Rico Nasty: Nightmare Vacation Album Review

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For the past year, Rico Nasty has continued to build upon her outrageous, punk, and off-the-wall brand and strengthened her cult following along the way. Anticipation for her next drop was building since November 2019 when she shared a snippet of a then-unreleased hyper pop track produced by Dylan Brady of the experimental pop group 100 gecs that fans raved over. In February of this year, Rico Nasty was on the remix of the song “Ringtone” by 100 gecs, featuring other experimental pop artists Kero Kero Bonito and Charli XCX. These features from Rico Nasty led fans to believe that she was headed in a more gitchy and electronic direction for her next album. And they were right. In early December, after several single and music video drops, Rico Nasty released her debut studio album Nightmare Vacation to an audience who was starving for a full length project from her. Ever since then, Rico Nasty stans and casual listeners alike have been fed. One could even say they were treated to a wonderful meal that, while it may have been a little unusual, maybe even out of their comfort zone, it was absolutely satisfying and one that they will remember for years to come. 

Nightmare Vacation opens with the track “Candy.” “Candy” shows Rico Nasty in her element as she brags over a bass boosted beat with a quirky melody that ties everything together. The first line of the track opens the album in a simple but effective narrative fashion. She says, “On a dark and stormy night I don't blend in, bitch I shine bright.” With this lyric alone, Rico Nasty tells us that she stands out in every sense. She is a star no one can tell her otherwise. The project then moves into the next track, “Don’t Like Me.” “Don’t Like Me” utilizes the first two of several features on the album, Gucci Mane and Don Toliver. The song is light, bubbly, and highly addictive. “Don’t Like Me” is another foray of Rico Nasty into the world of pop. Although she does her fair share of rapping throughout the track, the melody during the chorus is so smooth and fun it will only take a couple of listens before you are singing along with them. The features from Gucci Mane and Don Toliver balance out the track nicely, providing a sense of grounding for the delightfully aloof track. If I had long blonde hair, I would absolutely twirl it around my finger while listening to “Don’t Like Me.” 

If there is one thing Rico Nasty is going to do, it’s make an amped up track that makes you want to fight the next person you see for no reason. Nightmare Vacation does not disappoint with two songs that undeniably embody that sort of energy: “STFU” and “Let It Out.” Even the music video for “STFU” is a play on the idea of an underground fighting ring with Rico’s gang challenging another to a brawl that dissolves into a mosh-filled rave. Both tracks show Rico spitting her most aggressive bars, putting the most rasp on her voice, and screaming her loudest screams. “Let It Out” in particular is extremely cathartic, with her, as the title suggests, holding nothing back in her performance. The ad libs are a character in it of themselves on the song and add another layer of attitude to a track that was already powerful in its own right. The production of “Let It Out” is as eclectic as ever and fully leans into the chaos with no reservations. “Let It Out” is the perfect punk/rap fusion and will be blasting in my ears at full volume the next time someone tries me (I feel bad for them in advance :)).

Perhaps you’re not in the mood to fight but you are in the mood. Nightmare Vacation has you covered on that front, too. “Back and Forth” featuring Amine and “Pussy Poppin” are both sensual tracks that speak to demon time like no other. The chemistry on “Back and Forth” between Rico and Amine is effortless. It also helps to have a man with a sexy voice on a song about sex and Amine fits the bill quite well. “Back and Forth” is much more subdued than it’s counterpart “Pussy Poppin.” Gitchy and cute, “Pussy Poppin” is one of four songs produced by 100 gecs and/or member Dylan Brady. On the track, Rico Nasty plays up a bimbo-esque trope with the lyric “I don’t really talk like this/I know/ But the nigga got a real big “wooo” fasho” said with her voice nasally and words drawn out like an airhead. Of course, this is all apart of the performance, as Rico raps explicitly about being in control of her sexuality throughout the song. 

One cannot talk about Nightmare Vacation without talking about the track that began the hype: “IPHONE.” “IPHONE” is what became of the teaser Rico Nasty played on Instagram Live on the faithful day in November of last year. This song is without a doubt the most experimental of all the songs on the album. The influence of Dylan Brady and 100 gecs can be heard as soon as the beat drops. Rico Nasty’s vocals are pitched up extremely high, comparable to the signature vocal style of 100 gecs lead singer Laura Les. The production style is extremely abrasive but controlled, creating a listening experience that is both frenzied and streamlined simultaneously. It is a paradox only 100 gecs and Rico Nasty can master with flying colors. In a Genuis Verified interview, Rico Nasty states that “IPHONE” is about relationships and how they can become toxic. This is demonstrated in the track as the song begins with the depiction of a couple infatuated with each other leading to a break up in which the man become obsessed with his now former love. A track that was already contemporary with it’s concept, “IPHONE” became even more telling of the times with the lyric “Smoking so much gas I forgot to put my mask on.” Originally a play on the term “gas mask,” now the line is something I’m sure many of us can relate to. 

