RJMrLA Stays True to His West Coast Roots on His New Album “On God”

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Since 2013, RJMrLA has been on the fringe of the LA rap scene that birthed artists like Kendrick Lamar, YG, Nipsey Hussle, and many many others. The Los Angeles spitter has flirted with stardom multiple times without ever being able to smash through the wall of mediocracy to capture a smash hit. Due to his reputation in LA, his personal relationships with artists like Mustard, Ty Dolla $ign, and YG, and his innate ability to rap, RJMrLA has maintained relevance in Los Angeles for years. With a string of impressive singles, 2019 is starting to look like the year RJ might finally break out of The City Of Angels and infect the rest of the country with his cool SoCal swagger.

Stream "Apartment": https://EMPIRE.lnk.to/ApartmentYo Official Video by RJmrLA - Apartment (Official Video) © 2019 OMMIO LLC / EMPIRE

The rollout for RJ’s new album On God began in early June with the single “Apartment”, his first release since his 2017 Mustard collab, The Ghetto. Two weeks later he followed up the release with his smooth single “Rat Race”. With his momentum at an all-time high, the LA artist dropped the Young Thug assisted single “Time” which was received warmly and secured some major playlist placements. 

On August 9th, 2019, RJMrLA independently released his album On God. The 20-track album runs for just under an hour and boasts features from Young Thug, ScHoolboy Q, Snoop Dogg, Rich The Kid, and many other A-List artists.

The album opens with an anecdote from RJ where he explains that the phrase “On God” can basically be defined as a step up from the truth. After the first 20 seconds of this album it’s obvious that unquestionable authenticity is a clear theme that RJ wants to portray on this new album. The LA rapper introduces himself on the intro (which hosts the same name as the album) by giving new fans a glimpse into his life and his personal philosophy.

“On One” is the third song on the album and is undeniably smooth and entertaining. The hook is infectious and gives us our first look at RJ’s dangerously contagious defiance as he continuously repeats “I jumped out the bed on one.” ScHoolboy Q continues his hot streak on this track providing us with an excellent collab that I had no idea I even wanted.

No momentum from “On One” is lost as the album quickly flows into the lead single, “Time”, which features Young Thug. “Time” fits perfectly into RJ’s discography with a DJ Swish instrumental that screams West Coast and one of his classic melodic hooks. The chorus in this song is equal parts motivational and honest as RJ raps about how he has no time to waste because he is a visionary, hard worker, and a man of action. This lack of time isn’t all good though, as he lets it be known that it hinders his relationship with his family even though they are the ones he’s working for. I couldn’t help but think of Jamie (Ghost) St. Patrick from Star’s TV show Power when listening to this conflicting hook.

The sixth song on the project is called “Rat Race” and was the second pre-release from On God. “Rat Race” is one of the slickest songs I’ve heard in 2019 and is soaked in suave swagger. This song could make me feel like a big baller when I have eleven dollars in my bank account and that’s all you can ever ask of a track.

The next six songs are all good, but seem to blend together. There are clever quotables scattered throughout all six tracks but at the end of the day, I find them ultimately forgettable.

The album picks back up with one of it’s strongest tracks, “No Face, No Case”. RJ snaps on the first verse and showcases some of the best rapping we’ve ever heard from him. The song is a badass story about RJ hitting licks and getting away with them. There is something so satisfying about hearing the west coast rapper yell at agents over the phone and tell them to “call my laywerrrrrr.”

One of the albums greatest strengths is it’s genius sequencing and the transition from “No Face, No Case” to “Randel Cunningham” is one of the best examples. Where “No Face, No Case” is about hitting the lick and getting away with it, “Randel Cunningham” is about the rest of his years ducking cops and how his criminal record only adds to his ability to pull girls. While I think Rich The Kid sounds somewhat out of place on On God, he delivers a solid verse and I wouldn’t be surprised if his presence on this track grows on me.

“Randel Cunningham” is followed by every weekend’s anthem “Friday Night”. Ty Dolla $ign pulls through for excellent feature (like always) and makes cut this undeniably fun and sexy. 

The album concludes with the inspirational “Growing”. The track features a soothing lo-fi sax that was present on the song that preceded it. On “Growing” RJMrLA reminds us that there is nothing as rewarding as being able to point to clear examples of personal growth and self improvement. I get chills when RJ repeats “I’m slowly reaching the heights that these niggas expected from me” on the hook. It’s a common misconception to believe that popping rappers got lucky with a catchy hit and are now living lives of luxury. Fans often forget that emcees like RJ have been honing their craft in the rap game for nearly ten years, fully expecting to receive the acclaim that they know they deserve. “Growing” is a refreshing perspective and an excellent outro.

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It’s clear that On God is far from RJMrLA’s first rodeo. He masterfully crafted this album with a clear message and used intentional sequencing and storytelling to hit the mark. Every track perfectly flows into the next making On God flow better than almost any other album I’ve heard this year. Along with the excellent flow of the project, every song is sonically similar leading to the creation of a mini-universe inside this project that can only be described as RJ’s LA. The entire album definitely falls into a common mood making this the perfect album to loop in your car during a day of errands or a relaxed night out.

While the cohesion of this project makes it an incredibly smooth listen, it also puts a ceiling atop the album’s potential. RJ’s lack of deviations and risks makes this album incredibly safe thus eliminating any chance of this being a classic record for anyone. With this being said, I think RJ’s decision to keep the entire album in one mood was a good creative choice and added more than it took away from On God.

Although his name might not carry the same weight as some of his heavy-hitting peers like YG and Ty Dolla $ign, RJMrLA is an essential piece to the Los Angeles rap renaissance and On God is potentially his best work to date. The project is unified, entertaining, groovy, and substance-rich. RJ’s pen game is as sharp as ever giving us many memorable verses and quotable bars. Mr. LA gets the best out of all of his high-level features leaving us with some bangers that hopefully outlive the summer. On God is a very good album and should be bumped by everyone whether or not you reside in The Golden State.

