-day rap camp. Golden ticket-like invites were sent out to over 100 artists and producers from all over the music genre spectrum. Not only was it the diversity of the artists that was so important, but the blend of popular and low-key artists is what made the project so special. It gave smaller artists a chance to finally get some recognition for their outstanding talent. A documentary was released along with the album, and it truly painted the picture of the competition that was created among themselves. In a situation like this, you don’t get put on the album by being passive. You gotta come with the heat and you must make the most of your opportunities as only the top songs will make the cut. This created a friendly and competitive energy, and they would feed off of each other to push themselves to bring out their best work. When discussing the top rap album of 2019, Revenge of the Dreamers III must be in the conversation. -Colson O’Connor

Favorite Tracks:

Under the Sun (Feat. J. Cole, Lute, & DaBaby)

Down Bad (Feat. JID, Bas, J. Cole, EARTHGANG, & Young Nudy)

Sacrifices (Feat. EARTHGANG, J. Cole, Smino, & Saba)

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11. Angel’s pulse by blood orange

Release Date: July 12th

Record Label: Domino Recording Company

Following the release of his fourth studio album ​Negro Swan ​in 2018, Blood Orange kept the up his momentuem with the drop of his mixtape ​Angel’s Pulse i​ n July. Blood Orange is an incredibly multifaceted artist who, over the course of his decades long music career has created rock tracks, funk, R&B, indie pop, and even dabbled in a bit of hip hop and rap. ​Angel’s Pulse ​is nothing short of these influences with Blood Orange traversing through different musical styles and genres effortlessly throughout the course of the project. With his wonderfully smooth and funky production style coupled with his immaculate lyricism, ​Angel’s Pulse ​was undoubtedly one of the most refreshing and artistic projects of the year. -Kaila Cherry

Favorite Tracks:

Dark & Handsome (Feat. Toro y Moi)

Benzo

Tuesday Feeling (Choose to Stay) (Feat. Tinashe)

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10. All My Heroes are cornballs by jpegmafia

Release Date: September 13th

Record Label: EQT Recordings

Rapper & experimental producer JPEGMAFIA follows up his captivatingly chaotic Veteran with an equally unpredictable and glitchy trip on All My Heroes Are Cornballs. Opting to incorporate sung hooks and melodic verses, JPEG’s delivery is more dynamic than ever, and the plunky synths and heavy chords he casts across the record compliment his characteristically unhinged drum patterns extremely well. Despite this instrumental shift in tone, JPEG’s lyrics are as aggressive and self-aware as ever, and he evens manages to shout his way through verses on tracks such as “PRONE!” and “Kenan Vs. Kel.” Overall, the album displays a larger range of what JPEGMAFIA is musically capable of, all while remaining compact, cryptic, and undeniably awesome. -Owen Tait

Favorite Tracks:

Kenan Vs. Kel

All My Heroes Are Cornballs

Thot Tactics

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9. Zuu by denzel curry

Release Date: May 31st

Record Label: Loma Vista Recordings

Coming off his most conceptual album to date (TA13OO), many wondered what direction Denzel would head next. The answer to that was obvious to Curry: he would go home. With ZUU, Denzel tastefully simplified his music showing us that sometimes the obvious answer can be the best answer with proper execution. ZUU is a short album with no skippable tracks. It’s abrasive and in-your-face without being inaccessible for less intense fans thanks to cuts like “WISH” and “SHAKE 88”. Songs like “BIRDZ”, “AUTOMATIC”, and “RICKY” provide long term Denzel fans with his unmatched flow and clever lyricism that they have grown to expect. All-in-all, Denzel made an excellent career decision and the result is a Miami masterpiece. -Spencer Lobdell

Favorite Tracks:

WISH (Feat. Kiddo Marv)

SPEEDBOAT

CAROLMART (Feat. Ice Billion Berg)

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8. Bandana by freddie gibbs & madlib

Release Date: June 28th

Record Label: RCA Records

If it’s bars you’re looking for, look no further. Backed by lush, opulent instrumentals from legendary hip-hop producer Madlib, Freddie Gibbs flows effortlessly throughout the vast majority of Bandana’s runtime. The midwestern rapper tackles his past, his success, his wrongdoings, and an array of sociopolitical issues that truly allow his lyrical & storytelling abilities to shine. And while Gibbs is certainly capable of manning an album by himself, he is more than happy to add excellent features from his A-list friends, with Pusha T even turning in Complex’s “Rap Verse of the Year” on the sixth cut “Palmolive”. The power behind Gibbs’ words and his technical abilities were enough to make the album continue to grow on me throughout the year, and standout features from Gibbs’ colleagues solidified the project’s spot on my list. -Owen Tait