Nightmare Vacation is the debut album of every fan’s dreams. The project is wholly Rico Nasty’s own, with all kinds of sounds and influences that she has explored throughout the course of her career all rolled up into one cohesive collection. With another winner on her hands, Rico Nasty continues to have me in the palm of her hand as she solidifies herself as one of my favorite artists out right now. Her work never ceases to amaze me and she truly is one of a kind. If you still haven’t hopped on the Rico Nasty train, now is your time before it leaves the station. Nightmare Vacation is just the beginning for Rico Nasty and from the way her career has progressed so far, it can only get better from here. 

Favorite Tracks

Let It Out 

OHFR? 

Pussy Poppin

Rating: 8

Listen to Nightmare Vacation here:

Listen to Nightmare Vacation on Spotify. Rico Nasty · Album · 2020 · 16 songs.


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Top 20 Hip-Hop and R&B Albums of the First Half of 2019

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Welcome to StereoVision’s top 20 albums of the first half of 2019. It has been a great six months for Hip-Hop, R&B, and music in general making this list challenging yet insanely fun to form. The creation of this list came from compiling all of our writers personal AOTY (Album of the Year) lists as well as extensive album debate and conversation throughout the first half of the year to ensure we have the perfect list that represents exactly what we dig at StereoVision. To get this list out in time, we had to cut off all albums released after June 23rd from consideration meaning albums like “Bandana” by Freddie Gibbs that were released in the last week of June are not eligible for selection. Listen along to our top 20 albums of the first half of 2019 by tapping in to our Spotify and Apple Music playlist which contains three spotlight songs from each selection. Stream it here:

 

This platylist contains three spotlight songs off of each of our top 20 Hip-Hop/R&B albums released during the first half of 2019

 

Without further ado, our top albums of the first half of 2019:

20. Still Summer in the projects by 03 greedo

 
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Release Date: April 19th, 2019

Record Label: Alamo Records

03 Greedo is a living legend and if his face tattoo of that exact phrase doesn’t convince you, one listen through Still Summer in the Projects should do the trick. The album is Greedo’s most cohesive effort to date and plays smoothly from start to finish. Greedo raps about familiar topics such as living life in Watts (“10 purple Summers”) as well as unfamiliar ones like a new perspective he received from being in the middle of a 20-year prison sentence (“Visions”). Overall Still Summer In The Projects is another exceptional release from 03 Greedo and with news that Greedo might be able to get out after five years on good behavior, we can only prey this is the case and continue to support his truly unparalleled music. Greedo is a musical anomaly, a figurehead for his hood, an LA icon, but above all, a living legend. Free 03! -Spencer Lobdell

Favorite Tracks:

10 Purple Summers

Gettin’ Ready

Visions


19. Grey Area by Little Simz

 
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Release Date: March 1st, 2019

Record Label: Independent

At the beginning of March majority of the United States was introduced to London-based emcee Little Simz and the pleasure was all ours. Deviating from the eccentric, dreamy, synth sounds that characterized her last album, on GREY Area, Simz opted for a blend of aggression, vulnerability, and genre-splicing to convey her experiences growing up and developing as an artist in a male-dominated industry. While following a theme of self-discovery and personal development, Simz displays true artistry through the presence of influences from a variety of musical genres that elevate her voice and message. The English artist displays great strength with hard hitting verses on cuts such as “Offence” and “Boss” but reels it back allowing us to invade her headspace on songs like the excellent “Venom”. With every bar she spits it’s clear that Simz has something to say and she demands you listen. -Izzy Stroobandt

Favorite Tracks:

Offence

Wounds

Venom


18. diaspora by goldlink

 
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Release Date: June 11th, 2019