Favorite Tracks:

On One (Feat. ScHoolboy Q)

Time (Feat. Young Thug)

Rat Race

Rating: 7.5

Listen to On God here:

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Maxo Kream Remains the Rap Game’s Most Honest Storyteller on His Excellent New Album “Brandon Banks”

I’d say “Brandon Banks” is a top rap album of 2019, but Maxo Kream isn’t a rapper, he’s a f*****g grave digger

By Spencer Lobdell

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Maxo Kream is the heart and soul of Houston rap. Hailing from the Alief specifically, the notorious trapper has been making waves since 2012 when he released his debut mixtape, Retro Card while he was still in high school. The project was followed up by a string of well-received tapes leading up to his critically acclaimed debut album Punken. The album was released independently in 2018 and boasted features such as Trippie Redd and 03 Greedo as well as solo cuts like “Bussdown” and fan favorite, “Grannies”.

Since the beginning, Maxo has hooked fans by telling hood stories with brutal honesty and locking into a unique flow that can be near hypnotic. Even when Kream is rapping about robbing and killing it’s hard to ever antagonize him because of how well he articulates his intentions as while as the circumstances that lead to his action. Maxo Kream’s music gives anyone who wasn’t raised in the trap a unique and important perspective that allows them to understand the lives of their fellow Americans far better.

The rollout to Maxo’s newest album was insanely fun to witness and showed early signs that Brandon Banks was going to be something special. It started in late January with the release of his excellent single “Meet Again”. Over the course of the five-minute song, Maxo locks into the instrumental and opens up about all of his homies that are either locked up or passed away with. His stories are captivating and every bar is masterfully crafted.

After a three month hiatus, he dropped the second single off the album titled “Still”. On the pulsing bop, Maxo announced that he had signed a record deal with RCA records for 1.5 million dollars making his forthcoming album his major-label debut.

A week later, the Texas trapper dropped his last single “She Live” which featured Houston hottie, Megan Thee Stallion. The song is so fun as the two rappers go back and forth over an infectious instrumental produced by TJ OSINULU. After the release of “She Live” the hay was in the barn for Maxo and Kream fans prepared to wait however long it would take to get the rappers highly anticipated new project.

On July 25th Maxo Kream released his major-label debut, Brandon Banks. The album runs for 48 minutes and is host to 15 tracks with impressive features from ScHoolboy Q and Travis Scott to Maxo’s blood brother KCG Josh. 

The aforementioned single “Meet Again” acts as the album’s intro and is a perfect way for Maxo to hook any listeners unfamiliar with his music onto Brandon Banks. 

The second track “Bissonnet” opens with a spoken anecdote from who we can only assume to be Brandon Banks. The voice condemns Maxo’s blue bandana and tells him to “take all his gangsta shit off and have a real discussion” with him. Maxo’s first four bars immediately following the narration is about his father leading us to infer that Brandon Banks is indeed Kream’s father. The song is enthralling, authentic, and dripping in southern swagger.

The third track “Change” is an easy standout on the excellent album in large part due to the exceptionally smooth instrumental which was actually derived from the same sample that fellow Alief emcee Travis Scott used on his Astroworld hit, “Yosemite”. On the track, Maxo dives into how his newfound wealth has changed his life. For Maxo, the only thing the money has changed is the size of his chain but for those around him, it totally warped the way they interact with Kream. While the money failed to alter his identity, he finds himself deeply affected by the murder of his little homie who told Maxo all he wanted was to be like him. The song is fantastic and a new sound we haven’t yet heard from the talented artist.

The fifth song “8 figures” is another standout on an album of keepers. The song again dives into the topic of wealth and how everyone wants to be rich but no one is ready to put in the work necessary. Kream uses the verses to specifically spotlight the years of work that it required him to acquire the bag he currently sits on. Halfway through the song, there is an epic beat switch that I believe to represent the wonderful moment when all the work finally paid off for Maxo and he began to make real money due to the fact that the song switches from a motivational song about the grind to a fun flex with a celebratory tone.

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“3AM” features TDE rapper ScHoolboy Q and is absolutely sinister. The songs showcases the two menacing emcees robbing a house and flexing their lyrical prowess the entire time. Everything from the instrumental to Maxo’s tone is dark and foreshadowing and it's impossible to shake the fear that you might be next on Kream’s hitlist. ScHoolboy Q pulls up for the second verse and delivers an excellent offering with Q’s classic intensity, something that I would’ve liked to see more of on his most recent album CrasH Talk.

Perhaps the most eye-opening track on the album is the eleventh track “Prey 2 The Dope”. The song gives us a perspective into the life of a drug dealer and how threatening a potential drug drought can be. Maxo raps about how difficult it can be to get a real job when you’re raised in the hood leading to the only alternative source of income, dealing dope. This can be profitable but also unpredictable because if one’s supply of drugs gets cut off it could be life-threatening. These themes are articulated precisely by Maxo and the D.A. Doman instrumental makes this song absolutely addicting.

Two songs later we get the heart-felt “Brothers” which features Maxo’s real blood brother, KCG Josh. It must be a special sort of feeling to be able to give your brother a feature on your major-label debut. The song is simple and to the point: Maxo will ride for his brothers no matter what.

Maxo Kream’s Brandon Banks is undoubtedly his best work to date. The album is cohesive and sticks to its major themes of life in the hood and Maxo’s appreciation of his father. Spoken interjections from Maxo’s dad frequent the album and contribute to the overarching story that is the relationship between the two. It also seems that the more we understand the dynamic between Maxo and Brandon the more we understand Maxo Kream the artist and where he comes from. This context makes Kream’s hood stories all the more captivating and impactful. 

While the album is certainly cohesive this didn’t take away from his innate ability to craft bangers. The album is packed full with hard-hitting tracks that don’t miss a beat. Songs like “8 Figures”, “Drizzy Draco”, and “Murda Blocc (Feat. A$AP Ferg)” provide OG Maxo fans with exactly what hooked them on the Alief emcee years ago; brutally honest hood bars over rattling southern trap instrumentals. Brandon Banks shows terrific growth from the heart and soul of Houston and is one of the best offerings so far this year.

Favorite Tracks:

8 Figures

3AM (Feat. ScHoolboy Q)

Prey 2 The Dope

Rating: 8.5

Listen to Brandon Banks here:

Brandon Banks, an album by Maxo Kream on Spotify

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Songs of the Week: July 21st

 
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Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior. To stay up to date on all new music, follow our playlist “Hot 30” on Apple Music and Spotify. “Hot 30” is updated daily to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:

A playlist updated weekly by team members at StereoVision with the hottest new rap and hip-hop music. Always 30 songs with the hottest tracks at the top.

