The AzChike Interview: Los Angeles, Fashion, and Pushing the Boundaries

“LA is everything. I'm from 86th and Figueroa, I went to Domingues high, I'm really a native and I love this city.”

By Miles Hagan

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The rise of AzChike has officially begun. The trailblazing rapper is already popping in his Los Angeles (his hometown) it's just a matter of time until the rest of the world catches on. Chike has steadily gained a fan base over his time in the spotlight since 2015. The LA party scene is very familiar with his substantial talent due to his early hits such as “Licked Up” and “The Shit” frequently gracing functions of all sizes in SoCal. He has gained a reputation of bringing enormous amounts of energy to every performance he is apart of, and every track he hops on. Chike seems to be attempting to do things his way, and by his own rules. His sound and style both in and outside of the rap game are completely himself and never compromise.

I feel like a lot of AzChike’s appeal can really be seen when he is performing. Before this interview, I had the pleasure of seeing him and 1TakeJay perform at the El Rey Theater in Los Angeles. The moment Chike took the stage the energy shifted and the crowd was his. Even after his performance, he might have been the most hype person on the stage for 1TakeJay’s set. His authenticity and energy will continue to attract fans and serve him very well throughout the remainder of his career. My conversation with AzChike, lightly edited for content and clarity, follows below:


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Miles Hagan, StereoVision (MH): How much does it mean for you to be able to perform in your hometown?

AzChike (AZ): That shit means everything. It's the best shows on the tour every time we go out. I spend the most money on clothes for the LA show too I come to show love and show up.

MH: How important is the city of LA to you?

AZ: LA is everything. I grew up all over LA I’m really a native. I'm from 86th and Figueroa, I went to Domingues high, I'm really a native and I love this city. That the sound right there, I don't really do anything else. I tried more conscious and trap, but that LA sound is what really helped me blow up. I mixed everything in from bars, to flow, to strategies. LA is everything.

MH: How do you feel about being a trendsetter both in fashion and in your music? 

AZ: I don't really expect it in music, because I just try to snap in the studio every time. With clothes, I’m just blessed to be able to do things like spend 2000 dollars on a scarf. I take it pretty seriously. 

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MH: How would you describe AZCult and who are the members? 

AZ: AzSwaye, AzBroll, and AzPorter. We have extensions that definitely help us outside, but it's really just family. We a cult, if you wanna join show blood for real. Show blood and show drip and that's really it. 

MH: From your earlier post today you are in Album mode, what can we expect from the new music? 

AZ: I'm just having fun giving you the vibes, and turning up. I intentionally did just fun shit right now, so y’all wouldn’t expect the melodies and the vibey shit that’s coming. I love that you love it, because then that gives me more room to do things, and show I’m versatile. I really just wanna have fun on my first project.

MH: Anything else to say to the fans?

AZ: Just have fun and never think too hard. Just work for what you want and believe in yourself. You don't have to be a rapper or a part of these big shows, just be the best at whatever it is you choose to do.


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The 1TakeJay Interview: The 1TakeBoys, Machine Works, and His Upcoming Album "Goat"

“Still to this day there hasn’t been a moment when it’s occurred to me that this is my career, it’s more just me and the homies having fun”

By Spencer Lobdell

Photo by Jeff Yumi

Photo by Jeff Yumi

Los Angeles’s El Rey Theater was hot, sweaty, and packed with locals the night I went to see red-hot LA rapper 1TakeJay in concert. While I tried to enjoy my backstage view of the openers, my mind was occupied with one pressing question: Where is 1TakeJay? Every minute that passed I became less sure that our interview would happen until I almost relinquished myself to GA. At that moment I got a text from his manager saying he had arrived and quickly ran up a flight of stairs and pulled open the door to the green room. The room was packed and as I entered, every attendee looked at me and wondered who I was and what I was doing interrupting their pre-concert turn up. That is, every attendee besides 1TakeJay who smiled at me and called me over. The nerves and stress that plagued the previous hour instantly eluded me and we began to calmly chat about Jay’s high school football career.

" Stream it here - https://soundcloud.com/onetakeboys/1takejay-hello-prod-by-lowthegreat " 1TakeJay Instagram: @1take.jay SoundCloud: @OneTakeBoyz " WavvyFM Submit your music or contact us: wavvyfm@gmail.com Instagram: @WavvyFM Twitter: @WavvyFM ★ WavvyFM is not affiliated with any artist or label. No video is monetized by WavvyFM.