Record Label: RCA Records

Diaspora is an ambitious project. GoldLink tasked himself with consolidating the global sounds of the black experience into a single album. And with each genre he explored, he owed it to the culture in which he drew from to do their music justice, to represent them accurately and genuinely with his audience. Diaspora is just that: the amalgamation of the black cultural experience as told through the sound we engage with in each pocket of the world we inhabit. GoldLink features afrobeat, house, Carribean dancehall, reggaeton, trap, classic hip hop, and more on his extremely diverse and funky project. Not the most lyrically strong, GoldLink nearly makes up for it with how well he executed the concept for the album. Diaspora is an accessible project for anyone, from the person who wants to globalize their ear to the person who just needs some tunes to vibe to. -Kaila Cherry

Favorite Tracks:

Joke Ting (feat. Ari PenSmith)

Maniac

U Say (feat. Tyler the Creator and Jay Prince)


17. Baby on Baby by Dababy

 
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Release Date: March 1st, 2019

Record Label: Interscope Records

DaBaby shows the world that short men do in fact have rights with his infectious breakthrough project Baby on Baby. DaBaby does not take himself too seriously in his music or his visual aesthetic. His music videos are completely kitschy and absurd. He has posed as figures such as Scarface and Suge Knight, and even filmed a video that parodied sitcom television. DaBaby’s bars are hilarious and clever. But do not get it twisted: He is not one to mess with. He is tough as hell, and, as he spits in the track “Suge,” if given any disrespect he will “... beat your ass up all in front of your partners and children.” Baby on Baby is a refreshing project that is funny, surprisingly crude, and full of dope bangers prime for all your summer antics. -Kaila Cherry

Favorite Tracks:

Suge

Pony

Carpet Burn


16. We All shine by ynw melly

 
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Release Date: January 18th, 2019

Record Label: Independent

YNW Melly’s We All Shine is far and away the best music he has every released. The Florida rapper is packed with personality and it comes through on every track. His songs are filled with authentic emotion giving them a powerful effect on listeners. “Ingredients” is fun and infectious to the point where you can’t listen without smiling while “No More” is a passionate public service announcement where he calls out a homie on his bullshit. If it wasn’t for a timely jail sentence, We All Shine showed every sign of being Melly’s coming out party and ushering him towards being a household name. Hopefully he can get out soon and continue to make excellent music full of emotion, substance, and his unparalleled pipes. -Spencer Lobdell

Favorite Tracks:

Robbery

Mixed Personalities (Feat. Kanye West)

Ingredients (Feat. Fredo Bang)


15. Flamagrama by Flying Lotus

 
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Release Date: May 24th, 2019

Record Label: Warp Records

Very few names carry the weight that Flying Lotus’s does in music. A mysterious prodigy who masterfully meanders through genres like electronic, experimental, R&B, jazz, funk, and hip-hop, Lotus returns from a long hiatus to deliver ‘Flamagra’, a 27-track record that spends approximately an hour showcasing Lotus’s musical prowess. It is impossible to sum up this album in just one paragraph, but listening to this album is an experience very akin to Alice’s trip through Wonderland. While some tracks may not last as long as one might wish, they each leave lasting impressions that resonate within long after Flying Lotus transitions to another musical ideas. Featuring help from artists like Thundercat, Toro Y Moi, Solange, David Lynch, Denzel Curry, and Anderson .Paak (just to name a few), Flamagra was certainly worth the wait. -Carter Fife

Favorite Tracks:

Post Requisite

More (Feat. Anderson .Paak)

9 Carrots (Feat. Toro Y Moi)


14. Assume form by james blake

 
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Release Date: January 18th, 2019

Record Label: Polydor Records

James Blake’s presence in contemporary music has grown heavily over the past several years. No longer is the singer-songwriter confined to the occasional appearance or feature on throwaway tracks, instead now Blake has evolved into a cultural mainstay. While previously established as an expert in the realm of laments and dejected tracks laced with heavy electronic instrumentation or glitchy production effects, Assume Form sees Blake exiting a depressive period. Blake quite literally assumes form on tracks like “I’ll Come Too” or “Power On”, where the listener can track in real time Blake shedding his reserved and destructive tendencies in the enjoyment of a new love interest. Each track is just as incredible as the last, featuring help from artists like Travis Scott, Moses Sumney, Andre 3000, Metro Boomin and ROSALÍA. Although some of the moments on this record could be explored more thoroughly, James Blake offers a precise and relatable emotional tone on this record that will not soon be forgotten. -Carter Fife

Favorite Tracks:

Assume Form

I’ll Come Too

Power On


13. Foto by kota the friend

 
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Release Date: May 14th, 2019

