The Top 25 Hip-Hop/R&B Albums of 2019

By StereoVision Staff

Welcome to StereoVision’s top 25 hip-hop/r&b albums of 2019. The past twelve months have been filled with highly anticipated releases that exceeded expectations, debut albums that catapulted unknown artists into stardom, and experimental projects that pushed boundaries and continued to move us towards a world where music can no longer be described by genre. With so much great music constantly being released, it can be hard to keep up and sometimes exceptional albums go overlooked. That’s where we come in. Over the last two weeks on 2019, our team of writers and critic here at StereoVision have been revisiting 2019’s deep discography and making sure that our readers won’t enter the new decade having missed out on one of the best projects of the year. For each album selected in our year-end list, our team selected three standout tracks from the record which were compiled into a playlist which you can find here:

Listen along as you read and get a taste of any project you might have not tapped into in 2019. Now without further ado, the top 25 hip-hop/r&b projects of 2019:

---

25. Please Excuse ME For Being AntiSocial by Roddy Ricch

Release Date: December 6th

Record Label: Atlantic Records

At the beginning of December, LA’s golden child released his debut album Please Excuse Me For Being Antisocial and solidified his spot as one of the top emerging emcees rapping. After dropping potentially the song of the year in “Ballin” with DJ Mustard, Roddy Ricch continued to ride his momentum into his first real album creating a project that is packed with hits without ever sacrificing cohesion or the flow. The album clearly showcases everything fans love about Roddy: His vivid story telling that instantly transports listeners to South Central Los Angeles upon pressing play (“Intro”), his ear for hit melodies and cool California vernacular (“The Box”), and his piercing singing voice that always flexes perfect pitch (“High Fashion”). The cherry on top of this excellent offering is masterfully crafted transitions that allow each song to seamlessly flow into the next making the entire album feel complete. Omitting only Baby Keem, there is no new artist I’m more excited to hear music from in 2020 than Roddy Ricch. -Spencer Lobdell

Favorite Tracks:

The Box

High Fashion (Feat. Mustard)

Bacc Seat (Feat. Ty Dolla $ign)

---

24. foto by Kota the friend

Release Date: May 15th

Record Label: Independent

This spring, Kota the friend dropped the incredibly bright FOTO, an instant classic for his cult following and a wholesome introduction to the New York rapper to new listeners. Throughout the album’s hour long run time, Kota uses each song as a different memory painting an authentic self portrait and helping us understand who Kota the Friend truly is. This intimate connection he is able to make with listeners is undoubtably why the rising artist has such a dedicated fan base and why his stock continues to rise everyday. On FOTO Kota accomplishes exactly what he set out to achieve. He paints a picture of his life so vivid that I felt like I was there when Kota’s mom and his aunt Marcell saw their father at the dance studio for the first time in years. Kota beautifully creates a photo album that he can go back to and reference while still keeping the quality of his music and its mainstream appeal at an all-time high. Thank you to Kota The Friend for a summer soundtrack that I predict will still be getting played in years to come. -Spencer Lobdell

Favorite Songs:

Church

Hollywood

Alkaline

---

23. Outer peace by toro y moi

Release Date: January 18th

Record Label: Carpark Records

Within the first few weeks of 2019, fans of Toro Y Moi were blessed with a new album from Chaz Bear himself. During the promotion for Outer Peace, Bear frequently mentioned how he was tired of making sad love songs, and on Outer Peace there is a clear shift from the pensive sadness of 2017’s Boo Boo into a emotional range that while being fun and optimistic, still has its moments of melancholy and doubt. At 10 tracks long, the Bay-Area native provides his fans with a diverse family of tracks, some low-fi and melodic like “New House” or “Monte Carlo” featuring Wet, others infectiously catchy and uplifting like “Freelance” and “Who Am I”. This was my favorite record of the year, and I have found myself revisiting these tracks almost constantly. The record is perfect for every occasion, so don’t be afraid to throw this on next time you get aux. You won’t regret it. -Carter Fife

Favorite Tracks:

Law of the Universe

New House

Monte Carlo (Feat. Wet)

---

22. Rap or go to the league by 2 Chainz

Release Date: March 1st

Record Label: Def Jam Records

Completely A&Red by LeBron James, Rap or Go to the League is a triumphant comeback for our favorite trapper, 2 Chainz. The album is conceptual and frequently draws parallels between rap and basketball while diving deeper into the troubling idea that the two occupations are two of the only viable options for underprivileged blacks to succeed in America. Chainz uses a polished pen to do so and flexes some of his most impressive verses since his come up on this project. With help from an impressive feature list including Kendrick Lamar, Travis Scott, Ariana Grande, Lil Wayne, E-40, Chance the Rapper, and many others, it should come as no surprise that Rap or Go to the League secured a spot on our list. -Spencer Lobdell

Favorite Tracks:

Money In The Way

Momma I Hit a Lick (Feat. Kendrick Lamar)

I’m Not Crazy, Life Is (Feat. Chance The Rapper & Kodak Black)