1TakeJay was born and raised in Compton California. Through his high school years he was a football star but frequently changed schools before suffering a career ending injury. Growing up, Jay frequently listened to jerkin’ music, a style that is deeply rooted in Los Angeles culture. This musical influence is apparent in Jay’s music and his club trap certainly feels like a natural evolution for LA jerk rap.

Jay quickly exploded onto the rap scene in the fall of 2018 with his viral hit “Hello” which sampled Apple’s “Marimba” ringtone in the instrumental. Fans were instantly drawn to 1Take’s unique delivery and was frequently described as “Blueface but he can rap”. He followed up the smash hit with his debut mixtape Wait Hol Up which showcased impressive features from other LA all-stars such as AzChike and Kalan.FrFr while simultaneously introducing us to other members of the 1TakeBoys like 1TakeQuan and 1TakeTeezy. The tapes lead single “Arco” quickly became Jay’s signature song and another viral hit. This summer, 1Take dropped his latest smash “Drip Walking” which we can only expect to be the focus track off his upcoming album.

Ever since Jay’s first record, Los Angeles has known he was hot and has rocked with him every step of the way. While I loved turning up to his music the past year, I wasn’t sold on 1Take’s longevity as an artist until I watched his enthralling live performance where he almost brought the El Rey Theater to the ground. My conversation with 1TakeJay, lightly edited for content and clarity, follows below:


Photo by Jeff Yumi

Photo by Jeff Yumi

Spencer Lobdell, StereoVision (SL): I read that you had a pretty impressive football career throughout high school and even had multiple Division 1 offer. Can tell me a little about 1TakeJay the football star?

1TakeJay (1TJ): Well I played QB in high school but that was honestly just because we didn’t have anyone else. I really liked playing cornerback - that’s what I always thought I was the best at. I was thinking about going to play in college but I got hurt and that was that.

SL: When did you start rapping and how did that come about?

1TJ: I probably started in 2014. The homie 1TakeTeezy had the studio and the whole crew would make songs all the time. One day they just kept telling me “get on, get on” so I hoped on the track and from that point on I was fuckin’ with it. Still to this day there hasn’t been a moment when it’s occurred to me that this is my career, it’s more just me and the homies having fun.


SL: How did you guys come up with the name 1Take?

1TJ: Low key it came from competition. At first it was just like “let me do this better than the homie” than it turned into “let me do this better than the homie and in less time” and we ended up at 1TakeBoys.

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SL: How does it feel to come up with the people you’ve known your entire life?

1TJ: Honestly shit just feels regular because nothing changed. We still do all the same stuff haha.

SL: What can you tell me about The Machine Works label?

1TJ: Yeah Machine Works is brand new this year shoutout TK and Picaso (The founders of Machine Works). Basically it’s a new record label under Atlantic Records that represents me and AzChike. It’s all the same people I was already working with, they just got an imprint to make it an official thing and to make sure everything stays in house.

SL: DJ Mustard dropped one of the albums of the year this summer with Perfect Ten and you kick the project off with your high energy banger “Intro”. How did your relationship with Mustard begin and did that track feel any different to you than your other hits?

1TJ: I’ve been fucking with Mustard way before we did a song so it was never like “Bro let’s get in the studio” he just sent me the beat one day and asked if I liked it. The instrumental was hard so I did the track and he obviously liked it because he put it on his album. It didn’t feel any different because I was just talking shit. Mustard told me “Don’t even try and make a song, just gas it like Arco” so that’s what I did.

Photo by Jeff Yumi

Photo by Jeff Yumi


SL: Since it’s release I’ve been listening to your new EP Over Like October a ton. Is there anything you want your fans to know about the new project?

1TJ: That shit was just a warm up! Honestly I just threw those songs together so my fans could have something to listen to until the album comes out. I’ve got over 100 finished songs so I just picked some I liked but didn’t make the project and dropped them.


SL: What can you tell us about the new album?

1TJ: The album’s done, I just need another month to shoot videos and wrap everything up. Expect it to drop mid-November. It’s 13-tracks long and called Goat.


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LA Super-Producer Mustard Sets the New Standard for Collaborative Albums with "Perfect Ten"

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Los Angeles super-producer DJ Mustard is back with a tracklist full of high-level features, club bangers, and an unmistakable west coast sound that he helped pioneer.