Record Label: Independent

FOTO was the perfect album for the summer. Kota the Friend is an artist who seems to have really found a signature sound on this project. He mixes his slick flows and relatable lyrics with laid back gorgeous beats. Rather than attempting to force a message on the listener, he paints a vivid picture with each track. A stand out single from the project was “Birdie”. On the album, he added a beautiful saxophone from Hello Oshay which compliments the song perfectly. He captures what it feels like to really be in love with the girl of your dreams. He shines on this project when he is really just rapping about his thoughts and feelings because Kota is a very relatable character. “Hollywood” offers a realistic perspective on fame and all that comes with it. Kota doesn't want to be that stereotypical rapper who went “Hollywood” and forgot who he was, but rather wants to attain this success in the industry through remembering and honoring where he came from. This idea of him paying homage to the people and experiences that brought him to this point is what makes FOTO so endearing to even the most hardened of listeners. -Miles Hagan

Favorite Tracks:

Church 

Birdie (Feat. Hello Oshay)

Alkaline


12. Outer Peace by Toro y moi

 
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Release Date: January 18th, 2019

Record Label: Carpark records

Within the first few weeks of 2019, fans of Toro Y Moi were blessed with a new album from Chaz Bear himself. During the promotion for Outer Peace, Bear frequently mentioned how he was tired of making sad love songs, and on Outer Peace there is a clear shift from the pensive sadness of 2017’s Boo Boo into a emotional range that while being fun and optimistic, still has its moments of melancholy and doubt. At 10 tracks long, the Bay-Area native provides his fans with a diverse family of tracks, some low-fi and melodic like “New House” or “Monte Carlo” featuring Wet, others infectiously catchy and uplifting like “Freelance” and “Who Am I”. Although I wish it were longer than half an hour, this summery record has something for everyone. -Carter Fife

Favorite Tracks:

Laws of the Universe

Freelance

Monte Carlo (Feat. Wet)


11. Rap or go to the league by 2chainz

 
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Release Date: March 1st, 2019

Record Label: Def Jam Recordings

It seems like whenever 2 Chainz releases a project at least one song off of it is a hit single in clubs and at parties all over the country. He has made some solid projects over the years, and is an established vet in the rap game. That being said Rap or Go to the League felt different. From the lack of singles before its release, to it being executively produced by LeBron James, this had the potential to be a great album from the well-versed trapper. What we got was actually one of the most cohesive projects of his entire career. A Standout track like “I’m not Crazy Life is” shows just how good this project is when it’s at its best. 2 Chainz flows over stellar production that allows him to really get across a point to the audience. There is a constant parallel between rap music and basketball throughout the album which intentionally alludes to America’s current social climate where young African American males feel like those are their only two ways out of their current situation. While Rap or Go to the League does have a message, there are still some bangers. “Momma I Hit a Lick” may take some listeners a few times to appreciate, but eventually the hard beat and unique flows from 2 Chainz and Kendrick Lamar are too much to deny. Overall this project succeeds because its feels like 2 Chainz really had a goal in mind this time around, rather than aim for as many radio plays as previous works. -Miles Hagan

Favorite Tracks:

Forgiven (Feat. Marsha Ambrosius)

Momma I Hit a Lick (Feat. Kendrick Lamar)

I'm Not Crazy Life Is (Feat. Chance the Rapper & Kodak Black)


10. the falling man by duckwrth

 
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Release Date: May 17th, 2019

Record Label: Republic Records

For those whose know Duckwrth solely from his earlier works such as I'm Uugly (2016) and An Extra Uugly Mixtape (2017), they will be quite surprised to hear the direction the South Central rapper went for his latest EP, The Falling Man. A complete divergence from the pop influenced lo-fi aesthetic he leaned on for the first leg of his career, The Falling Man shows Duckwrth experimenting with genre, voice inflection, and lyrical depth in a way he has never done before. Duckwrth dips his toes into rock, gospel, and trap throughout the course of the album and each venture is a success. The Falling Man is, for lack of a more creative term, a very solid album. It is a reliable listen that keeps listeners engaged and intrigued. Seeing Duckwrth explore and expand the scope of his music is exciting, and I am eager to see what he has in store for us next. -Kaila Cherry

Favorite Tracks:

Bow

King King

Nobody Falls (feat. Kiana Lede, Terrence Martin, Madasin)