SONGS OF THE WEEK:

“Apologize” by BAby Keem

APOLOGIZE, a song by Baby Keem on Spotify

With this weeks release of Die For My Bitch, Baby Keem season is officially upon us and the future is now. The Los Angeles rapper/producer has been making waves in the music industry far before his music had any buzz thanks to him producing tracks like Jay Rock’s grammy-winning “Knock It Off” and “Rotation 112th” as well as ScHoolyboy Q’s “Numb Numb Juice”. While the entire Die For My Bitch project is well worth a listen, the outro “APOLOGIZE” is a must-hear. On the pulsing banger, Keem effortlessly fuses the creative and sophisticated soundscape of a song like “Wolves” by Kanye West with the catchiness and addicting nature of a Juice WRLD hook. “APOLOGIZE” is such an excellent song because of the conflicting emotions Keem feels and how effectively he articulates these emotions. The song is a sure hit, hop on the Baby Keem wave before it’s too late.

Grab ‘em back the neck, don’t let go
Baby Keem been top five, what you smokin’?
I could put a wish on her tippy toes
No more opinions, I’m done bein’ open
— Baby Keem "APOLOGIZE"

“3AM” by Maxo Kream (Feat. Schoolboy Q)

3AM (feat. ScHoolboy Q), a song by Maxo Kream, ScHoolboy Q on Spotify

This Friday, Maxo Kream dropped his major-label debut album and it blew all expectations out of the water. The albums 8th cut “3AM” features ScHoolboy Q and shines brightly amongst an entire album of standouts. The songs showcases the two menacing emcees robbing a house and flexing their lyrical prowess the entire time. Everything from the instrumental to Maxo’s tone is dark and foreshadowing and it's impossible to shake the fear that you might be next on Kream’s hitlist. ScHoolboy Q pulls up for the second verse and delivers an excellent offering with Q’s classic intensity, something that I would’ve liked to see more of on his most recent album CrasH Talk. While I believe the whole album is an essential listen, make sure you at least know this sinister slap.

Front door, backyard, two story, one garage
Four cameras, no alarm, two dogs, burglar bars
Four deep, six sticks, one Blood, three Crips
Gon’ drop, hesi-stick, Lollipop, hit lick
— Maxo Kream "3AM"

“Brothers” by Bankrol Hayden (Feat. Luh Kel)

Brothers (feat. Luh Kel), a song by Bankrol Hayden, Luh Kel on Spotify

Rising emcee Bankrol Hayden has managed to create quite the buzz for himself while only releasing limited music. The young rapper has amassed nearly 400,000 monthly listeners on Spotify with only four tracks out and 40,000 followers on SoundCloud with merely six songs on the platform. This quick rise to fame can be attributed to his distinct voice, smooth delivery, and a terrific ear for beats, all of which can be found on his newest track “Brothers” which features Luh Kel. “Brothers” will grab your attention from the first note and refuse to let go for the following 130 seconds. On the track, the two rising rappers reiterate the golden rule of “bros before hoes” over a mellow instrumental centered around a beautiful acoustic guitar riff. This track can fit any mood and is just another reason to pay close attention to every move that Bankrol Hayden makes.

But fuck it, it’s all cap
Your brother, he a bitch and my brothers, we all that
You actin’ like a female you call me and call back
I wanna make it out my city and give back
— Bankrol Hayden "Brothers"

Thanks for reading, check back in next week for three new songs of the week. Make sure to follow us on Instagram and Twitter to get notified when we post:

 

Top 20 Hip-Hop and R&B Albums of the First Half of 2019

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Welcome to StereoVision’s top 20 albums of the first half of 2019. It has been a great six months for Hip-Hop, R&B, and music in general making this list challenging yet insanely fun to form. The creation of this list came from compiling all of our writers personal AOTY (Album of the Year) lists as well as extensive album debate and conversation throughout the first half of the year to ensure we have the perfect list that represents exactly what we dig at StereoVision. To get this list out in time, we had to cut off all albums released after June 23rd from consideration meaning albums like “Bandana” by Freddie Gibbs that were released in the last week of June are not eligible for selection. Listen along to our top 20 albums of the first half of 2019 by tapping in to our Spotify and Apple Music playlist which contains three spotlight songs from each selection. Stream it here:

 

This platylist contains three spotlight songs off of each of our top 20 Hip-Hop/R&B albums released during the first half of 2019

 

Without further ado, our top albums of the first half of 2019:

20. Still Summer in the projects by 03 greedo

 
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Release Date: April 19th, 2019

Record Label: Alamo Records

03 Greedo is a living legend and if his face tattoo of that exact phrase doesn’t convince you, one listen through Still Summer in the Projects should do the trick. The album is Greedo’s most cohesive effort to date and plays smoothly from start to finish. Greedo raps about familiar topics such as living life in Watts (“10 purple Summers”) as well as unfamiliar ones like a new perspective he received from being in the middle of a 20-year prison sentence (“Visions”). Overall Still Summer In The Projects is another exceptional release from 03 Greedo and with news that Greedo might be able to get out after five years on good behavior, we can only prey this is the case and continue to support his truly unparalleled music. Greedo is a musical anomaly, a figurehead for his hood, an LA icon, but above all, a living legend. Free 03! -Spencer Lobdell

Favorite Tracks:

10 Purple Summers

Gettin’ Ready

Visions


19. Grey Area by Little Simz

 
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Release Date: March 1st, 2019

Record Label: Independent

At the beginning of March majority of the United States was introduced to London-based emcee Little Simz and the pleasure was all ours. Deviating from the eccentric, dreamy, synth sounds that characterized her last album, on GREY Area, Simz opted for a blend of aggression, vulnerability, and genre-splicing to convey her experiences growing up and developing as an artist in a male-dominated industry. While following a theme of self-discovery and personal development, Simz displays true artistry through the presence of influences from a variety of musical genres that elevate her voice and message. The English artist displays great strength with hard hitting verses on cuts such as “Offence” and “Boss” but reels it back allowing us to invade her headspace on songs like the excellent “Venom”. With every bar she spits it’s clear that Simz has something to say and she demands you listen. -Izzy Stroobandt

Favorite Tracks:

Offence

Wounds

Venom


18. diaspora by goldlink

 
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Release Date: June 11th, 2019