---

21. Perfect ten by Mustard

Release Date: June 28th

Record Label: Interscope Records

LA producer Mustard, formerly known as DJ Mustard, gave us everything we wanted and more in his third studio album Perfect 10. Aside from many features from hot artists like Roddy Ricch, Migos, and Nipsey Hussle, Mustard killed the execution on the production side. It is chock-full of anthems and there is so much bounce throughout the whole project that it’s almost impossible to sit still while bumping the album. His #1 song off of the album, “Ballin”, is now grammy nominated for best rap/sung performance. This turned out to be both Mustard and Roddy Ricch’s first ever grammy nomination, and it was definitely well-deserved. -Colson O’Connor

Favorite Tracks:

Baguettes in the Face (Feat. NAV, Playboi Carti, & A Boogie Wit Da Hoodie)

Ballin’ (Feat. Roddy Ricch)

Perfect Ten (Feat. Nipsey Hussle)

---

20. Fever by Megan Thee Stallion

Release Date: May 17th

Record Label: 300 Entertainment

Megan Thee Stallion is the “it girl” of 2019. This summer, Megan blew up with her mixtape Fever, ​released in May. ​Fever​ was the perfect project to kick off the summer, with Megan trading in her Tina Snow persona for a new one she deemed “Hot Girl Meg.” Hot Girl Meg was what she called a “college party girl,” and was the embodiment of sex appeal, independence, and a carefree attitude. On ​Fever​, Megan showed her range in being able to rap about anything from sensual lovemaking to robbing a man of everything he is worth. Truly an inspiration for the girls. -Kaila Cherry

Favorite Tracks:

Cash Shit (Feat. DaBaby)

Best You Ever Had

Simon Says (Feat. Juicy J)

---

19. The Life of pi’erre 4 by pi’erre bourne

Release Date: June 21st

Record Label: Interscope Records

The return of famed rapper/producer Pi’erre Bourne has been long awaited. Since wrapping up 2018 with his collaborative record with fellow producer Cardo, many have been anxiously awaiting the fourth installment in the ‘The Life of Pi’erre’ saga. When the album finally dropped in June 2019, fans were not disappointed. TLOP 4 is a rollercoaster through contemporary hip-hop from the eyes of the man who has helped shape it. From forming the careers of artists like Young Nudy, Playboi Carti, and 6ix9ine, Pi’erre Bourne’s influence and expertise in modern hip-hop/trap synthesis cannot be understated. On his newest record Pi’erre constantly flexes his production skills and his songwriting abilities, delivering heartfelt and saccharine tracks like “Ballad” and “Racer” in one moment, and fast-paced bangers like “Routine” and “Speed Dial” the next. Each track is dense with expert engineering skills and tactics, while still being accessible enough to appeal to hip-hop fans both old and new. -Carter Fife

Favorite Tracks:

Poof

Routine

Speed Dial

---

18. baby on Baby by dababy

Release Date: March 1st

Record Label: Interscope Records

DaBaby shows the world that short men do in fact have rights with his infectious breakthrough project Baby on Baby which was the beginning of a dominant 2019 for the Charlotte newcomer. DaBaby does not take himself too seriously in his music or his visual aesthetic. His music videos are completely kitschy and absurd. He has posed as figures such as Scarface and Suge Knight, and even filmed a video that parodied sitcom television. DaBaby’s bars are hilarious and clever. But do not get it twisted: He is not one to mess with. He is tough as hell, and, as he spits in the track “Suge,” if given any disrespect he will “... beat your ass up all in front of your partners and children.” Baby on Baby is a refreshing project that is funny, surprisingly crude, and full of dope bangers prime for all your summer antics. —Kaila Cherry

Favorite Tracks:

Suge

Pony

Carpet Burn

---

17. assume form by James Blake

Release Date: January 18th

Record Label: Polydor Records

Ominous, hypnotic, and ultimately gorgeous, James Blake blends his signature downtempo sound with elements of rap and trip-hop on Assume Form. Blake’s vocal melodies soar over the album’s minimalist production, and the instrumentals show just how much he can make out of so little. Moments such as the climactic ending to “Barefoot in the Park” and James’ vocal cracks in “I’ll Come Too” are enough to conjure emotions on their own, and his candid lyrics only make these segments more potent. His arrangements are simply beautiful—even experimental at times—and the result is an extremely cohesive blend of alternative music and hip-hop. -Owen Tait

Favorite Tracks:

Mile High (Feat. Travis Scott & Metro Boomin)

Where’s the Catch (Feat. André 3000)

Don’t Miss It

---

16. Everythings for sale by boogie

Release Date: January 25th

Record Label: Interscope Records

Compton MC Boogie made some major waves in 2018 when he received a huge Eminem cosign and an actual record deal from Shady Records. In January, the young rapper returned with his Shady Records debut Everythings For Sale and it did not disappoint. Over the 40-minute run time, Boogies honestly reflects on a broken relationship, new fame, and his current day to day life. Throughout the tape Boogie proves why Pitchfork called him one of the best young emcees in the country. The tape is exceptionally cohesive and if you immerse yourself in Boogie’s world and experiences you should find that 40-minutes will feel more like 20. Boogie’s lyricism is a perfect mix of cool California dialect and witty lines that emphasize his smart and reflective themes. He gives us up-beat bangers like the JID assisted “Soho” as well as introspective reflections like “Lolsmh” or “Whose Fault”. This album is complete, thought-provoking, and one of the best releases of the year. -Spencer Lobdell

Favorite Tracks:

Silent Ride

Soho (Feat. JID)

Live 95

---

15. crash talk by schoolboy q

Release Date: April 26th

Record Label: Interscope Records

From a rap standpoint, Schoolboy Q has everything. Critical acclaim came to him with the Blank Face LP. He is a member of arguable the most respects collective in hip-hop in TDE. Yet his life outside of music has not been a walk in the park. On CrasH Talk Q looks at himself as a man and takes a step back to evaluate his own life and the people around him. This is the most relatable he has every sounded on any project. He does stay true to his hardened exterior on excellent cuts like “Numb Numb Juice”, on which he sound cut throat and motivated from the start. While this was the single released from the album, what is a more accurate representation of what makes CrasH Talk so quality is a song like “Black Folk”. Schoolboy strips away all ego and is just a man with many doubts and fears which he articulates over the ominous production in the background. This is what people want from artists when they release projects, not more of the same. This is an honest picture that Schoolboy painted for us of his life right now, he isn't a gangster or famous rapper, but a person just like you or me with doubts about himself, his carrer, and the world around him. While it may seem like a melancholy collection of music, Q finds a way to communicate these feelings in an interesting way and still come the conclusion that no person to ever walk this Earth is immune to what he, and a lot of us, are going through and that is perfectly okay. -Miles Hagan

Favorite Tracks:

Drunk (Feat. 6LACK)

Black Folk

Dangerous (Feat. Kid Cudi)

---

14. flamagrama by flying lotus

Release Date: May 24th

Record Label: Warp Records

Very few names carry the weight that Flying Lotus’s does in music. A mysterious prodigy who masterfully meanders through genres like electronic, experimental, R&B, jazz, funk, and hip-hop, Lotus returns from a long hiatus to deliver ‘Flamagra’, a 27-track record that spends approximately an hour showcasing Lotus’s musical prowess. It is impossible to sum up this album in just one paragraph, but listening to this album is an experience very akin to Alice’s trip through Wonderland. While some tracks may not last as long as one might wish, they each leave lasting impressions that resonate within long after Flying Lotus transitions to another musical ideas. Featuring help from artists like Thundercat, Toro Y Moi, Solange, David Lynch, Denzel Curry, and Anderson .Paak (just to name a few), Flamagra was certainly worth the wait. -Carter Fife

Favorite Tracks:

Post Requisite

More (Feat. Anderson .Paak)

Land of Honey (Feat. Solange)

---

13. The lost boy by ybn cordae

Release Date: July 26th

Record Label: Atlantic Records

Although he is only 22 years old, YBN Cordae managed to get two Grammy nominations on his debut studio album The Lost Boy: one for best rap album and the other for best rap song. YBN Cordae seemingly came out of nowhere and took the world by storm. He released his album in July and is already touring internationally with hundreds of thousands of fans screaming his lyrics. Cordae brings an original sound and flow to the table that is undeniably smooth. When you take that and pair it up with a couple features from incredibly successful artists such as Anderson .Paak and Chance the Rapper, it’s a no-brainer he was grammy nominated twice. The best part is, he is only just getting started, and we’re excited to see what the future holds for him in 2020. -Colson O’Connor

Favorite Tracks:

RNP (Feat. Anderson .Paak)

Broke As Fuck

We Gon Make It (Feat. Meek Mill)

---

12. revenge of the dreamers iii by dreamville

Release Date: July 5th

Record Label: Interscope Records

This year J. Cole and the rest of his Dreamville team set out to create a rap album unlike anything we’ve seen before. With fear of regret not working with more artists in his career, Cole decided to host a 10-day rap camp. Golden ticket-like invites were sent out to over 100 artists and producers from all over the music genre spectrum. Not only was it the diversity of the artists that was so important, but the blend of popular and low-key artists is what made the project so special. It gave smaller artists a chance to finally get some recognition for their outstanding talent. A documentary was released along with the album, and it truly painted the picture of the competition that was created among themselves. In a situation like this, you don’t get put on the album by being passive. You gotta come with the heat and you must make the most of your opportunities as only the top songs will make the cut. This created a friendly and competitive energy, and they would feed off of each other to push themselves to bring out their best work. When discussing the top rap album of 2019, Revenge of the Dreamers III must be in the conversation. -Colson O’Connor

Favorite Tracks:

Under the Sun (Feat. J. Cole, Lute, & DaBaby)

Down Bad (Feat. JID, Bas, J. Cole, EARTHGANG, & Young Nudy)

Sacrifices (Feat. EARTHGANG, J. Cole, Smino, & Saba)

---

11. Angel’s pulse by blood orange

Release Date: July 12th

Record Label: Domino Recording Company

Following the release of his fourth studio album ​Negro Swan ​in 2018, Blood Orange kept the up his momentuem with the drop of his mixtape ​Angel’s Pulse i​ n July. Blood Orange is an incredibly multifaceted artist who, over the course of his decades long music career has created rock tracks, funk, R&B, indie pop, and even dabbled in a bit of hip hop and rap. ​Angel’s Pulse ​is nothing short of these influences with Blood Orange traversing through different musical styles and genres effortlessly throughout the course of the project. With his wonderfully smooth and funky production style coupled with his immaculate lyricism, ​Angel’s Pulse ​was undoubtedly one of the most refreshing and artistic projects of the year. -Kaila Cherry