9. Arizona baby by Kevin Abstract

 
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Release Date: April 25th, 2019

Record Label: Question Everything Inc/RCA Records

Kevin Abstract has managed to maintain his individual stardom while being part of the wildly successful super-group, Brockhampton. He has been able to accomplish this rare feat by always making sure his music contains emotion. Each track on ARIZONA BABY, no matter what the subject matter or actual lyrics are, is uncompromisingly honest. Sometimes this honesty is beautiful like on the track “Peach”, which features two of Kevin’s Brockhampton band mates in Joba and Bearface as well as rising star Domonik Fike. Like many of the songs on this project, it is able to mix a more sing song chorus and beautifully played guitars with some solid rap verses from Kevin. While the appeal of this track mainly stems from it just simply sounding beautiful, Kevin really shows his talent as a rapper on a track like “Use Me”. This has one of the most interesting and unique beats to be used in a rap song. Kevin experiments with different flows and tells a compelling story on this cut, but is so impressive because like most of the other tracks on ARIZONA BABY we have never heard anyone spit over sounds like this. This project shows what the bright future of rap in this generation has the potential to be. A seamless combination of rap and incredibly produced pop music. No other mind would be better equipped to spearhead this new sound than the very talented Kevin Abstract. -Miles Hagan

Favorite Tracks: 

Baby Boy

Use Me

Peach


8. The Life of pi’erre 4 by Pi’erre bourne

 
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Release Date: June 21st, 2019

Record Label: SossHouse/Interscope Records

The return of famed rapper/producer Pi’erre Bourne has been long awaited. Since wrapping up 2018 with his collaborative record with fellow producer Cardo, many have been anxiously awaiting the fourth installment in the ‘The Life of Pi’erre’ saga. When the album finally dropped in June 2019, fans were not disappointed. TLOP 4 is a rollercoaster through contemporary hip-hop from the eyes of the man who has helped shape it. From forming the careers of artists like Young Nudy, Playboi Carti, and 6ix9ine, Pi’erre Bourne’s influence and expertise in modern hip-hop/trap synthesis cannot be understated. On his newest record Pi’erre constantly flexes his production skills and his songwriting abilities, delivering heartfelt and saccharine tracks like “Ballad” and “Racer” in one moment, and fast-paced bangers like “Routine” and “Speed Dial” the next. Each track is dense with expert engineering skills and tactics, while still being accessible enough to appeal to hip-hop fans both old and new. -Carter Fife

Favorite Tracks:

Ballad

Doublemint

Speed Dial


7. Anger Management by Rico Nasty

 
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Release Date: April 25th, 2019

Record Label: Sugar Trap Records

Rico Nasty is one of the most awesome, if not the most awesome female rappers to enter the game over the past few years. To take note of her womanhood is not to say that she does not hold her own in comparison to male rappers. It is instead to say that what Rico Nasty does as an artist and a personality is extremely revolutionary, and her gender is a large part of what makes what she is doing right now so impactful. On her newest project Anger Management, Rico Nasty does not water down the aggressive, in-your-face rap style she became known for with singles such as “Smack a Bitch” and “Key Lime OG.” Rico Nasty reclaims anger not as something inherently negative. She rejects the notion that black women are angry without cause. On Anger Management, Rico Nasty explores the various facets of aggression, frustration, and how such emotions dissolve into, or are perhaps fronts for, melancholy and exhaustion. And with the entire tape produced by the dynamic Kenny Beats, Anger Management is not a project to sleep on. -Kaila Cherry

Favorite Tracks:

Cheat Code (Feat. Baauer)

Hatin

Big Titties (Feat. Baauer and EarthGang)


6. Everythings for sale by boogie

 
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Release Date: January 25th, 2019

Record Label: Shady Records/Interscope Records

Compton MC Boogie made some major waves last October when he received a huge Eminem cosign and an actual record deal from Shady Records. In January, the young rapper returned with his Shady Records debut Everythings For Sale and it did not disappoint. Over the 40-minute run time, Boogies honestly reflects on a broken relationship, new fame, and his current day to day life. Throughout the tape Boogie proves why Pitchfork called him one of the best young emcees in the country. The tape is exceptionally cohesive and if you immerse yourself in Boogie’s world and experiences you should find that 40-minutes will feel more like 20. Boogie’s lyricism is a perfect mix of cool California dialect and witty lines that emphasize his smart and reflective themes. He gives us up-beat bangers like the JID assisted “Soho” as well as introspective reflections like “Lolsmh” or “Whose Fault”. This album is complete, thought-provoking, and one of the best releases of the year. -Spencer Lobdell