Record Label: RCA Records

Diaspora is an ambitious project. GoldLink tasked himself with consolidating the global sounds of the black experience into a single album. And with each genre he explored, he owed it to the culture in which he drew from to do their music justice, to represent them accurately and genuinely with his audience. Diaspora is just that: the amalgamation of the black cultural experience as told through the sound we engage with in each pocket of the world we inhabit. GoldLink features afrobeat, house, Carribean dancehall, reggaeton, trap, classic hip hop, and more on his extremely diverse and funky project. Not the most lyrically strong, GoldLink nearly makes up for it with how well he executed the concept for the album. Diaspora is an accessible project for anyone, from the person who wants to globalize their ear to the person who just needs some tunes to vibe to. -Kaila Cherry

Favorite Tracks:

Joke Ting (feat. Ari PenSmith)

Maniac

U Say (feat. Tyler the Creator and Jay Prince)


17. Baby on Baby by Dababy

 
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Release Date: March 1st, 2019

Record Label: Interscope Records

DaBaby shows the world that short men do in fact have rights with his infectious breakthrough project Baby on Baby. DaBaby does not take himself too seriously in his music or his visual aesthetic. His music videos are completely kitschy and absurd. He has posed as figures such as Scarface and Suge Knight, and even filmed a video that parodied sitcom television. DaBaby’s bars are hilarious and clever. But do not get it twisted: He is not one to mess with. He is tough as hell, and, as he spits in the track “Suge,” if given any disrespect he will “... beat your ass up all in front of your partners and children.” Baby on Baby is a refreshing project that is funny, surprisingly crude, and full of dope bangers prime for all your summer antics. -Kaila Cherry

Favorite Tracks:

Suge

Pony

Carpet Burn


16. We All shine by ynw melly

 
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Release Date: January 18th, 2019

Record Label: Independent

YNW Melly’s We All Shine is far and away the best music he has every released. The Florida rapper is packed with personality and it comes through on every track. His songs are filled with authentic emotion giving them a powerful effect on listeners. “Ingredients” is fun and infectious to the point where you can’t listen without smiling while “No More” is a passionate public service announcement where he calls out a homie on his bullshit. If it wasn’t for a timely jail sentence, We All Shine showed every sign of being Melly’s coming out party and ushering him towards being a household name. Hopefully he can get out soon and continue to make excellent music full of emotion, substance, and his unparalleled pipes. -Spencer Lobdell

Favorite Tracks:

Robbery

Mixed Personalities (Feat. Kanye West)

Ingredients (Feat. Fredo Bang)


15. Flamagrama by Flying Lotus

 
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Release Date: May 24th, 2019

Record Label: Warp Records

Very few names carry the weight that Flying Lotus’s does in music. A mysterious prodigy who masterfully meanders through genres like electronic, experimental, R&B, jazz, funk, and hip-hop, Lotus returns from a long hiatus to deliver ‘Flamagra’, a 27-track record that spends approximately an hour showcasing Lotus’s musical prowess. It is impossible to sum up this album in just one paragraph, but listening to this album is an experience very akin to Alice’s trip through Wonderland. While some tracks may not last as long as one might wish, they each leave lasting impressions that resonate within long after Flying Lotus transitions to another musical ideas. Featuring help from artists like Thundercat, Toro Y Moi, Solange, David Lynch, Denzel Curry, and Anderson .Paak (just to name a few), Flamagra was certainly worth the wait. -Carter Fife

Favorite Tracks:

Post Requisite

More (Feat. Anderson .Paak)

9 Carrots (Feat. Toro Y Moi)


14. Assume form by james blake

 
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Release Date: January 18th, 2019

Record Label: Polydor Records

James Blake’s presence in contemporary music has grown heavily over the past several years. No longer is the singer-songwriter confined to the occasional appearance or feature on throwaway tracks, instead now Blake has evolved into a cultural mainstay. While previously established as an expert in the realm of laments and dejected tracks laced with heavy electronic instrumentation or glitchy production effects, Assume Form sees Blake exiting a depressive period. Blake quite literally assumes form on tracks like “I’ll Come Too” or “Power On”, where the listener can track in real time Blake shedding his reserved and destructive tendencies in the enjoyment of a new love interest. Each track is just as incredible as the last, featuring help from artists like Travis Scott, Moses Sumney, Andre 3000, Metro Boomin and ROSALÍA. Although some of the moments on this record could be explored more thoroughly, James Blake offers a precise and relatable emotional tone on this record that will not soon be forgotten. -Carter Fife

Favorite Tracks:

Assume Form

I’ll Come Too

Power On


13. Foto by kota the friend

 
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Release Date: May 14th, 2019

Record Label: Independent

FOTO was the perfect album for the summer. Kota the Friend is an artist who seems to have really found a signature sound on this project. He mixes his slick flows and relatable lyrics with laid back gorgeous beats. Rather than attempting to force a message on the listener, he paints a vivid picture with each track. A stand out single from the project was “Birdie”. On the album, he added a beautiful saxophone from Hello Oshay which compliments the song perfectly. He captures what it feels like to really be in love with the girl of your dreams. He shines on this project when he is really just rapping about his thoughts and feelings because Kota is a very relatable character. “Hollywood” offers a realistic perspective on fame and all that comes with it. Kota doesn't want to be that stereotypical rapper who went “Hollywood” and forgot who he was, but rather wants to attain this success in the industry through remembering and honoring where he came from. This idea of him paying homage to the people and experiences that brought him to this point is what makes FOTO so endearing to even the most hardened of listeners. -Miles Hagan

Favorite Tracks:

Church 

Birdie (Feat. Hello Oshay)

Alkaline


12. Outer Peace by Toro y moi

 
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Release Date: January 18th, 2019

Record Label: Carpark records

Within the first few weeks of 2019, fans of Toro Y Moi were blessed with a new album from Chaz Bear himself. During the promotion for Outer Peace, Bear frequently mentioned how he was tired of making sad love songs, and on Outer Peace there is a clear shift from the pensive sadness of 2017’s Boo Boo into a emotional range that while being fun and optimistic, still has its moments of melancholy and doubt. At 10 tracks long, the Bay-Area native provides his fans with a diverse family of tracks, some low-fi and melodic like “New House” or “Monte Carlo” featuring Wet, others infectiously catchy and uplifting like “Freelance” and “Who Am I”. Although I wish it were longer than half an hour, this summery record has something for everyone. -Carter Fife