Favorite Tracks:

Palmolive (Feat. Pusha T & Killer Mike)

Flat Tummy Tea

Giannis (Feat. Anderson .Paak)

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7. Mirrorland by earthgang

Release Date: September 6th

Record Label: Interscope Records

BREAKOUT ALBUM! That is the only way that Mirrorland can and should be described. Johnny Venus and Doctur Dot put the rap game on notice that they are a force to be reckoned with and maybe the best duo in rap right now. Mirrorland sounds exactly like them, and it is incredible to see these young artists make their major label debut and not compromise. Instead they use it to get a host of guest features that simply lift the album to a completely different level. Young Thug on “Proud of U” brings an energy that perfectly matches EARTHGANG, and it seems like the three Atlanta rappers have been spitting together for years. As the album slows down the group calls upon Kehlani to deliver a seductive smooth verse on “Trippin”. Mirrorland perfectly displays the versatility of the group. The first half of the project gives audiences the energy and flows that caught the attention of people early on in their careers, but the second half where they slow their storytelling ability and emotion makes the project so great. They should get praise for getting T-Pain to deliver on of his best contributions to a song in a very long time. It all come to a fitting conclusion on “Wings”, where the boys reflect on where they came from and where they want to go. If Mirrorland is any indication, they have a very bright future. -Miles Hagan

Favorite Tracks:

Tequila (Feat. T-Pain)

Trippin (Feat. Kehlani)

Wings

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6. Die For my bitch by baby keem

Release Date: July 19th

Record Label: Independent

If you tapped into Baby Keem’s Die For My Bitch in 2019 you witnessed history. On my personal favorite album of the year, fans witnessed an artist with an unmatched ceiling come into his own and deliver his first excellent body of work. The LA artist showed significant growth since his last project highlighting his aggressive rise to inevitable stardom. The tape sacrifices unity and cohesion to instead display Keem’s wide variety of sounds and styles that he is proficient in, a great decision for an upcoming rapper looking to catch the attention of unfamiliar fans. While “ORANGE SODA” was one of the most fun hip-hop moments of the year and introduced the world to Keem’s sharp flow and one-of-a-kind vocabulary, some fans might not have realized that Keem’s entire album is equally as captivating and entertaining. All the claims I made throughout 2019 saying that Keem was a superstar were confirmed in November when I went to his show in Los Angeles and was treated with one of the most electric live performances I’ve ever been to. There’s a reason that A$AP Rocky and Kendrick Lamar were spotted at his shows on the Die For My Bitch tour. There’s a reason he was photographed having lunch with Jay-Z this past winter. There’s a reason that Drake called Die For My Bitch the best album of 2019 along with Young Thug’s So Much Fun. On the second track “Honest” the LA artist raps “Baby Keem, shit I’m chosen” and after one listen through Die For My Bitch, it’s hard not to believe him. -Spencer Lobdell

Favorite Tracks:

ROCKSTAR P

ORANGE SODA

APOLOGIZE

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5. When I get home by solange

Release Date: March 1st

Record Label: Columbia Records

Solange Knowles’ radical album When I Get Home is easily the most artistic project of the year. When I Get Home is not easy to explain, to start, what exactly is the genre? Is it hip-hop, as suggested by features with prominent rap artists Playboi Carti and Gucci Mane? Is it soul? R&B? Further, what is the “home” that Solange is referring to? Is this place literal or figurative? Solange manages to answer all of these questions throughout the course of the album. When I Get Home is an iconographic representation of the black experience in the most celebratory sense. Solange embraces her black womanhood and embraces Houston, Texas. The project radiates warmth and familiarity. It creates a home within itself. When I Get Home is wholly inviting, sonically stunning, and lyrically beautiful album that I cannot help but come back to when I am in need of empathy, of comfort, of a place to call home. -Kaila Cherry

Favorite Tracks:

Almeda (Feat. Playboi Carti)

My Skin My Logo (Feat. Gucci Mane)