Favorite Tracks:

Silent Ride

Soho (Feat. JID)

Live 95


5. Crash talk by schoolboy q

 
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Release Date: April 26th, 2019

Record Label: Top Dawg Entertainment/Interscope Records

When a TDE project drops it is almost a lock that it will be one of the best of the year and CrasH Talk seems like an album that Q really made for himself. This album finds the Los Angeles artist in a vulnerable headspace as he not only was going through depression, but also dealing with the passing of two of his peers in Mac Miller and Nipsey Hussle. What came out of this tragedy was an album that really gave us an audience a look into the inner workings of Schoolboy Q’s mind. A track like “Numb Numb Juice” is still able to be one of the standouts on CrasH Talk because of just how hard hitting and quality the beat is, and the way Q is able to sound so cut throat during the duration of the song. That being said this is in stark contrast to a song like “Black Folk” which is very self deprecating. Q acknowledges his shortcomings and fears not even just as a rapper, but as a man walking through life. He no longer has the gangster exterior that audiences have grown so accustomed to, but instead is now a vulnerable man who is just trying to do right by himself and the people he loves. That is the whole theme of CrasH Talk and it can be seen even more clearly in the title track “CrasH”. Though we all may not be famous rappers or have grown up in the streets of California like Schoolboy Q, we all could “crash” at some point. No person is invincible to the struggles of life, and Schoolboy reminds us that we should embrace these difficulties and use them to make us that much better in the long run. -Miles Hagan

Favorite Tracks:

Numb Numb Juice 

Drunk (Feat. 6LACK)

Black Folk


4. ventura by anderson .paak

 
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Release Date: April 11th, 2019

Record Label: Aftermath Entertainment/Interscope Records

Anderson .Paak’s Ventura showcases everything we love about the soulful California native. Said to be a counter-part to his prior album Oxnard which was released five months earlier, Ventura showcases Paak in his ideal environment being authentically himself. It is musically unmatched and conceptually rich. It’s both sexy (“Jet Black”) and politically charged (“King James”) but always in moderation to keep it tasteful. With Ventura Anderson truly created timeless music as I foresee songs like “Make It Better” and “What Can We Do” staying in my musical rotation until I can no longer hear. -Spencer Lobdell

Favorite Tracks:

Make It Better (Feat. Smokey Robinson)

Jet Black (Feat. Brandy)

What Can We Do (Feat. Nate Dogg)


3. When I get home by solange

 
 

Release Date: March 1st, 2019

Record Label: Columbia Records

Solange Knowles’ radical album When I Get Home is easily the most artistic project of the year so far. When I Get Home is not easy to explain, to start, what exactly is the genre? Is it hip hop, as suggested by features with prominent rap artists Playboi Carti and Gucci Mane? Is it soul? R&B? Further, what is the “home” that Solange is referring to? Is this place literal or figurative? Solange manages to answer all of these questions throughout the course of the album. When I Get Home is an iconographic representation of the black experience in the most celebratory sense. Solange embraces her black womanhood and embraces Houston, Texas. The project radiates warmth and familiarity. It creates a home within itself. When I Get Home is wholly inviting, sonically stunning, and lyrically beautiful album that I cannot help but come back to when I am in need of empathy, of comfort, of a place to call home. -Kaila Cherry

Favorite Tracks:

My Skin, My Logo (Feat. Gucci Mane)

Jerrod

Beltway


2. Zuu by denzel curry

 
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Release Date: May 31st, 2019

Record Label: Loma Vista Records

Coming off his most conceptual album to date (TA13OO), many wondered what direction Denzel would head next. The answer to that was obvious to Curry: he would go home. With ZUU, Denzel tastefully simplified his music showing us that sometimes the obvious answer can be the best answer with proper execution. ZUU is a short album with no skippable tracks. It’s abrasive and in-your-face without being inaccessible for less intense fans thanks to cuts like “WISH” and “SHAKE 88”. Songs like “BIRDZ”, “AUTOMATIC”, and “RICKY” provide long term Denzel fans with his unmatched flow and clever lyricism that they have grown to expect. All-in-all, Denzel made an excellent career decision and the result is a Miami masterpiece. -Spencer Lobdell

Favorite Tracks:

ZUU

RICKY

AUTOMATIC (Feat. Tay Keith)


1. IGOr by Tyler, the creator

 
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Release Date: May 17th, 2019

Record Label: Columbia Records

Tyler, The Creator can't be ignored any longer. It is officially his time. Gone are the days of him trying to shock the audience more and more with each track on an album. On IGOR, Tyler manages to continue his incredible growth while also remaining appealing to mainstream audience. A song like “EARFQUAKE” sounds like nothing else that has been put out this year, but is also topping the charts and is able to seamlessly utilize one of the most unique talents rapping today in Playboi Carti. Not only is IGOR sonically interesting, but it also tells a story of falling in and out of love that any listener could relate too. While a song like “A BOY IS A GUN” has some of Tyler’s best rapping on the project, what shines through is what he is saying about the dangers of falling for someone who may not feel the same way back. What makes this the album of the year thus far is that we are seeing an artist who knows his talents as a lyricist, yet still tries to make an album that is great without the traditional constraints of the rap genre. Each track is produced with great care and focus so that the beats aren't just something in the background of him rapping, but actually what helps the listener really feel what Tyler wants them to feel. The perfect example of this is the closing track of the album “ARE WE STILL FRIENDS”. This is a beautiful conclusion to the journey that Tyler just took us on. On this conclusion, Tyler doesn’t even rap but instead he once again lets his amazing production take the stage and what comes out of it one of the most heartfelt and emotional tracks on an album that deserves every bit of critical acclaim that it has received. Though clearly not a trained singer, Tyler doesn't shy away from his more melodic side and it comes across as honest and real. IGOR is one of the best albums of the year because it isn’t just a great rap album, but a great musical experience throughout. -Miles Hagan

Favorite Tracks:

Earfquake 

A Boy is a Gun

Are We Still Friends


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Songs of the Week: April 28th

 

By Spencer Lobdell

Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior along with one throwback song of the week. To stay up to date on all new music, follow my Spotify playlist “What I’m Feeling” which is updated weekly to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:

A playlist updated weekly with whatever new songs I'm feeling at the time. Always 30 songs and in order with what I'm feeling the most at the top.

New Songs of the Week:

“Boyer” by Kevin Abstract

Boyer, a song by Kevin Abstract on Spotify

“Boyer” is the final track off Kevin Abstract’s new album ARIZONA BABY. The song is named after one of Kevin’s closest childhood friends and gives us a vivid look inside of what’s going on inside of Brockhampton’s leaders head. The song is fast paced with a short refrain that beautifully sums up the tone of the song and the entire project for that matter (We cannot run forever now/gotta learn your lesson child). The song lasts just under two minutes and will have you pressing replay over and over again to fully appreciate the genius and beauty in Kevin’s writing which feels oddly familiar and nostalgic.

I was high as hell, hanging with my white friends
Thinkin’ I’ma be alright if I’m just like them
Then the police pull up on me with the lights dimmed
Had me on the ground begging for my life, man
— Kevin Abstract "Boyer"

“Relative” by Rico Nasty and Kenny Beats

Relative, a song by Rico Nasty, Kenny Beats on Spotify

A standout track on Rico Nasty’s new album Anger Management, “Relative” is a fiery freestyle about clout chasers in her life who are suddenly interested in being Rico’s friend now that she’s famous. This Kenny Beats instrumental is one of my favorite beats he made for Anger Management and features an eerie piano riff over hard-hitting trap drums. Rico flexes her lyrical abilities on “Relative” through numerous different flows and polished writing. It was hard to pick just one track off this album, but “Relative” is undeniable.

I be gettin’ money, now everybody my relative
Talkin’ bout, “It’s all love,” like I don’t know what jealousy is
— Rico Nasty "Relative"

“Attention” by ScHoolboy Q

Attention, a song by ScHoolboy Q on Spotify

The outro on ScHoolboy Q’s new album CrasH Talk gives us Q the story teller for one of the first times on the album. ScHoolboy is at his absolute best when he is rapping about his real life experiences and it’s something I wish we would’ve gotten more of on CrasH Talk because of how damn good songs like “Attention” are. Over one verse lasting majority of the 3 minute song, Q raps about his relationship with rap legends, joining the Nifty 50’s Crip Gang as a kid, and a shootout at a Laundromat. The beat is menacing and leaves a perfect pocket for Q’s bars.