Dijon McFarlane (Mustard) has been riding the streets of LA since he was born in 1990 and his hometown pride shines brightly in all his music dating back to 2011 when he co-produced YG’s classic mixtape Just Re’d Up. The decorated DJ has worked with nearly every modern Los Angeles rapper from Dom Kennedy to Nipsey Hussle. Mustard commonly refers to his sound as “ratchet music” that is inescapable at clubs and parties leading us to wonder if he would ever abandon this pop-driven style for something with more substance.

DJ Mustard began Perfect Ten’s rollout at the beginning of the new year when he dropped “Pure Water” on January 16th. The track features the Migos with Mustard cooking up the perfect high energy instrumental allowing the three Atlanta rappers to have an instant hit. Following in-stride with the producer’s earlier work, this song was constantly in rotation on the radio and in the club for months.

Five months later Mustard followed up his smash with another star-studded track “100 Bands” which features Quavo, 21 Savage, YG, and Meek Mill and while I love all these artists individually the track came out as overly generic. Although the single sold well it was easily the most disappointing out of his three pre-releases. 

Exactly one week prior to the album's release, Mustard dropped “On God” aided by A$AP Ferg, A$AP Rocky, YG, & Tyga. While this song was unimpressive to me upon release, over the past two weeks it has grown on me every time I hit play. Now I believe “On God” is one of the hardest hitting tracks on the album and home to Tyga’s best verse of the year.

On June 28th Mustard released Perfect Ten on his new sub-Interscope label, 10 Summers Records. The album is ten songs long and runs for just over thirty minutes. Upon release, Mustard took to Twitter to say that he didn’t care about sales but rather just creating timeless music.

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The album gets right into things with the first track “Intro” being potentially my favorite joint on the album. The track showcases a classic Mustard beat that uses a pitched vocal sample making the human voice sound like a trap whistle. Rising LA rapper 1takejay is featured on the track and is tasked with being Perfect Ten’s attention getter, something he is very good at. Jay’s nasally LA drawl slices through the instrumental with a certain cockiness and swagger that is near impossible to match. The hook is catchy and Jay keeps us coming back for more with his unique flow that is sure to gift him many hits in the near future.

After two of the three pre-releases, we are graced with the sure-to-be fan favorite “Baguettes in the Face” which features Playboi Carti, NAV, and A Boogie Wit Da Hoodie. NAV takes the hook with Carti and Boogie each getting a verse to themselves. Each artist stays very much in their specific lane making this song familiar yet fresh and pleasing all three artists' somewhat culty fan bases.

Mustard experiments with a very Latino-inspired instrumental on “Interstate 10” with Future but really the track sounds more like filler than any sort of creative deviation.

This album peaks at the end with the last two tracks being emotional, exceptional, and as West Coast as it gets. The first of the two, “Ballin’” features the young LA legend Roddy Ricch. Mustard’s relaxed instrumental is the perfect home for Roddy’s street bars allowing him enough room per line to continue to switch his flow and pack rhyme after rhyme into each stanza. Roddy’s melodies are addicting and “Ballin’” is a song that can be played anywhere anytime.

The album concludes with the somber “Perfect Ten” which shines the spotlight on Mustards frequent collaborator and friend, the late Nipsey Hussle. The instrumental is anchored by beautiful guitars and allows plenty of open space for Nipsey to inspire listeners with his laid back flow and speaking interludes where he drops knowledge about LA, hip-hop, and life in general. The marathon continues.

Perfect Ten is the new standard for how entertaining a collaborative album headlined by a producer can, and should, be. Mustard seamlessly recruited high-level features for every track without allowing the project to sound like a shallow dinner party for the famous, like his peer DJ Khaled frequently does. He maintains some level of cohesion throughout the entire project which is a near-miracle since his voice/writing is not featured on the project. On Perfect Ten Mustard achieved exactly what he set out to accomplish, the creation of a fun album with no skips, proving that less truly is more.

Favorite Tracks:

Intro (Feat. 1takejay)

Baguettes in the Face (Feat. NAV, Playboi Carti, & A Boogie Wit Da Hoodie)

Ballin’ (Feat. Roddy Ricch)

Rating: 7.5

Listen to Perfect Ten here:

Perfect Ten, an album by Mustard on Spotify

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