Binz

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4. BUBBA by kaytranada

Release Date: December 13th

Record Label: RCA Records

It has been over three long years since the Montreal prodigy Kaytranada released his debut LP 99.9%, a funk-laden electronic record complete with over a dozen guest appearances (including names like hip-hop favorite Anderson .Paak and jazz legend Karriem Riggins). BUBBA, Kaytranada’s recently released sophomore album, is another example of masterful and intentional dance/hip-hop/funk synthesis. On tracks like “10%” with Kali Uchis and “Grey Area” with Mick Jenkins, fans are treated to a signature style of electronic that urges the listeners to lean forward, and lay back simultaneously. Not every track is played safety to Kaytranada’s strong suits however, as certain dancehall-inspired tracks like “Go Dj” and “Vex Oh” show signs of risk-taking that pays off as the record becomes more familiar. It was a long wait for BUBBA, but after hearing Kaytranada collaborate with industry heavyweights like Tinashe and Pharrell, it is safe to say that fans will be satiated for a while. -Carter Fife

Favorite Tracks:

2 The Music (Feat. Iman Omari)

Puff Lah

The Worst In Me (Feat. Tinashe)

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3. Ventura by Anderson .paak

Release Date: April 11th

Record Label: Interscope Records

Anderson .Paak’s Ventura showcases everything we love about the soulful California native. Said to be a counter-part to his prior album Oxnard which was released five months earlier, Ventura showcases Paak in his ideal environment being authentically himself. It is musically unmatched and conceptually rich. It’s both sexy (“Jet Black”) and politically charged (“King James”) but always in moderation to keep it tasteful. Ventura is an album that proved it’s enduring replay value by getting better everyday since it’s release in early April. With Ventura Anderson truly created timeless music as I foresee songs like “Make It Better” and “What Can We Do” staying in my musical rotation until I can no longer hear. Well we all would like to be, no one is quite as smooth as .Paak. -Spencer Lobdell

Favorite Tracks:

Make It Better (Feat. Smokey Robinson)

King James

Jet Black (Feat. Brandy)

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2. So Much fun by young thug

Release Date: August 16th

Record Label: Atlantic Records

Does Young Thug Speak English? I think he answered that question with 2018’s Slime Language. The album title speaks for itself. So much of what makes So Much Fun great can really be seen through the way Thugger has talked about the project both before and after the release. There is no concept, no real goal or take-away, rather it is just Thug having a good time making music that will make his fans have a good time listening to. What we received was once again a version of the Atlanta rapper we were not accustomed to. “What’s the Move” and “Hop off a Jet” have a crisp beautiful island sound of production that captures the listener's ear instantly. The features across the board do not disappoint and help carry the project. So Much Fun also features what may be one of the most popular songs this year with “Hot” and its remix. Thug’s protegé, Gunna, shines on this effort and his verse on “Diamonds”on the deluxe version of the album needs to be talked about. What can really be taken away from this album is how it fits into the landscape of 2019. Hip-Hop has lost a lot of great talent recently because of the drug culture that artists like Young Thug and Future were a large part of creating. Thugger seems to be moving away from those narratives, or at least doing his best. There is a way to be this same well respects talented performer without the use of such detrimental lyrics, and its seems like Thug may have caught on to that. So Much Fun is a breath of fresh air, with an artist at the peak of his powers creating a vibe of positivity. -Miles Hagan

Favorite Tracks:

Hot (Feat. Gunna)

What’s The Move (Feat. Lil Uzi Vert)

Big Tipper (Feat. Lil Keed)

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1. igor by tyler, the creator

Release Date: May 17th

Record Label: Columbia Records

In a time where it feels like so many creatives are doing things for popularity or to be the next big meme, an artist who goes against expectations to make a beautiful piece of art that is entirely authentic is invaluable. This is exactly the feat Tyler, the Creator accomplishes on IGOR. This project comes on the heels of his most successful mainstream record yet, Flower Boy. Expectations were high and everyone was wondering what was next for the 28 year old rapper. If Flower Boy was his most honest album, on IGOR he tells the best story. The entire album plays like a movie not navigated by lyrics, but by stellar productions. Songs like “I THINK” and “RUNNING OUT OF TIME” are so incredible because they capture the feeling of falling for someone despite your best efforts almost entirely through the way the track sounds. Throughout, it seems Tyler’s character IGOR is trying to find out what is next the same way we all are and it is beautiful. Tyler still has tracks where he flexes his skills as an emcee. “A BOY IS A GUN” has bars from front to back, but he never overstays his welcome. Gone are the days of him trying to shock the world with every bar that comes out his mouth, now he is focused and precise with everything that he touches. That is what makes IGOR album of the year. There is nothing else that came out this year that sounds anything like it, and Tyler is an artist that is still hungry to get better, and that deserves to be celebrated. -Miles Hagan

Favorite Tracks:

EARFQUAKE

A BOY IS A GUN*

ARE WE STILL FRIENDS?

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