Just imagine some of these rappers that ain’t have Q
The godfather of this street shit that gave y’all truth
From Pac, Snoop, Kurupt, Daz, bitch, I’m déjà vu
You see my homie in the hood ‘cause I hate y’all too
— ScHoolboy Q "Attention"

Throwback Song of the Week

“California” by Dom Kennedy

California, a song by Dom Kennedy on Spotify

Few things feel as good as driving the streets of Southern California blasting Dom Kennedy. In his ode to his home state “California” Dom raps about day to day life in Los Angeles. Dom frequently references people and places in LA connecting him in an intimate way with listeners who know what he’s alluding to. The instrumental is as west coast as it gets with a high-pitched, Dr. Dre-esque synth looping throughout the songs. Kennedy has been an under appreciated emcee for years and “California'“ might be the most obvious piece of evidence for his lack of commercial recognition.

Y’all out of town niggas just don’t understand
We ain’t got the same mindset or the same plans
I done ran with my mans, ‘stead of runnin’ to the man
Two shows back to back, got paid 50 grand
— Dom Kennedy "California"

Check back in next week for three new hot songs and one new throwback! Follow us on Twitter and Instagram to get updated when we post:

 
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Doja Cat Gets Weird With Rico Nasty for Her New Single "Tia Tamera"

Doja Cat and Rico.jpg

Doja Cat is an eclectic figure. Her stake in the musical landscape is as diverse as it is fascinating. Her discography ranges anywhere from the slow spacey R&B vibe of her breakout hit “No Police” from 2014 to the totally absurd and unbelievably fun track “Mooo!” that dropped in the summer of last year that had everyone proud to say that they were a cow. Doja Cat is an artist who does not take herself too seriously. This adherence to her individualism and her persistent “Fuck you” attitude to the concept of being in any sort of box has reaffirmed itself yet again with her newest single “Tia Tamera” with a feature from one of rap’s baddest bitches: Rico Nasty.

Tia Tamera (feat. Rico Nasty), a song by Doja Cat, Rico Nasty on Spotify

A reference to the famed twins Tia and Tamera Mowry who starred in the 90s sitcom Sister, Sister, this Doja Cat and Rico Nasty collaboration has as much quirk and silliness as the song’s namesake. The duo rap over an obnoxious beat with a two note droning base melody that changes only in its pitch. This melody is the thread that guides the song instrumentally. It never changes, but is instead dropped out with the rest of the beat during specific alterations in both Doja Cat’s and Rico Nasty’s flows during their respective verses.

The structure of the track lyrically is heavily dependent on a build up-punchline style of delivery. Most of the lines set up a concept that is then given relief at the end of the lyric, such as “Cheese like pizzeria, have a seat bitch, please, Ikea/From the Westside like Maria, I'm hot like grits, Madea” in Doja's verse to “Ride-ridin' in a foreign, no Prius/He keep callin' my phone, Nokia” in Rico’s.

The flow from both Doja Cat and Rico Nasty follows a consistent vocal pattern, with both of their verses beginning with the motif of getting some sort of compliment and replying with “Thank you very much.” From there, each of them takes the verse in their own direction, with Doja Cat flexing her sex appeal and Rico Nasty bragging about her money and her readiness to step to anyone who tries her. Both women use their verses to talk about themselves in the most exaggerated way possible, the lyrics obviously corny and the delivery undeniably bratty.

But that is why I love this track. “Tia Tamera” is weird, silly, and utterly over the top. At first, I was not sold on the song. Something about Doja Cat’s repetitive flow, the cartoony video game esque beat, and the admittedly awkward lines that don’t always land did not attract me upon first listen. This is the type of track you have to let grow on you and in doing so allowing the song to be just what it is trying to be: pure fun. The track is not meant to be groundbreaking, it’s meant to get your energy up. It’s meant to make you feel both sexy and capable of getting into a fist fight. It’s meant to make you spend three minutes and thirty three seconds of your time to enjoy something simply because it is enjoyable. And that is what makes it so great.

“Tia Tamera” sees Doja Cat continuing to explore what she wants to do with music, which at this point seems to be anything she wants. She continues to interest and engage her audience while attracting new listeners to what she has to offer musically and aesthetically. With the cosign of Rico Nasty, one of the prominent newcomers in the rap game today, there is no way to know what is in store for Doja Cat’s future or what she will do next. If she continues to put out tracks on her own accord, full of authenticity and personality to match, then there is a good chance you’ll be seeing her name again soon.


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