Favorite Tracks:

Dark & Handsome (Feat. Toro y Moi)

Benzo

Tuesday Feeling (Choose to Stay) (Feat. Tinashe)

---

10. All My Heroes are cornballs by jpegmafia

Release Date: September 13th

Record Label: EQT Recordings

Rapper & experimental producer JPEGMAFIA follows up his captivatingly chaotic Veteran with an equally unpredictable and glitchy trip on All My Heroes Are Cornballs. Opting to incorporate sung hooks and melodic verses, JPEG’s delivery is more dynamic than ever, and the plunky synths and heavy chords he casts across the record compliment his characteristically unhinged drum patterns extremely well. Despite this instrumental shift in tone, JPEG’s lyrics are as aggressive and self-aware as ever, and he evens manages to shout his way through verses on tracks such as “PRONE!” and “Kenan Vs. Kel.” Overall, the album displays a larger range of what JPEGMAFIA is musically capable of, all while remaining compact, cryptic, and undeniably awesome. -Owen Tait

Favorite Tracks:

Kenan Vs. Kel

All My Heroes Are Cornballs

Thot Tactics

---

9. Zuu by denzel curry

Release Date: May 31st

Record Label: Loma Vista Recordings

Coming off his most conceptual album to date (TA13OO), many wondered what direction Denzel would head next. The answer to that was obvious to Curry: he would go home. With ZUU, Denzel tastefully simplified his music showing us that sometimes the obvious answer can be the best answer with proper execution. ZUU is a short album with no skippable tracks. It’s abrasive and in-your-face without being inaccessible for less intense fans thanks to cuts like “WISH” and “SHAKE 88”. Songs like “BIRDZ”, “AUTOMATIC”, and “RICKY” provide long term Denzel fans with his unmatched flow and clever lyricism that they have grown to expect. All-in-all, Denzel made an excellent career decision and the result is a Miami masterpiece. -Spencer Lobdell

Favorite Tracks:

WISH (Feat. Kiddo Marv)

SPEEDBOAT

CAROLMART (Feat. Ice Billion Berg)

---

8. Bandana by freddie gibbs & madlib

Release Date: June 28th

Record Label: RCA Records

If it’s bars you’re looking for, look no further. Backed by lush, opulent instrumentals from legendary hip-hop producer Madlib, Freddie Gibbs flows effortlessly throughout the vast majority of Bandana’s runtime. The midwestern rapper tackles his past, his success, his wrongdoings, and an array of sociopolitical issues that truly allow his lyrical & storytelling abilities to shine. And while Gibbs is certainly capable of manning an album by himself, he is more than happy to add excellent features from his A-list friends, with Pusha T even turning in Complex’s “Rap Verse of the Year” on the sixth cut “Palmolive”. The power behind Gibbs’ words and his technical abilities were enough to make the album continue to grow on me throughout the year, and standout features from Gibbs’ colleagues solidified the project’s spot on my list. -Owen Tait

Favorite Tracks:

Palmolive (Feat. Pusha T & Killer Mike)

Flat Tummy Tea

Giannis (Feat. Anderson .Paak)

---

7. Mirrorland by earthgang

Release Date: September 6th

Record Label: Interscope Records

BREAKOUT ALBUM! That is the only way that Mirrorland can and should be described. Johnny Venus and Doctur Dot put the rap game on notice that they are a force to be reckoned with and maybe the best duo in rap right now. Mirrorland sounds exactly like them, and it is incredible to see these young artists make their major label debut and not compromise. Instead they use it to get a host of guest features that simply lift the album to a completely different level. Young Thug on “Proud of U” brings an energy that perfectly matches EARTHGANG, and it seems like the three Atlanta rappers have been spitting together for years. As the album slows down the group calls upon Kehlani to deliver a seductive smooth verse on “Trippin”. Mirrorland perfectly displays the versatility of the group. The first half of the project gives audiences the energy and flows that caught the attention of people early on in their careers, but the second half where they slow their storytelling ability and emotion makes the project so great. They should get praise for getting T-Pain to deliver on of his best contributions to a song in a very long time. It all come to a fitting conclusion on “Wings”, where the boys reflect on where they came from and where they want to go. If Mirrorland is any indication, they have a very bright future. -Miles Hagan

Favorite Tracks:

Tequila (Feat. T-Pain)

Trippin (Feat. Kehlani)

Wings

---

6. Die For my bitch by baby keem

Release Date: July 19th

Record Label: Independent

If you tapped into Baby Keem’s Die For My Bitch in 2019 you witnessed history. On my personal favorite album of the year, fans witnessed an artist with an unmatched ceiling come into his own and deliver his first excellent body of work. The LA artist showed significant growth since his last project highlighting his aggressive rise to inevitable stardom. The tape sacrifices unity and cohesion to instead display Keem’s wide variety of sounds and styles that he is proficient in, a great decision for an upcoming rapper looking to catch the attention of unfamiliar fans. While “ORANGE SODA” was one of the most fun hip-hop moments of the year and introduced the world to Keem’s sharp flow and one-of-a-kind vocabulary, some fans might not have realized that Keem’s entire album is equally as captivating and entertaining. All the claims I made throughout 2019 saying that Keem was a superstar were confirmed in November when I went to his show in Los Angeles and was treated with one of the most electric live performances I’ve ever been to. There’s a reason that A$AP Rocky and Kendrick Lamar were spotted at his shows on the Die For My Bitch tour. There’s a reason he was photographed having lunch with Jay-Z this past winter. There’s a reason that Drake called Die For My Bitch the best album of 2019 along with Young Thug’s So Much Fun. On the second track “Honest” the LA artist raps “Baby Keem, shit I’m chosen” and after one listen through Die For My Bitch, it’s hard not to believe him. -Spencer Lobdell