Favorite Tracks:

Laws of the Universe

Freelance

Monte Carlo (Feat. Wet)


11. Rap or go to the league by 2chainz

 
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Release Date: March 1st, 2019

Record Label: Def Jam Recordings

It seems like whenever 2 Chainz releases a project at least one song off of it is a hit single in clubs and at parties all over the country. He has made some solid projects over the years, and is an established vet in the rap game. That being said Rap or Go to the League felt different. From the lack of singles before its release, to it being executively produced by LeBron James, this had the potential to be a great album from the well-versed trapper. What we got was actually one of the most cohesive projects of his entire career. A Standout track like “I’m not Crazy Life is” shows just how good this project is when it’s at its best. 2 Chainz flows over stellar production that allows him to really get across a point to the audience. There is a constant parallel between rap music and basketball throughout the album which intentionally alludes to America’s current social climate where young African American males feel like those are their only two ways out of their current situation. While Rap or Go to the League does have a message, there are still some bangers. “Momma I Hit a Lick” may take some listeners a few times to appreciate, but eventually the hard beat and unique flows from 2 Chainz and Kendrick Lamar are too much to deny. Overall this project succeeds because its feels like 2 Chainz really had a goal in mind this time around, rather than aim for as many radio plays as previous works. -Miles Hagan

Favorite Tracks:

Forgiven (Feat. Marsha Ambrosius)

Momma I Hit a Lick (Feat. Kendrick Lamar)

I'm Not Crazy Life Is (Feat. Chance the Rapper & Kodak Black)


10. the falling man by duckwrth

 
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Release Date: May 17th, 2019

Record Label: Republic Records

For those whose know Duckwrth solely from his earlier works such as I'm Uugly (2016) and An Extra Uugly Mixtape (2017), they will be quite surprised to hear the direction the South Central rapper went for his latest EP, The Falling Man. A complete divergence from the pop influenced lo-fi aesthetic he leaned on for the first leg of his career, The Falling Man shows Duckwrth experimenting with genre, voice inflection, and lyrical depth in a way he has never done before. Duckwrth dips his toes into rock, gospel, and trap throughout the course of the album and each venture is a success. The Falling Man is, for lack of a more creative term, a very solid album. It is a reliable listen that keeps listeners engaged and intrigued. Seeing Duckwrth explore and expand the scope of his music is exciting, and I am eager to see what he has in store for us next. -Kaila Cherry

Favorite Tracks:

Bow

King King

Nobody Falls (feat. Kiana Lede, Terrence Martin, Madasin)


9. Arizona baby by Kevin Abstract

 
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Release Date: April 25th, 2019

Record Label: Question Everything Inc/RCA Records

Kevin Abstract has managed to maintain his individual stardom while being part of the wildly successful super-group, Brockhampton. He has been able to accomplish this rare feat by always making sure his music contains emotion. Each track on ARIZONA BABY, no matter what the subject matter or actual lyrics are, is uncompromisingly honest. Sometimes this honesty is beautiful like on the track “Peach”, which features two of Kevin’s Brockhampton band mates in Joba and Bearface as well as rising star Domonik Fike. Like many of the songs on this project, it is able to mix a more sing song chorus and beautifully played guitars with some solid rap verses from Kevin. While the appeal of this track mainly stems from it just simply sounding beautiful, Kevin really shows his talent as a rapper on a track like “Use Me”. This has one of the most interesting and unique beats to be used in a rap song. Kevin experiments with different flows and tells a compelling story on this cut, but is so impressive because like most of the other tracks on ARIZONA BABY we have never heard anyone spit over sounds like this. This project shows what the bright future of rap in this generation has the potential to be. A seamless combination of rap and incredibly produced pop music. No other mind would be better equipped to spearhead this new sound than the very talented Kevin Abstract. -Miles Hagan

Favorite Tracks: 

Baby Boy

Use Me

Peach


8. The Life of pi’erre 4 by Pi’erre bourne

 
TLOP4.jpg
 

Release Date: June 21st, 2019

Record Label: SossHouse/Interscope Records

The return of famed rapper/producer Pi’erre Bourne has been long awaited. Since wrapping up 2018 with his collaborative record with fellow producer Cardo, many have been anxiously awaiting the fourth installment in the ‘The Life of Pi’erre’ saga. When the album finally dropped in June 2019, fans were not disappointed. TLOP 4 is a rollercoaster through contemporary hip-hop from the eyes of the man who has helped shape it. From forming the careers of artists like Young Nudy, Playboi Carti, and 6ix9ine, Pi’erre Bourne’s influence and expertise in modern hip-hop/trap synthesis cannot be understated. On his newest record Pi’erre constantly flexes his production skills and his songwriting abilities, delivering heartfelt and saccharine tracks like “Ballad” and “Racer” in one moment, and fast-paced bangers like “Routine” and “Speed Dial” the next. Each track is dense with expert engineering skills and tactics, while still being accessible enough to appeal to hip-hop fans both old and new. -Carter Fife

Favorite Tracks:

Ballad

Doublemint

Speed Dial


7. Anger Management by Rico Nasty

 
Anger Management.jpg
 

Release Date: April 25th, 2019

Record Label: Sugar Trap Records

Rico Nasty is one of the most awesome, if not the most awesome female rappers to enter the game over the past few years. To take note of her womanhood is not to say that she does not hold her own in comparison to male rappers. It is instead to say that what Rico Nasty does as an artist and a personality is extremely revolutionary, and her gender is a large part of what makes what she is doing right now so impactful. On her newest project Anger Management, Rico Nasty does not water down the aggressive, in-your-face rap style she became known for with singles such as “Smack a Bitch” and “Key Lime OG.” Rico Nasty reclaims anger not as something inherently negative. She rejects the notion that black women are angry without cause. On Anger Management, Rico Nasty explores the various facets of aggression, frustration, and how such emotions dissolve into, or are perhaps fronts for, melancholy and exhaustion. And with the entire tape produced by the dynamic Kenny Beats, Anger Management is not a project to sleep on. -Kaila Cherry

Favorite Tracks:

Cheat Code (Feat. Baauer)

Hatin

Big Titties (Feat. Baauer and EarthGang)