Favorite Tracks:

ROCKSTAR P

ORANGE SODA

APOLOGIZE

---

5. When I get home by solange

Release Date: March 1st

Record Label: Columbia Records

Solange Knowles’ radical album When I Get Home is easily the most artistic project of the year. When I Get Home is not easy to explain, to start, what exactly is the genre? Is it hip-hop, as suggested by features with prominent rap artists Playboi Carti and Gucci Mane? Is it soul? R&B? Further, what is the “home” that Solange is referring to? Is this place literal or figurative? Solange manages to answer all of these questions throughout the course of the album. When I Get Home is an iconographic representation of the black experience in the most celebratory sense. Solange embraces her black womanhood and embraces Houston, Texas. The project radiates warmth and familiarity. It creates a home within itself. When I Get Home is wholly inviting, sonically stunning, and lyrically beautiful album that I cannot help but come back to when I am in need of empathy, of comfort, of a place to call home. -Kaila Cherry

Favorite Tracks:

Almeda (Feat. Playboi Carti)

My Skin My Logo (Feat. Gucci Mane)

Binz

---

4. BUBBA by kaytranada

Release Date: December 13th

Record Label: RCA Records

It has been over three long years since the Montreal prodigy Kaytranada released his debut LP 99.9%, a funk-laden electronic record complete with over a dozen guest appearances (including names like hip-hop favorite Anderson .Paak and jazz legend Karriem Riggins). BUBBA, Kaytranada’s recently released sophomore album, is another example of masterful and intentional dance/hip-hop/funk synthesis. On tracks like “10%” with Kali Uchis and “Grey Area” with Mick Jenkins, fans are treated to a signature style of electronic that urges the listeners to lean forward, and lay back simultaneously. Not every track is played safety to Kaytranada’s strong suits however, as certain dancehall-inspired tracks like “Go Dj” and “Vex Oh” show signs of risk-taking that pays off as the record becomes more familiar. It was a long wait for BUBBA, but after hearing Kaytranada collaborate with industry heavyweights like Tinashe and Pharrell, it is safe to say that fans will be satiated for a while. -Carter Fife

Favorite Tracks:

2 The Music (Feat. Iman Omari)

Puff Lah

The Worst In Me (Feat. Tinashe)

---

3. Ventura by Anderson .paak

Release Date: April 11th

Record Label: Interscope Records

Anderson .Paak’s Ventura showcases everything we love about the soulful California native. Said to be a counter-part to his prior album Oxnard which was released five months earlier, Ventura showcases Paak in his ideal environment being authentically himself. It is musically unmatched and conceptually rich. It’s both sexy (“Jet Black”) and politically charged (“King James”) but always in moderation to keep it tasteful. Ventura is an album that proved it’s enduring replay value by getting better everyday since it’s release in early April. With Ventura Anderson truly created timeless music as I foresee songs like “Make It Better” and “What Can We Do” staying in my musical rotation until I can no longer hear. Well we all would like to be, no one is quite as smooth as .Paak. -Spencer Lobdell

Favorite Tracks:

Make It Better (Feat. Smokey Robinson)

King James

Jet Black (Feat. Brandy)

---

2. So Much fun by young thug

Release Date: August 16th

Record Label: Atlantic Records

Does Young Thug Speak English? I think he answered that question with 2018’s Slime Language. The album title speaks for itself. So much of what makes So Much Fun great can really be seen through the way Thugger has talked about the project both before and after the release. There is no concept, no real goal or take-away, rather it is just Thug having a good time making music that will make his fans have a good time listening to. What we received was once again a version of the Atlanta rapper we were not accustomed to. “What’s the Move” and “Hop off a Jet” have a crisp beautiful island sound of production that captures the listener's ear instantly. The features across the board do not disappoint and help carry the project. So Much Fun also features what may be one of the most popular songs this year with “Hot” and its remix. Thug’s protegé, Gunna, shines on this effort and his verse on “Diamonds”on the deluxe version of the album needs to be talked about. What can really be taken away from this album is how it fits into the landscape of 2019. Hip-Hop has lost a lot of great talent recently because of the drug culture that artists like Young Thug and Future were a large part of creating. Thugger seems to be moving away from those narratives, or at least doing his best. There is a way to be this same well respects talented performer without the use of such detrimental lyrics, and its seems like Thug may have caught on to that. So Much Fun is a breath of fresh air, with an artist at the peak of his powers creating a vibe of positivity. -Miles Hagan

Favorite Tracks:

Hot (Feat. Gunna)

What’s The Move (Feat. Lil Uzi Vert)

Big Tipper (Feat. Lil Keed)

---

1. igor by tyler, the creator

Release Date: May 17th

Record Label: Columbia Records

In a time where it feels like so many creatives are doing things for popularity or to be the next big meme, an artist who goes against expectations to make a beautiful piece of art that is entirely authentic is invaluable. This is exactly the feat Tyler, the Creator accomplishes on IGOR. This project comes on the heels of his most successful mainstream record yet, Flower Boy. Expectations were high and everyone was wondering what was next for the 28 year old rapper. If Flower Boy was his most honest album, on IGOR he tells the best story. The entire album plays like a movie not navigated by lyrics, but by stellar productions. Songs like “I THINK” and “RUNNING OUT OF TIME” are so incredible because they capture the feeling of falling for someone despite your best efforts almost entirely through the way the track sounds. Throughout, it seems Tyler’s character IGOR is trying to find out what is next the same way we all are and it is beautiful. Tyler still has tracks where he flexes his skills as an emcee. “A BOY IS A GUN” has bars from front to back, but he never overstays his welcome. Gone are the days of him trying to shock the world with every bar that comes out his mouth, now he is focused and precise with everything that he touches. That is what makes IGOR album of the year. There is nothing else that came out this year that sounds anything like it, and Tyler is an artist that is still hungry to get better, and that deserves to be celebrated. -Miles Hagan

Favorite Tracks:

EARFQUAKE

A BOY IS A GUN*

ARE WE STILL FRIENDS?

---

Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

• 
  StereoVision

  The love is real in Maxo Kream’s (@MAXOKREAM) new WSHH exclusive music video for “Brothers”💎 https://t.co/vhEZkeiZaG

  Apr 15, 2020, 5:59 PM
• 
  StereoVision

  The Kid Laroi (@thekidlaroi) x Einer Bankz (@EinerBankz) link up over Facetime to bring us an acoustic version of “… https://t.co/c2YQZn9ibl

  Apr 15, 2020, 12:07 PM

RJMrLA Stays True to His West Coast Roots on His New Album “On God”

By Spencer Lobdell

Since 2013, RJMrLA has been on the fringe of the LA rap scene that birthed artists like Kendrick Lamar, YG, Nipsey Hussle, and many many others. The Los Angeles spitter has flirted with stardom multiple times without ever being able to smash through the wall of mediocracy to capture a smash hit. Due to his reputation in LA, his personal relationships with artists like Mustard, Ty Dolla $ign, and YG, and his innate ability to rap, RJMrLA has maintained relevance in Los Angeles for years. With a string of impressive singles, 2019 is starting to look like the year RJ might finally break out of The City Of Angels and infect the rest of the country with his cool SoCal swagger.

Stream "Apartment": https://EMPIRE.lnk.to/ApartmentYo Official Video by RJmrLA - Apartment (Official Video) © 2019 OMMIO LLC / EMPIRE

The rollout for RJ’s new album On God began in early June with the single “Apartment”, his first release since his 2017 Mustard collab, The Ghetto. Two weeks later he followed up the release with his smooth single “Rat Race”. With his momentum at an all-time high, the LA artist dropped the Young Thug assisted single “Time” which was received warmly and secured some major playlist placements. 

On August 9th, 2019, RJMrLA independently released his album On God. The 20-track album runs for just under an hour and boasts features from Young Thug, ScHoolboy Q, Snoop Dogg, Rich The Kid, and many other A-List artists.

The album opens with an anecdote from RJ where he explains that the phrase “On God” can basically be defined as a step up from the truth. After the first 20 seconds of this album it’s obvious that unquestionable authenticity is a clear theme that RJ wants to portray on this new album. The LA rapper introduces himself on the intro (which hosts the same name as the album) by giving new fans a glimpse into his life and his personal philosophy.

“On One” is the third song on the album and is undeniably smooth and entertaining. The hook is infectious and gives us our first look at RJ’s dangerously contagious defiance as he continuously repeats “I jumped out the bed on one.” ScHoolboy Q continues his hot streak on this track providing us with an excellent collab that I had no idea I even wanted.

No momentum from “On One” is lost as the album quickly flows into the lead single, “Time”, which features Young Thug. “Time” fits perfectly into RJ’s discography with a DJ Swish instrumental that screams West Coast and one of his classic melodic hooks. The chorus in this song is equal parts motivational and honest as RJ raps about how he has no time to waste because he is a visionary, hard worker, and a man of action. This lack of time isn’t all good though, as he lets it be known that it hinders his relationship with his family even though they are the ones he’s working for. I couldn’t help but think of Jamie (Ghost) St. Patrick from Star’s TV show Power when listening to this conflicting hook.

The sixth song on the project is called “Rat Race” and was the second pre-release from On God. “Rat Race” is one of the slickest songs I’ve heard in 2019 and is soaked in suave swagger. This song could make me feel like a big baller when I have eleven dollars in my bank account and that’s all you can ever ask of a track.

The next six songs are all good, but seem to blend together. There are clever quotables scattered throughout all six tracks but at the end of the day, I find them ultimately forgettable.

The album picks back up with one of it’s strongest tracks, “No Face, No Case”. RJ snaps on the first verse and showcases some of the best rapping we’ve ever heard from him. The song is a badass story about RJ hitting licks and getting away with them. There is something so satisfying about hearing the west coast rapper yell at agents over the phone and tell them to “call my laywerrrrrr.”