6. Everythings for sale by boogie

 
Everything's For Sale.jpg
 

Release Date: January 25th, 2019

Record Label: Shady Records/Interscope Records

Compton MC Boogie made some major waves last October when he received a huge Eminem cosign and an actual record deal from Shady Records. In January, the young rapper returned with his Shady Records debut Everythings For Sale and it did not disappoint. Over the 40-minute run time, Boogies honestly reflects on a broken relationship, new fame, and his current day to day life. Throughout the tape Boogie proves why Pitchfork called him one of the best young emcees in the country. The tape is exceptionally cohesive and if you immerse yourself in Boogie’s world and experiences you should find that 40-minutes will feel more like 20. Boogie’s lyricism is a perfect mix of cool California dialect and witty lines that emphasize his smart and reflective themes. He gives us up-beat bangers like the JID assisted “Soho” as well as introspective reflections like “Lolsmh” or “Whose Fault”. This album is complete, thought-provoking, and one of the best releases of the year. -Spencer Lobdell

Favorite Tracks:

Silent Ride

Soho (Feat. JID)

Live 95


5. Crash talk by schoolboy q

 
Crash Talk.jpg
 

Release Date: April 26th, 2019

Record Label: Top Dawg Entertainment/Interscope Records

When a TDE project drops it is almost a lock that it will be one of the best of the year and CrasH Talk seems like an album that Q really made for himself. This album finds the Los Angeles artist in a vulnerable headspace as he not only was going through depression, but also dealing with the passing of two of his peers in Mac Miller and Nipsey Hussle. What came out of this tragedy was an album that really gave us an audience a look into the inner workings of Schoolboy Q’s mind. A track like “Numb Numb Juice” is still able to be one of the standouts on CrasH Talk because of just how hard hitting and quality the beat is, and the way Q is able to sound so cut throat during the duration of the song. That being said this is in stark contrast to a song like “Black Folk” which is very self deprecating. Q acknowledges his shortcomings and fears not even just as a rapper, but as a man walking through life. He no longer has the gangster exterior that audiences have grown so accustomed to, but instead is now a vulnerable man who is just trying to do right by himself and the people he loves. That is the whole theme of CrasH Talk and it can be seen even more clearly in the title track “CrasH”. Though we all may not be famous rappers or have grown up in the streets of California like Schoolboy Q, we all could “crash” at some point. No person is invincible to the struggles of life, and Schoolboy reminds us that we should embrace these difficulties and use them to make us that much better in the long run. -Miles Hagan

Favorite Tracks:

Numb Numb Juice 

Drunk (Feat. 6LACK)

Black Folk


4. ventura by anderson .paak

 
Ventura.jpg
 

Release Date: April 11th, 2019

Record Label: Aftermath Entertainment/Interscope Records

Anderson .Paak’s Ventura showcases everything we love about the soulful California native. Said to be a counter-part to his prior album Oxnard which was released five months earlier, Ventura showcases Paak in his ideal environment being authentically himself. It is musically unmatched and conceptually rich. It’s both sexy (“Jet Black”) and politically charged (“King James”) but always in moderation to keep it tasteful. With Ventura Anderson truly created timeless music as I foresee songs like “Make It Better” and “What Can We Do” staying in my musical rotation until I can no longer hear. -Spencer Lobdell

Favorite Tracks:

Make It Better (Feat. Smokey Robinson)

Jet Black (Feat. Brandy)

What Can We Do (Feat. Nate Dogg)


3. When I get home by solange

 
 

Release Date: March 1st, 2019

Record Label: Columbia Records

Solange Knowles’ radical album When I Get Home is easily the most artistic project of the year so far. When I Get Home is not easy to explain, to start, what exactly is the genre? Is it hip hop, as suggested by features with prominent rap artists Playboi Carti and Gucci Mane? Is it soul? R&B? Further, what is the “home” that Solange is referring to? Is this place literal or figurative? Solange manages to answer all of these questions throughout the course of the album. When I Get Home is an iconographic representation of the black experience in the most celebratory sense. Solange embraces her black womanhood and embraces Houston, Texas. The project radiates warmth and familiarity. It creates a home within itself. When I Get Home is wholly inviting, sonically stunning, and lyrically beautiful album that I cannot help but come back to when I am in need of empathy, of comfort, of a place to call home. -Kaila Cherry

Favorite Tracks:

My Skin, My Logo (Feat. Gucci Mane)

Jerrod

Beltway


2. Zuu by denzel curry

 
ZUU.jpg
 

Release Date: May 31st, 2019

Record Label: Loma Vista Records

Coming off his most conceptual album to date (TA13OO), many wondered what direction Denzel would head next. The answer to that was obvious to Curry: he would go home. With ZUU, Denzel tastefully simplified his music showing us that sometimes the obvious answer can be the best answer with proper execution. ZUU is a short album with no skippable tracks. It’s abrasive and in-your-face without being inaccessible for less intense fans thanks to cuts like “WISH” and “SHAKE 88”. Songs like “BIRDZ”, “AUTOMATIC”, and “RICKY” provide long term Denzel fans with his unmatched flow and clever lyricism that they have grown to expect. All-in-all, Denzel made an excellent career decision and the result is a Miami masterpiece. -Spencer Lobdell

Favorite Tracks:

ZUU

RICKY

AUTOMATIC (Feat. Tay Keith)


1. IGOr by Tyler, the creator

 
IGOR.jpg
 

Release Date: May 17th, 2019

Record Label: Columbia Records

Tyler, The Creator can't be ignored any longer. It is officially his time. Gone are the days of him trying to shock the audience more and more with each track on an album. On IGOR, Tyler manages to continue his incredible growth while also remaining appealing to mainstream audience. A song like “EARFQUAKE” sounds like nothing else that has been put out this year, but is also topping the charts and is able to seamlessly utilize one of the most unique talents rapping today in Playboi Carti. Not only is IGOR sonically interesting, but it also tells a story of falling in and out of love that any listener could relate too. While a song like “A BOY IS A GUN” has some of Tyler’s best rapping on the project, what shines through is what he is saying about the dangers of falling for someone who may not feel the same way back. What makes this the album of the year thus far is that we are seeing an artist who knows his talents as a lyricist, yet still tries to make an album that is great without the traditional constraints of the rap genre. Each track is produced with great care and focus so that the beats aren't just something in the background of him rapping, but actually what helps the listener really feel what Tyler wants them to feel. The perfect example of this is the closing track of the album “ARE WE STILL FRIENDS”. This is a beautiful conclusion to the journey that Tyler just took us on. On this conclusion, Tyler doesn’t even rap but instead he once again lets his amazing production take the stage and what comes out of it one of the most heartfelt and emotional tracks on an album that deserves every bit of critical acclaim that it has received. Though clearly not a trained singer, Tyler doesn't shy away from his more melodic side and it comes across as honest and real. IGOR is one of the best albums of the year because it isn’t just a great rap album, but a great musical experience throughout. -Miles Hagan

Favorite Tracks:

Earfquake 

A Boy is a Gun

Are We Still Friends


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Schoolboy Q's "Crash Talk" Is His Most Honest Album to Date

Schoolboy Q 3.jpg

This is nothing new. Schoolboy Q is a member of one of rap's most respected collectives in TDE. They have consistently produced some of raps best new artists and music since the earlier part of the decade. As for Schoolboy specifically, he’s never had more momentum coming into an album. The Blank Face LP was one of the best rap albums of 2016 and was his most well-received project ever. “THat Part” was an absolute anthem, and it arguably was done even better when Black Hippie remixed it. Q solidified his status as a force to be reckoned with in rap because he could not only deliver hit singles but also impressive albums. This album also had some complications before it came out. Schoolboy was very close friends with Mac Miller making Q delay his album after his untimely passing because it didn't feel right. It was then delayed another week out of respect for Nipsey Hussle's passing. Schoolboy remains such a respected figure in the rap community because of moves like this. With all this build up CrasH Talk has the potential to one of his best albums to date.

Schoolboy has been gone for about three years now leading people to have no idea what to expect from this project before it’s release. The lead single CrasH Talk was “Numb Numb Juice”. The only way to describe this song accurately is an absolute banger. Q sounds cut throat and says every word with such focus and passion that he could inspire any listener to get out of their seat and go hit a lick just cause. This was also a sneak peek into just how hard-hitting and diverse the production on this project would be.The guitar loops and bells in the background are a great added touch. “CHopstix” was the other single released before the album, and it ended up being one of the lower points on the album. The idea of a Travis Scott Schoolboy Q song was very exciting for any fan of hip hop, but the song itself fell short of expectations. Both artists verses lack much depth, and the production doesn't live up to the standard of a typical song involving Trav. This left fans with a few questions before this album released.

CrasH Talk opens fast with “Gang Gang”. Schoolboy is coming back with a vengeance. The bass is booming and the energy stays high throughout the track. This leads into “Tales” where Q is more focused on, as the song title says, telling his tale. He starts to queue the listener in on the direction he's going with this project. The lyrics are brutally honest and describe the gangster lifestyle that he comes from, and what he has seen and lost from it. Schoolboy has a lot on his mind, even going as far as to say he thinks his own daughter might be a hoe because of this life. Realness. These raw thoughts and emotions are what makes this album so different from his other bodies of work. Q has been more open about his struggles with depression. His music has always reflected the harsh reality of gang life, but he has never really reflected on how it has affected him personally. Beyond that, he is also delving deeper into just how he sees himself as a man.

These thoughts come through strong on the second half of the album. While “5200” rivals “Numb Numb Juice” as the projects best banger, “Black Folk” is a turning point. The lyrics “Who knew failure would make you better?” echo in the track. Schoolboy is acknowledging some of his shortcomings in life and how they have forced him to grow. The words wasted are beautifully sung in the background throughout the song.

The rest of CrasH Talk  alternates between more introspective and aggressive.”Floating” has one of Qs hardest flows on the whole project, and 21 Savage delivers a very solid verse. “Dangerous” and “CrasH” are two of the most unique beats on CrasH Talk. Schoolboy is able to really get adventurous with his flows on these tracks and it works greatly in his favor. Kid Cudi sounds absolutely incredible on “Dangerous”, which also features Schoolboy looking at just how dangerous his lifestyle is; except not because of gang violence or guns, but because of how many drugs he's taking, and he's wondering of the people around him really have his best interest in mind.

This sound is in complete contrast with “CrasH” which is another one of the more honest songs on the second half of the album. The music behind the track sounds very triumphant. It seems as if this is a song that would be used to lean back and celebrate your accomplishments. Instead, Q decides to discuss how the pressure to always be doing more with your life could eventually lead someone to crash. He is spitting some real actual knowledge on this song that anyone could relate to. We all know that there is something to be worrying about at all times, but if we did that then we would drive ourselves crazy, and eventually crash.

What makes this project so good? Why is CrasH Talk one of the best albums of the year so far? Simply put, because it sounds like Schoolboy Q really tried. He could have come off the Blank Face LP unmotivated and content with his standing in the rap game. He would have stayed the same and delivered another really good gangster rap album that would have reached the same audience. Instead, he made a gangster rap album about the actual gangster. Q gets out of his comfort zone and really talk about himself, and ironically he sounds more comfortable than he has on some of his previous work on Crash Talk. He delivers the same quality rapping and production expected from a TDE artist, and knowing that was a guarantee going in, really allows for the listener to focus in on what is actually being said. There are moments where he could get a little more below the surface level in his lyrics, but that can be attributed to the fact that this is his first time really making a point to do this type of opening up. He should be praised by the rap community because we are living in a day and age where creativity is lacking. Everyone is trying to make the sound that is most popular, and once artists find something that works for them they are often time too scared to move past that. Schoolboy Q isn’t afraid. He embraces who he is, faults and all, and that is what makes CrasH Talk one of the best albums of this year.

Best Songs:

Tales

Black Folk

CrasH

Rating: 8

Listen to CrasH Talk here:

CrasH Talk, an album by ScHoolboy Q on Spotify

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Songs of the Week: April 28th

 

By Spencer Lobdell

Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior along with one throwback song of the week. To stay up to date on all new music, follow my Spotify playlist “What I’m Feeling” which is updated weekly to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:

A playlist updated weekly with whatever new songs I'm feeling at the time. Always 30 songs and in order with what I'm feeling the most at the top.