One of the albums greatest strengths is it’s genius sequencing and the transition from “No Face, No Case” to “Randel Cunningham” is one of the best examples. Where “No Face, No Case” is about hitting the lick and getting away with it, “Randel Cunningham” is about the rest of his years ducking cops and how his criminal record only adds to his ability to pull girls. While I think Rich The Kid sounds somewhat out of place on On God, he delivers a solid verse and I wouldn’t be surprised if his presence on this track grows on me.

“Randel Cunningham” is followed by every weekend’s anthem “Friday Night”. Ty Dolla $ign pulls through for excellent feature (like always) and makes cut this undeniably fun and sexy. 

The album concludes with the inspirational “Growing”. The track features a soothing lo-fi sax that was present on the song that preceded it. On “Growing” RJMrLA reminds us that there is nothing as rewarding as being able to point to clear examples of personal growth and self improvement. I get chills when RJ repeats “I’m slowly reaching the heights that these niggas expected from me” on the hook. It’s a common misconception to believe that popping rappers got lucky with a catchy hit and are now living lives of luxury. Fans often forget that emcees like RJ have been honing their craft in the rap game for nearly ten years, fully expecting to receive the acclaim that they know they deserve. “Growing” is a refreshing perspective and an excellent outro.

RJmrLA Freestyle with Bootleg Kev & DJ Hed STAY CONNECTED!!! ► Listen Live: https://real923la.iheart.com/listen ► Facebook: https://www.facebook.com/REAL923LA/ ► Twitter: https://twitter.com/real923la ► Instagram: https://www.instagram.com/real923la/

It’s clear that On God is far from RJMrLA’s first rodeo. He masterfully crafted this album with a clear message and used intentional sequencing and storytelling to hit the mark. Every track perfectly flows into the next making On God flow better than almost any other album I’ve heard this year. Along with the excellent flow of the project, every song is sonically similar leading to the creation of a mini-universe inside this project that can only be described as RJ’s LA. The entire album definitely falls into a common mood making this the perfect album to loop in your car during a day of errands or a relaxed night out.

While the cohesion of this project makes it an incredibly smooth listen, it also puts a ceiling atop the album’s potential. RJ’s lack of deviations and risks makes this album incredibly safe thus eliminating any chance of this being a classic record for anyone. With this being said, I think RJ’s decision to keep the entire album in one mood was a good creative choice and added more than it took away from On God.

Although his name might not carry the same weight as some of his heavy-hitting peers like YG and Ty Dolla $ign, RJMrLA is an essential piece to the Los Angeles rap renaissance and On God is potentially his best work to date. The project is unified, entertaining, groovy, and substance-rich. RJ’s pen game is as sharp as ever giving us many memorable verses and quotable bars. Mr. LA gets the best out of all of his high-level features leaving us with some bangers that hopefully outlive the summer. On God is a very good album and should be bumped by everyone whether or not you reside in The Golden State.

Favorite Tracks:

On One (Feat. ScHoolboy Q)

Time (Feat. Young Thug)

Rat Race

Rating: 7.5

Listen to On God here:

We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy.

Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

LA Super-Producer Mustard Sets the New Standard for Collaborative Albums with "Perfect Ten"

By Spencer Lobdell

Los Angeles super-producer DJ Mustard is back with a tracklist full of high-level features, club bangers, and an unmistakable west coast sound that he helped pioneer.

Dijon McFarlane (Mustard) has been riding the streets of LA since he was born in 1990 and his hometown pride shines brightly in all his music dating back to 2011 when he co-produced YG’s classic mixtape Just Re’d Up. The decorated DJ has worked with nearly every modern Los Angeles rapper from Dom Kennedy to Nipsey Hussle. Mustard commonly refers to his sound as “ratchet music” that is inescapable at clubs and parties leading us to wonder if he would ever abandon this pop-driven style for something with more substance.

DJ Mustard began Perfect Ten’s rollout at the beginning of the new year when he dropped “Pure Water” on January 16th. The track features the Migos with Mustard cooking up the perfect high energy instrumental allowing the three Atlanta rappers to have an instant hit. Following in-stride with the producer’s earlier work, this song was constantly in rotation on the radio and in the club for months.

Five months later Mustard followed up his smash with another star-studded track “100 Bands” which features Quavo, 21 Savage, YG, and Meek Mill and while I love all these artists individually the track came out as overly generic. Although the single sold well it was easily the most disappointing out of his three pre-releases. 

Exactly one week prior to the album's release, Mustard dropped “On God” aided by A$AP Ferg, A$AP Rocky, YG, & Tyga. While this song was unimpressive to me upon release, over the past two weeks it has grown on me every time I hit play. Now I believe “On God” is one of the hardest hitting tracks on the album and home to Tyga’s best verse of the year.

On June 28th Mustard released Perfect Ten on his new sub-Interscope label, 10 Summers Records. The album is ten songs long and runs for just over thirty minutes. Upon release, Mustard took to Twitter to say that he didn’t care about sales but rather just creating timeless music.