New Songs of the Week:

“Boyer” by Kevin Abstract

Boyer, a song by Kevin Abstract on Spotify

“Boyer” is the final track off Kevin Abstract’s new album ARIZONA BABY. The song is named after one of Kevin’s closest childhood friends and gives us a vivid look inside of what’s going on inside of Brockhampton’s leaders head. The song is fast paced with a short refrain that beautifully sums up the tone of the song and the entire project for that matter (We cannot run forever now/gotta learn your lesson child). The song lasts just under two minutes and will have you pressing replay over and over again to fully appreciate the genius and beauty in Kevin’s writing which feels oddly familiar and nostalgic.

I was high as hell, hanging with my white friends
Thinkin’ I’ma be alright if I’m just like them
Then the police pull up on me with the lights dimmed
Had me on the ground begging for my life, man
— Kevin Abstract "Boyer"

“Relative” by Rico Nasty and Kenny Beats

Relative, a song by Rico Nasty, Kenny Beats on Spotify

A standout track on Rico Nasty’s new album Anger Management, “Relative” is a fiery freestyle about clout chasers in her life who are suddenly interested in being Rico’s friend now that she’s famous. This Kenny Beats instrumental is one of my favorite beats he made for Anger Management and features an eerie piano riff over hard-hitting trap drums. Rico flexes her lyrical abilities on “Relative” through numerous different flows and polished writing. It was hard to pick just one track off this album, but “Relative” is undeniable.

I be gettin’ money, now everybody my relative
Talkin’ bout, “It’s all love,” like I don’t know what jealousy is
— Rico Nasty "Relative"

“Attention” by ScHoolboy Q

Attention, a song by ScHoolboy Q on Spotify

The outro on ScHoolboy Q’s new album CrasH Talk gives us Q the story teller for one of the first times on the album. ScHoolboy is at his absolute best when he is rapping about his real life experiences and it’s something I wish we would’ve gotten more of on CrasH Talk because of how damn good songs like “Attention” are. Over one verse lasting majority of the 3 minute song, Q raps about his relationship with rap legends, joining the Nifty 50’s Crip Gang as a kid, and a shootout at a Laundromat. The beat is menacing and leaves a perfect pocket for Q’s bars.

Just imagine some of these rappers that ain’t have Q
The godfather of this street shit that gave y’all truth
From Pac, Snoop, Kurupt, Daz, bitch, I’m déjà vu
You see my homie in the hood ‘cause I hate y’all too
— ScHoolboy Q "Attention"

Throwback Song of the Week

“California” by Dom Kennedy

California, a song by Dom Kennedy on Spotify

Few things feel as good as driving the streets of Southern California blasting Dom Kennedy. In his ode to his home state “California” Dom raps about day to day life in Los Angeles. Dom frequently references people and places in LA connecting him in an intimate way with listeners who know what he’s alluding to. The instrumental is as west coast as it gets with a high-pitched, Dr. Dre-esque synth looping throughout the songs. Kennedy has been an under appreciated emcee for years and “California'“ might be the most obvious piece of evidence for his lack of commercial recognition.

Y’all out of town niggas just don’t understand
We ain’t got the same mindset or the same plans
I done ran with my mans, ‘stead of runnin’ to the man
Two shows back to back, got paid 50 grand
— Dom Kennedy "California"

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Songs of the Week: March 17th

 
Anderson .Paak.jpg

Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior along with one throwback song of the week. To stay up to date on all new music, follow my Spotify playlist “What I’m Feeling” which is updated weekly to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:

A playlist updated weekly with whatever new songs I'm feeling at the time. Always 30 songs and in order with what I'm feeling the most at the top.

New Songs of the Week:

“King James” by Anderson .Paak

King James, a song by Anderson .Paak on Spotify

The most soulful voice in hip-hop is back with his first single off his upcoming album Ventura. “King James” is a groovy ode to those using their fame as a platform to uplift their community and better the world. Where many fans felt like Dr. Dre’s production on Oxnard created an identity crisis for Paak, on “King James” he seems to rediscovers himself in a fantastic way. It’s looking like Ventura could shape out to be another outstanding album from Anderson .Paak.

We couldn’t stand to see our children shot dead in the streets
But when I finally took a knee
Them crackers took me out the league
— Anderson .Paak "King James"

“Numb Numb juice” by Schoolboy Q

Numb Numb Juice, a song by ScHoolboy Q on Spotify

“Numb Numb Juice” is the first single off ScHoolboy Q’s long awaited fifth studio album. On this menacing track we hear Q call out industry rappers and fake gangstas for all kinds of “bitch shit.” The TDE rapper also dropped a dope video for the new single which you can check out here. Q is out for blood on this new track which should only intensify the anticipation surrounding the new project. 

Faking like you got it in your pockets, yeah, that’s bitch shit
Talking to them hoes, you steady gossip, yeah, that’s bitch shit
Telling on your mans so you can scram, yeah, that’s bitch shit
Pull it out and acting like it jam, yeah, that’s bitch shit
— ScHoolBoy Q "Numb numb juice"

“Wasteland” By Tierra Whack

Wasteland, a song by Tierra Whack on Spotify

Tierra Whack has been building a buzz lately through a series of singles which she refers to as “Whack History Month.” While everything she’s released recently has been very good, ”Wasteland” might just be my favorite track she’s put out since Whack World last year. This slower ode to curving guys is anchored by a pulsing chord progression played on an organ giving this song a hypnotizing feel. 

I was brought up by myself
And it’s by choice
You was on a bike
I was Rolls Royce
— Tierra Whack "Wasteland"

Throwback song of the week:

“Rush hour” by Mac Miller

Rush Hour, a song by Mac Miller on Spotify

“Rush Hour” is the third track off Mac’s major label debut GO:OD AM. The track is boastful yet insightful and honest as Mac frequently was. The song is about making money and basking in wealth but it is so different than most tracks with the same topic. Somehow Mac flexes how easily he makes money without ever putting himself on a pedestal and seeming unrelatable. Mac’s ability to connect with listeners while still being sincere about his insane life is one of the many things that made him so special and makes this song so special.

I give a fuck less and less every day
The more you give a fuck, I guess the less you make
Homie we just out here tryna elevate
Heaven is a crime scene, stay behind the yellow tape
— Mac Miller "Rush Hour"

Check back in next week for three new hot songs and one new throwback! Follow us on Twitter and Instagram to get updated when we post:

 
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