The album gets right into things with the first track “Intro” being potentially my favorite joint on the album. The track showcases a classic Mustard beat that uses a pitched vocal sample making the human voice sound like a trap whistle. Rising LA rapper 1takejay is featured on the track and is tasked with being Perfect Ten’s attention getter, something he is very good at. Jay’s nasally LA drawl slices through the instrumental with a certain cockiness and swagger that is near impossible to match. The hook is catchy and Jay keeps us coming back for more with his unique flow that is sure to gift him many hits in the near future.

After two of the three pre-releases, we are graced with the sure-to-be fan favorite “Baguettes in the Face” which features Playboi Carti, NAV, and A Boogie Wit Da Hoodie. NAV takes the hook with Carti and Boogie each getting a verse to themselves. Each artist stays very much in their specific lane making this song familiar yet fresh and pleasing all three artists' somewhat culty fan bases.

Mustard experiments with a very Latino-inspired instrumental on “Interstate 10” with Future but really the track sounds more like filler than any sort of creative deviation.

This album peaks at the end with the last two tracks being emotional, exceptional, and as West Coast as it gets. The first of the two, “Ballin’” features the young LA legend Roddy Ricch. Mustard’s relaxed instrumental is the perfect home for Roddy’s street bars allowing him enough room per line to continue to switch his flow and pack rhyme after rhyme into each stanza. Roddy’s melodies are addicting and “Ballin’” is a song that can be played anywhere anytime.

The album concludes with the somber “Perfect Ten” which shines the spotlight on Mustards frequent collaborator and friend, the late Nipsey Hussle. The instrumental is anchored by beautiful guitars and allows plenty of open space for Nipsey to inspire listeners with his laid back flow and speaking interludes where he drops knowledge about LA, hip-hop, and life in general. The marathon continues.

Perfect Ten is the new standard for how entertaining a collaborative album headlined by a producer can, and should, be. Mustard seamlessly recruited high-level features for every track without allowing the project to sound like a shallow dinner party for the famous, like his peer DJ Khaled frequently does. He maintains some level of cohesion throughout the entire project which is a near-miracle since his voice/writing is not featured on the project. On Perfect Ten Mustard achieved exactly what he set out to accomplish, the creation of a fun album with no skips, proving that less truly is more.

Favorite Tracks:

Intro (Feat. 1takejay)

Baguettes in the Face (Feat. NAV, Playboi Carti, & A Boogie Wit Da Hoodie)

Ballin’ (Feat. Roddy Ricch)

Rating: 7.5

Listen to Perfect Ten here:

Perfect Ten, an album by Mustard on Spotify

Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:

Songs of the Week: June 30th

By Spencer Lobdell

Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior. To stay up to date on all new music, follow our playlist “Hot 30” on Apple Music and Spotify. “Hot 30” is updated daily to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:

A playlist updated weekly by team members at StereoVision with the hottest new rap and hip-hop music. Always 30 songs with the hottest tracks at the top.

Songs of the week:

“BIG” by Young M.A

BIG, a song by Young M.A on Spotify

Brooklyn emcee Young M.A is back and as good as ever on her newest single “BIG”. On the track, M.A raps about her pimp lifestyle with her normal confident and to-the-point delivery leading us to believe that every word she raps is all fact and no fiction. Even though the talented rapper no longer receives the media attention she once did, she has a great chance to return to those heights with “BIG” which is sure to be a hit.

“Yo, I just copped a pocket rocket
For all you niggas pocket watching
Why your rollie tick-tick-tocking?
Ayy, uh, I fuck her during tax season, perfect timing”

— Young M.A "BIG"

---

Ballin’ by Mustard (Feat. Roddy Ricch)

Ballin' (feat. Roddy Ricch), a song by Mustard, Roddy Ricch on Spotify

If it seems like we write about Roddy Ricch every week it’s probably because we do. The Los Angeles artist has been on an absolute tear lately with every track released sounding different and fresh while still containing his totally unique flow and addicting melodies. “Ballin’” is no exception and Mustard’s relaxed instrumental is the perfect home for Roddy’s street bars allowing him enough room per line to continue to switch his flow and pack rhyme after rhyme into each stanza. Roddy Ricch is hip-hop’s next superstar and with “Ballin’” being a perfect example of the terrific music the LA emcee is capable of making.

“I see you swerve back, ‘cause I’m in the black ‘Bach
New diamonds on me, fuck a flash, this ain’t Snapchat”

— Roddy Ricch "Ballin'"

---

restore the feeling by daniel ceasar (Feat. Sean Leon & Jacob Collier)

RESTORE THE FEELING, a song by Daniel Caesar, Sean Leon, Jacob Collier on Spotify

This week R&B all-star Daniel Ceasar released his newest album CASE STUDY 01. The album is packed with emotional slow jams essential to anyone and everyone’s library, one of which being the sixth track “RESTORE THE FEELING” which brings an energy that is unmatched on the album. While Caesar is excellent on the track laying down a poetic first verse and assisting Jacob Collier on the beautiful hook, Sean Leon steals the show with his half-sung half-rapped second verse. All-in-all the song is a relaxing cut that brings a lot of energy without raising the tempo or tone from the rest of the album.

“I’m peeling back Backwoods, I guess I’m back to work
Make a mill’ off a classic verse
Will I make a mill’ or a classic first?”

— Sean Leon

---

Thanks for reading, check back in next week for three new songs of the week. Make sure to follow us on Instagram and Twitter to get notified when we post: