Counting Down the Top 20 Albums of 2022

 
 

by StereoVision Staff

The end of a calendar year marks new beginnings. The rapid approach of new goals, new situations and new beginnings force us to look back on what we built in the year we just experienced. For music fans, the end of 2022 is an ode to the household names who reminded us of their brilliance, the meteoric rise of originative artists bursting onto their respective scenes, records with such gravitational attraction and quality that they derail Twitter discourse for days on end, and everything in between. Here at StereoVision, the final flip of a page on our yearly calendar just wouldn’t feel complete without counting down our favorite projects of the year. Without further adieu,

Honorable Mentions of 2022


 

“Luv 4 rent” — Smino

Hints of: Southern Hip-Hop


“Bar & Grill” — Royel otis

Hints of: Indie Rock


“Its Almost dry” — Pusha T

Hints of: Coke Rap, Hip-hop


“kiss the ring” — Rome streetz

Hints of: Coke Rap, Avant-Garde Rap


“Get Fucked” — The Chats
Hints of: Punk


aethopies — billy woods

Hints of: Avant-Garde Rap

 

the 20 best albums of 2022:


20. god dont make mistakes — conway the machine

Conway the Machine has always been the darker rapper of the founding Griselda Records members, but God Don’t Make Mistakes takes it up a notch. GDMM is a reflective album that details the effects of grief and guilt on an otherwise “successful” life, giving listeners an up-close look at the darkness that’s invaded Conway’s world. His most personal record to date, Conway explores the relationships and isolation that comes with fame while remaining true to his boom-bap, New York roots.

From the dedicated Conway shown in “Drumwork” to the lonely and depressed Conway in “Stressed”, GDMM is a courageously holistic look into Conway’s life, proving that even the darkest topics cannot distract from Conway’s raw musical talent.


Spotlight Track:


19. fair exchange no robbery — boldy james & nicholas craven

Boldy James is a machine. The Griselda standout doesn’t compromise quality, but stills produces impeccable records with quantity. His team-up with rising producer Nicholas Craven is a continuation of what Boldy has built over recent years. With luxurious coke raps laced over inventive sampling, Fair Exchange No Robbery is an amalgamation of the Detroit emcee’s strengths. Craven keeps the record compelling and Boldy looks to expand his sonic palette here as well, taking on surprising beat selections and sliding over them more smoothly than ice.

Boldy’s consistency on Fair Exchange No Robbery is just another reason why he’s one of the best rap artists in the game today.

Spotlight Track:


18. intros, outros & interludes — domo genesis

Since the inception of Odd Future, Domo Genesis has continually proven to be one of the preeminent traditional emcees out of the collective. In his first LP since 2016, Intros, Outros & Interludes, Domo recommences that narrative.

Executively produced by Evidence, Domo explores contemporary underground hip-hop’s distorted landscape to listeners’ excitement. The LA rapper’s wordplay clearly grew by leaps-and-bounds during his hiatus, as he navigates Evidence’s delectable choice of chopped soul samples and drum-less loops. Tracks like “Victories & Losses,” “Trust the Process” and “Don’t Believe Half” showcase a hungry and viscous version of Domo, something that been missing on prior records. Not only is Intros Domo’s highest quality album behind the boards, it’s comfortably one of the best-produced hip-hop records of the year.

Spotlight Track:


17. ramona park broke my heart — vince staples

Over the past two years, Vince Staples has hit his stride artistically. Following up his glittering eponymous LP, RAMONA PARK BROKE MY HEART is an extension of Vince coming into his own. Dabbling in his west coast influences, blending in atmospheric production and revisiting his laid-back delivery, Vince created yet another quality record in 2022.

While RAMONA PARK BROKE MY HEART lacks much of the concision that made his last record so potent, multiple tracks harken back to the energy harnessed on his last record (“DJ QUICK" for example), landing him a spot on this list.

Spotlight Track:


16. cheat codes — Black thought & danger mouse

In case the world forgot, Danger Mouse knows hip-hop. His first hip-hop record since 2005’s THE MOUSE & THE MASK, Cheat Codes is the culmination of two decades of collaboration between Danger Mouse and Black Thought.

Their comfort with each other is clear, as Black Thought remains sharp throughout the album over Danger Mouse’s heavy rhythmic style. Danger Mouse’s ability to adapt to his artists shows with the features, giving A$AP Rocky and Run The Jewels a fast-paced intense beat on “Strangers” and Conway the Machine a more boom-bap, classier style rhythm on “Saltwater.” 


Spotlight Track:


15. cocodrillo turbo — action bronson

Cocodrillo Turbo is a quintessential Action Bronson album — not for one second will you forget who created this masterpiece. Simply put, the avant-garde “Cocodrillo Turbo” is a psychedelic-fueled Indiana Jones adventure condensed into a 30-minute album.

From the action-packed intro song “Hound Dog” down to Yung Mehico’s saxophone closing out the album, Bronson keeps listeners entertained throughout. The artists featured on the album maintain their artistic authenticity while still rapping over distinctly Bronson beats, like Conway’s gaudy and relaxed verse on “Tongpo” and Mayhem Lauren’s bougie and confident feature on “Turkish.” Throughout the album, Bronson bodies beats that don’t even sound like music, holding his footing over snarling crocodiles, growling jaguars and squealing pigs like it’s nothing.

Spotlight Track:


14. WHat yall mad about today — chris crack

Chris Crack’s What Y’all Mad About Today is just one of countless reasons to start paying attention to the rising 32 year-old.

Employing many of the underground elements of avant-garde rap, Chris Crack’s iconic delivery and witty wordplay takes a page from Griselda’s playbook and makes it completely his own. On What Y’all Mad About Today, Chris Crack shows why his listeners regard him so highly when it comes to his pen. You cannot have a discussion about the emcees with the most canny one-liners without including Chris Crack. The result is a grimed record filled with personality and witty piece of music that shows flashes of supreme artistic refinement.


Spotlight Track:


13. the elephant man’s bones — roc marciano & the alchemist

Unstoppable force meets immoveable object. Goliath of the underground teams up with a producer whose name is etched into the very fabric of hip-hop history. Roc Marciano and The Alchemist’s collaborative tape had immense expectations to live up to. Only possible with artists of this duo’s magnitude, The Elephant Man’s Bones is able to simultaneously fall short and impress in the same vain.

Boasting songs such as “Quantum Leap,” “Stigmata,” as well as the title track, calling The Elephant Man’s Bones disappointing would be entirely unfair. On the other hand, the production here just isn’t quite as ground breaking as we’ve seen from Alchemist. Opting for understated production to allow Roc’s wordplay to take center-stage works in places, but not across all 14 tracks. While also possessing several song of the year and verse of the year candidates, The Elephant Man’s Bones’ inconsistent bright spots alone propel it past many rap records this year.

Spotlight Track:


12. sos — sza

Considering it’s thoroughness, thoughtfulness and craftmanship, its hard to believe SOS is SZA’s second studio album. You simply cannot begin to have a dialogue regarding contemporary R&B without mentioning the angel-voiced TDE member and this record reminded everyone why.

Borrowing the addictive song writing and structuring employed on 2017’s CTRL, SZA expands on her signature blend of R&B and hip-hop undertones here in an intriguing way. SZA’s rapping ability noticeably improved during her 5 year hiatus, allowing her to create standouts such as “Forgiveless” and “Smoking on my Ex Pack SOS has something for every listener, making it a versatile, impeccable and glorious return to form for SZA.


Spotlight Track:


11. no thank you - little simz

The age-old saying “better late than never” couldn’t be more accurate when regarding Little Simz’ belated entry to the 2022 album of the year contest with NO THANK YOU. Simz is in a similar space mentally here as her previous standout record: she’s tired of hip-hop fame and the indignation that comes with it. But on NO THANK YOU, Simz isn’t just tired, she’s angry.

Felt through her razor-sharp delivery and cunning writing such as “f**k the politics I’m going Meghan on you neeks,” Simz has evidently grown as both an artist and emcee at an expeditious pace. With varied and enjoyable production throughout, the sole issue with NO THANK YOU is that it dropped in the twilight of 2022.

Spotlight Track:


10. the forever story — jid

The most definitive way to describe JID’s The Forever Story is that it’s the unblemished and rounded record that we all knew JID was capable of creating.

Everything presented here is at the absolute peak of JID’s capabilities as an artist. From the abstract and captivating beat selections, to the intricate double entendres sprinkled across the record, The Forever Story is by far JID’s most complete record to date. With a jaw-dropping list of guests including Yasiin Bey, Lil Wayne, 21 Savage, EARTHGANG and more, The Forever Story does more than just hold the listener’s attention throughout its one hour runtime, it ensnares.


Spotlight Track:


9. tana talk 4 — benny the butcher

Following up an unquestionably classic mixtape like Tana Talk 3 is no small task, and Benny the Butcher was clearly here for the challenge.

Tana Talk 4 was a shining star in Griselda’s marvelous calendar year. With the production duties split between the legendary Daringer and Alchemist, the beats served up for Benny are prodigious, allowing Benny to reach new heights as an emcee. From song of the year contender and J. Cole collaboration “Johnny P’s Caddy,” to the opulent “Weekend’s in the Perry’s” with Boldy James, you’d be hard pressed to find a single skip on Tana Talk 4. Benny isn’t doing anything necessarily groundbreaking here, however, elongating his ridiculous run of consistently enjoyable underground rap records is certainly remarkable.


Spotlight Track:


8. wasteland — brent faiyaz

Since Brent Faiyaz burst onto the modern R&B scene in the mid-to-late 2010’s, listeners have marveled at his gifted singing voice. While dazzling on features and singles, Brent struggled to put together a comprehensive and thoroughly composite LP. That is, until the release of his 2022 effort WASTELAND.

WASTELAND sees Brent pull together the various components of his musical talents and employ them properly. The songwriting is as catchy as ever, his occasionally rap verses are well written, and, of course, his vocalization is spot-on. Brimming with silky tracks from head-to-toe, WASTELAND is an actualization of the potential Brent has displayed over the years. In conjunction with a central narrative about his toxic ways causing tragedy, WASTELAND is both Brent’s highest-quality record and the best traditional R&B record of 2022.

Spotlight Track:


7. no fear of time — black star & madlib

One word tends to come to mind when discussing the Madlib-produced Black Star reunion we hip-hop fans were blessed with: retrofuturism. Madlib’s patchwork production symphonies offer Black Star a complete escape from their previous boom-bap driven sound. From the shades of bouncy reggae present on “Sweetheart. Sweethard. Sweetodd.,” to the high energy masterpiece that is “So Be It,” Madlib has continually found a way to be at the forefront of innovation behind the boards in hip-hop.

26 years since releasing their first record as a duo, Yasiin Bey and Talib Kweli have yet to lose their hip-hop chemistry, a fact that’s evident on No Fear of Time.


Highlight Track: Sweetheart. Sweethard. Sweetodd.


6. mr. morale & the big steppers — kendrick lamar

Since 2012, Kendrick Lamar has been anointed as the savior of rap music. An immense pressure that informed his generational pen for the vast majority of his career, Lamar spent the last 10 years digging and searching for ways to live up to the burden placed on his shoulders.

But Mr. Morale & The Big Steppers turns the mirror away from that duty, and inward at the man Lamar has become, for better and for worse. Kendrick’s 2022 project is his most confessionary record to date. Exploring his own childhood trauma, toxic tendencies and mental state, Mr. Morale & The Big Steppers tells the story of a flawed man who has taken his focus away from being other people’s savior. An endearing journey through Lamar’s personal journey as a human being ignited by his inherent talent as a musician, Mr. Morale & The Big Steppers is yet another superb addition to a catalogue littered with classic records.

Spotlight Track:


5. dawn fm — the weeknd

The Weeknd possesses an immensely rare skill as an artist: he’s a bonafide master of concept albums. Dawn FM showcases Abel’s ability to tell an intriguing story, one that builds off of the same conceptual mastery displayed on After Hours.

Journeying into the beyond after his narrative death in After Hours, Dawn FM is a purgatorial pitstop in his trilogy, one made possible by a exciting exploration of 80’s synth-pop. Paired with his distinguishably unique voice, the production on this record is groovy and superb throughout. Hit making comes easy to an artist of Abel’s magnitude, as his fills Dawn FM’s track list with hit after hit (“Out of Time,” “Is There Someone Else?,” “Take My Breath).


Spotlight Track:


4. 10 — westside gunn

Despite only having two solo songs, Westside Gunn never loses the spotlight in 10. Gunn maintains his signature high-class style throughout, surprising listeners by bringing in legends like Ghostface Killah, Busta Rhymes, Black Star and more to close out the “Hitler Wears Hermes” series.

In true Gunn fashion, each song brings a unique beat to back up equally attention-grabbing lyrics without sounding like it’s doing too much. Elegant and clean-cut, 10 is a culmination of the skill Gunn has honed throughout his HWH series. Plus, the second track spotlights his son, FlyGod Jr., as a producer. The father-son artistic connection benefits both Gunn and Doe Boy, as they thrive on the cold-blooded beat in “FlyGod Jr.”

Spotlight Track:


3. melt my eyez see your future (deluxe) — denzel curry

The maturation of an artist is a stunning phenomenon to witness. While it’s been evident for a number of years that Denzel Curry was one of the astute writers of his generation, Zel has been trying to find consistency in his sonic approach for some time now. Melt My Eyez See Your Future is an entirely aimed record, one’s that individual components are wrapped tightly and produce a comprehensive body of work.

Melt My Eyez See Your Future is a personification of Zel and his relationship with the world he exists in. Across the album, Zel is inquisitive, pessimistic, optimistic, candid, calculated and contemplative. Focusing on both his own personal faults and the inadequacies of modern life, Zel displays a level of pellucidity that is simply not available on his prior LPs. The production here is scattered in the best way possible, pulling in JPEGMAFIA, Thundercat, Kenny Beats & Kal Banx to blend their wildly unique sonic styles with his own. Paired with a innovative deluxe album release, 2022 was Zel’s year.

Spotlight Track:


2. sick! — Earl sweatshirt

If one truth has been proven to be self evident about Earl Sweathsirt and his artistry, it’s that he is nothing short of a brilliant poet whose greatest strength is his ability to convey feeling. SICK! is a bit of a departure from Earl’s gruesomely bleak, visceral avant-garde sonic aesthetic, yes. But it’s far from a departure from the unmitigated honesty in his pen.

At times, SICK! is light-hearted, allowing Earl to expand artistically and challenge himself as an emcee. Tracks like “Lobby (int),” “Visions,” and “Titanic” have an unmistakable trap influence, a sound we have sparingly seen from the Odd Future alumni. Simulatenously pushing his sound forward (“God Laughs,” “Tabula Rasa”), SICK! allows Earl to grow and explore his own talents. For an artist as gifted as him, it’s not a surprise SICK! was one of the best rap records of 2022.

Spotlight Track:


1. gemini rights — steve lacy

Each year, music fans anticipate a release so superb, it commands the attention of music enjoyers of all varieties. Turning heads, directing trends and dominating the perpetual musical deliberation, albums as superlative as Steve Lacy’s Gemini Rights etch an indelible mark on the musical year itself.  

A 35-minute romantic catharsis doubling as a funky R&B, pop fusion exercise, Gemini Rights has all the elements of clear-cut album of the year candidate. Lacy’s endearing and relatable storytelling mixed with his undeniably generational song writing ability allowed tracks like “Bad Habit” to explode as a megahit. Lacy finding the precise and proper combination of experimentalism and hit making produce a track list to be littered with song of the year candidates (“Sunshine,” “Helmet,” “Mercury”). 2022 was a superb year musically, but it will ultimately be known as the year of the Gemini.


Spotlight Track:


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Diving Into the Swamp of El “Cocodrillo Turbo” with Action Bronson

 
 

by Sydney Fluker

Crocodiles, squealing pigs, wrestlers and an out-of-this-world protagonist — what else should we expect from the creative mind of Mr. Baklava?

Action Bronson has established himself as one of the greatest creators of this time, tying together the worlds of food, fragrances, acting, writing and self-improvement. Hailing from Flushing, Queens, the city’s influence on Bronson rings clear through his music as he stays unafraid to take risks and live his truth. Cocodrillo Turbo is the result of Bronson being in a place where he can be himself creatively, bringing to life an action-filled album that still features his classic allusions to all sorts of athletes and New York sports teams.

Summoning a range of producers to execute the mission, Bronson’s experimental Cocodrillo Turbo plays out like a psychedelic cowboy film in audio form. While the background noises set the scene, Bronson’s absurd characters live the story with an unapologetic style that dares to be skipped.

“I love to get experimental,” Bronson said in an interview with Complex. “I feel like I’m known for that. One of my attributes is beat selection and off-kilter rhythms, and being able to flow and fucking finesse anything to make it sound crazy.”

Cocodrillo Turbo is proof that Bronson is a master of his craft, as he makes and then glides over gaudy beats that don’t seem much like beats at all.

Bronson welcomes more features onto this album than its predecessor Only for Dolphins, bringing back Mayhem Lauren and Hologram and welcoming Conway the Machine and Roc Marciano. Yung Mehico of Bronson’s live band “The Special Victims Unit” lends him another killer saxophone piece, helping Bronson sign off the album with “Storm Of The Century.”

The movie-like album starts with a bang as “Hound Dog” focuses on setting the scene for the psychedelic Indiana Jones character Bronson emulates. With more crocodile screams and high-pitched crashes than words, producer Daringer helps set the vibe for what’s to come: a roller coaster of action underscored by a mix of beats ranging from traditional country to Arabian instrumentals.

Cocodrillo Turbo weaves in and out of action, moving from gloriously chaotic “Tongpo” to the more reflective “Estaciones.” Bronson’s experimentalism screams through “Tongpo,” one of the two Bronson-produced tracks, as monstrous growls and a whining saxophone highlight Bronson and Conway’s laid back delivery. The two tracks also feature conversational riffs that give “Cocodrillo Turbo” a cinematic feel. Conway matches Bronson’s notorious wittiness in “Tongpo” when he delivers “I feel like Cuomo, I see titties, I'm like, "Let me grab it" (Come here)/Then I said I'm not a pervert, I'm just half Italian (Hahaha)/Aye, why y’all laughin?” before Bronson goes on to interrupt Hologram’s initial delivery in “Estaciones.”

As what feels like the mirror for “C12H16N2” of Cocodrillo Turbo, The Alchemist’s production on “Estaciones” gives a sense of maturity to the album while staying true to the absurdity of the theme. “Estaciones” is the reflective portion before the protagonist begins his true journey, as Bronson opens in third person with “and now coming down the aisle/Accompanied by no-motherfuckin'-body, it's young Bronny.”

El Cocodrillo’s adventure kicks off after “Estaciones”, dropping bars in “Jaws” and “Subzero” over Alchemist beats that feel like video game background music for country and aquatic themed mini-games, respectively. Despite the funkier background, Bronson’s lyrics are more reflective and progressive than previous albums, rapping on Jaws “All my family immigrants/Mixed with cinnamon and allspice” and on Subzero “Easily triggered by old trauma (true), motherfucker/And you know I voted for Obama.”

In “Zambezi,” Bronson and Roc Marciano glide over Stephen Gray’s “Bulldozer,” making use of its heavy percussion and Santana-like guitar to nudge the album to a close. Followed by the upbeat piano of Eddie Floyd’s “Lay Your Loving On Me,” “Ninety One” brings the fun adventures to a close before “Storm Of The Century” wraps up the album with a beautifully tied shiny gold bow. Produced by Daringer and Yung Mehico, El Cocodrillo’s journey comes to an end here, as Bronson delivers confessional-style bars accompanied by Yung Mehico’s incredible saxophone solo.

El Cocodrilo stays consistent throughout the album, maintaining flow and theme over a cacophony of sounds that sometimes shouldn’t work, but does. Cocodrillo Turbo is Bronson at his rawest self — ingenious and electric, holding nothing back in the name of ultimate artistic exploration.

favorite tracks:

Estaciones (feat. Hologram)

Zambezi (feat. Roc Marciano)

Storm Of The Century (feat. Yung Mehico)


Sydney Fluker is a staff writer.


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Action Bronson: ‘Only For Dolphins’ Album Review

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Everyone can appreciate a well-executed album concept. Weather it be a psychedelic journey through Travis Scott’s fantasy theme park in ASTROWORLD, a journey through the complex, intricate layers of the mind of a troubled genius in Kanye West’s My Beautiful Dark Twisted Fantasy, or the depiction of a world ruled by a ruthless masked conqueror in Madvillainy, albums simply separate themselves from the ordinary with a intriguing concept. That was absolutely the case with the tropical, exotic new Action Bronson record, Only for Dolphins

Excluding his collaborative record with The Alchemist, we haven’t heard a full-length solo album from the New York native since 2018. Since then, Bronson has clearly been in the lab, as Only for Dolphins is by far-and-away his most eccentric, compelling and distinguished record to date. 

From the opening moment of the record, the production is extremely unique and attention-grabbing. Defined by the occasional dolphin noise, the sound of waves crashing and warm, plucky guitars and inviting pianos, the listener can’t help but feel transported into a Miami-vice-esque world created by Bronson’s beat selection. With help from prestigious producers The Alchemist, Harry Fraud and Daringer, Bronson spits entrancingly smooth bars about his foreign travels, eating international exquisite cuisines and his driving his luxury cars “like Dale Sr.” The infusion occasional oceanographical reference along with Bronson’s usual lyrical topics add a signature touch to Only for Dolphins, definitively isolating it from the rest of his discography. Conceptually, the project is unparagoned and inherently enthralling. Only for Dolphins’ soundscape makes you feel as though you’re laying on a exotic beach in a cabana, or riding down Calle Ocho in a drop-top convertible. 

Bronson also dabbles in genre-bending, as multiple records on Only for Dolphins have unmistakable reggae influences, including “Cliff Hanger,” and “Golden Eye.” Additionally, Bronson favors more psychedelic, hypnotizing subject matters and beat selection on tracks like “C12H16N2,” as we follow Bronson through a shroom trip while attending an early screening of “The Irishman” at Lincoln Center. From the lethargic, slower beats on “Vega” and “Hard Target,” to uptempo head-nodders like “Latin Grammys” and “Mongolia,” Bronson kills whatever challenge comes his way. Bronson’s usual boom-bap, classic New York sound is nowhere to be seen. Instead, Only for Dolphins represents Bronson’s arc of progression as an artist, as he seems much more comfortable taking on a diversified palette of beats. 

One of the few negative aspects of the project comes from the lack of guest appearances on Only for Dolphins. Excluding two tracks, the album is devoid of features. On tracks like “Latin Grammys,” “Hard Target,” or “Marcus Auerlius,” a feature from an R&B artist would’ve helped mitigate moments where Bronson somewhat awkwardly delivers hooks. 

All across Only for Dolphins, Bronson chooses to slow things down. While he sounds less hungry than he did on earlier works like Mr. Wonderful, Bronson sounds older and wiser on this project, as he spits on “C12N16H2,” “I got older and realized there were no heroes/Dont even talk to me unless you’re talking more zeros.” The lack of venom in Bronson’s flows fits the album perfectly, as the sonic backdrop provided by the production fits a more lackadaisical delivery. Additionally, we get flashes of unusual introspection from Bronson on tracks like the off-kilter closer “Hard Target,” where he raps, “The weed don’t even hit me like it used to/When I was youthful/Man, I don’t even know how to pray dog.” Only for Dolphins is the perfect project for those missing vintage Bronson, but are ready for something significantly distinct as compared to his prior efforts.  

Through-and-through, this project is easily one of the best-produced records to drop this year. At this point in his rather distinguished career, Bronson can truly take his artistry in whatever direction he likes and it will likely be a success. Bronson challenges his own artistic tendencies with Only for Dolphins and it pays off.

Favorite tracks

C12H16N2 

Latin Grammys 

Sergio 

Rating: 8.5

Listen to Only For Dolphins here:

Listen to Only For Dolphins on Spotify. Action Bronson · Album · 2020 · 12 songs.


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Albums To Ride Out the Quarantine To

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As many of us remain isolated in our homes, resigned to living lives devoid of social interaction not involving our roommates or family members, it can feel difficult not to go a little bit stir-crazy. Whether you live totally alone, or if you came back home to help your parents only to be asked to sanitize every room of the house on a tri-weekly basis (yours truly), many of us have had to get creative when coping to this change of lifestyle. Luckily, some members of the Stereovision team decided to provide their favorite records for riding out the all the sheltering, social distancing, and quarantines that have quickly dominated our daily agendas. From recent releases to modern classics, we hope you give these records a listen.

Toro Y Moi - Anything In Return (2013)

“Speaking from my own perspective - I am so fucking anxious all the time, so naturally you can expect that the past month has not been the greatest time for me. In dire need of an outlet where I can allow myself the opportunity to *relax*, I find myself listening to this album almost constantly. Straight from the brain of one of the people who popularized the term ‘chillwave’, Toro Y Moi’s 2013 opus is packed with easily digestible indie-electronic tracks that can range from relaxing to plain fun.” -Carter Fife

 
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Jay Electronica - A Written Testimony (2020)

“After patiently waiting many years, Jay Electronica fans rejoice now that his new album A Written Testimony has dropped. The timing of the release couldn’t have been better, considering his wisdom can provide us with a sense of clarity in this uncertain time. The best part is we all have more time now, allowing us to give he album the in-depth listen it deserves.” -Colson O’Connor

 
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G Herbo - PTSD (2020)

“Most G Herbo projects are definitely an acquired taste for many listeners from outside his hometown of Chicago, Illinois. PTSD is slightly different. G Herbo's reflections in songs such as "Feelings" and "Intuition" are a clear indication that the rapper is transforming into a better artist and person. The most popular song named after the album features Chance the Rapper, Juice WRLD, and Lil Uzi Vert. Sitting at just around a month old, it is time to give PTSD a listen if you have not already. Check out a more in-depth review of the album here!” -Amaya Lorick

 
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Mac Miller - Circles (2020)

Being stuck around the house all the time can put you through a lot of different moods. Mac Miller’s ingenious album Circles, consists of songs for every one of those moods. His slow-tempo, rainy day jams are perfect for staying sane at home during this crazy time.” -Colson O’Connor

 
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Sevdaliza - Ison (2017)

“Dutch-Iranian songwriter & producer Sevdaliza delivers a dark, atmospheric, and lush blend of alternative R&B and trip-hop with her debut album Ison. Across the project’s exploration of love and what it means to be a woman in our modern world, she creates a landscape of stuttering drum loops, sinister chord progressions, and haunting vocal refrains that ultimately transcend into pure, unadulterated beauty. It’s one of my personal favorites of all time, and I would highly recommend listening to the tracklist in order, but if I had to pick and choose a few standout tracks, then “Hubris,” “Amandine Insensible,” “Hero,” and “Loves Way” would be a good place to start.” -Owen Tait

 
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REASON - There You Have It (2018)

“Top Dawg Entertainment signee, REASON, is still early in his career but has already made a name for himself in his debut album There You Have It. The project opens with a skit, titled "Rufus Collection", and is followed by 11 vividly reflective songs. Before signing with TDE in August 2018, There You Have It was independently released in 2017. The remastered project's most popular song Better Dayz was well received by Ice Cube in a special segment posted by Genius. This album was a great introduction to where REASON came from and could possibly be key to understanding who he is as an artist.” -Amaya Lorick

 
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Jai Paul - Leak 04-13 (Bait Ones) (2019)

“Originally leaked six years earlier by an anonymous user on Bandcamp, UK producer, singer, and songwriter Jai Paul officially released Leaked 04-13 (Bait Ones) to streaming services in 2019. The project is a collection of 16 demos Paul wrote prior to the album’s leak, but the quality of the music here wouldn’t indicate their unfinished nature in the slightest. Featuring slick vocal hooks and tons of wonky production tricks throughout, Bait Ones is a tight, feel-good alternative pop record that will be sure to keep your vibes up during social isolation. Check out tracks such as “Str8 Outta Mumbai” and “jasmine - demo” for a good taste of what this album has to offer.” -Owen Tait

 
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Isaiah Rashad - The Sun’s Tirade (2016)

Isaiah Rashad has no problem having his fans wait for new music. This album from 2016 is what really put him on the map as the next one up out of TDE. The Sun’s Tirade is a showcase of emotional and self reflective raps, and the sounds on this range from jazzy instrumentation to more traditional trap. -Miles Hagan

 
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Rich Gang - Tha Tour Pt. 1 (2014)

“Prior to the beef and bullshit, one duo reigned supreme, prolifically dropping music and poised to take over the rap game. In 2014, Young Thug and Rich Homie Quan might as well have been Andre 3000 and Big Boi the way they took the direction the sound was heading and forced it to turn on a dime, changing the course of hip-hop history in the process. The duo resembled Outkast in more ways than the influence though. Rich Homie Quan acted as the Big Boi to Thugger’s three stacks by anchoring the young superstar and providing constancy, allowing him to develop into one of the all-time great he was born to be. In addition, there are few tapes that show such palpable influence to today’s specific pop rap sound, just listen to “I Know It” once and tell me you don’t hear DaBaby, Gunna, and Lil Baby. Tha Tour 1 is one of the most important mixtapes of this generation and is absolutely as slimy as it gets.” - Spencer Lobdell

 
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The Internet - Ego Death (2015)

“Lead by Odd Future vocalist Syd and assisted by artists such as Steve Lacy and Kaytranada, The Internet’s Ego Death is a fresh, charismatic fusion of R&B and neo-soul that will ease the pressure of being cooped up at home. Boasting plenty of groovy bass lines and jazz-inspired percussion, this project is simply hypnotic, a quality that is certainly aided by Syd’s infectious refrains and melodies. The standout tracks on this record include—but are not limited to—“Go With It,” “Under Control,” and ‘Special Affair.’ ” -Owen Tait

 
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Grimes - Art Angels (2015)

“You might be thinking: What if being too relaxed is my biggest problem right now, and what if I am struggling to feel something underneath the weight of perpetual isolation’s monotony? Look no further - Art Angels is so off-the-walls and high-octane that one listen will have you sprinting around your home screaming “B-E-H-A-V-E, arrest us!” into your hairbrush. At just under 50 minutes long, it will provide you with the perfect daily workout, forgetting you are confined to your home in the first place” -Carter Fife

 
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Action Bronson - Mr. Wonderful (2015)

In a time where our scenery may get a bit repetitive music is a way for us to still paint vivid pictures. Few are better at this than Action, who delivers slick verses over incredible and unique production. There are several standout singles from this project that still impress me till this day. -Miles Hagan

 
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EARTHGANG - Torba (2015)

“Throw it back to 2015 in quarantine and listen to EARTHGANG’s EP “Torba”. Every track is named after each day of the week, and each cut perfectly depicts the vibe of each day. The beats on this album have such a unique bounce, and EARTHGANG comes in with a crazy flow that do the beats justice. There also happen to be smooth features from artists Mac Miller and JID that add to the greatness of this EP.” -Colson O’Connor

 
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NxWorries - Yes Lawd! (2016)

“In 2016, NxWorries (Duo made up of singer/rapper Anderson .Paak & producer Knxledge) released their only project ever titled Yes Lawd! While Anderson .Paak music is always excellent, Knxledge’s production brought greatness out of the artist and led to him creating his best music ever. The album is one of the more cohesive hip-hop projects I’ve ever heard showcasing a similar chill vibe and cool energy that never gets old on most tracks. I don’t know if it’s Paak’s cutting vocal inflections, ultra-dynamic singing voice, or the introspective ways he writes about love, but something about his performance on this record is very special to me, solidifying Yes Lawd! as a personal top five record of all time.” - Spencer

 
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KAYTRANADA - 99.9% (2016)

Production allows the imagination to wander. 99.9% is one of the best albums we have received from a producer in a while. Not only does he offer stellar beats from start to finish, but the list of guest features is to notch. Its upbeat tone and wild creativity draw you in from the moment you press play, and make it hard to press pause for the next hour. -Miles Hagan

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Dom Kennedy - Los Angeles Is Not for Sale, Vol. 1 (2016) 

“While LA native Dom Kennedy has made some great music over the course of his career, nothing comes close to his magnum opus, Los Angeles Is Not for Sale, Vol. 1. Nobody does relaxed west coast gangsta rap like Kennedy and he is in full force throughout this entire project. On this record, Dom combines a sharp pen with a laid back SoCal delivery resulting in an hour of addicting bops to hotbox your mom’s car to.” -Spencer Lobdell

 
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Donnie Trumpet & The Social Experiment - Surf (2015)

“Back in 2015, Chance the Rapper, Nico Segal (formerly known as Donnie Trumpet, and their band partnered with Apple Music to release Surf for free! It's leading single "Sunday Candy" will get you in the mood to do something productive and spread love from afar. The 16-song project has features including Big Sean, J. Cole, and Quavo but these artists were purposely left unlisted. If you have not already listened to Surf, I challenge you to allow yourself to be surprised by all of its guest appearances.” -Amaya Lorick

 
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Baby Keem - DIE FOR MY BITCH (2019)

“I really do not have too much to say about this one. Is it too late to call it a deep-cut at this point? It doesn’t matter. Fans of outrageous rap and stellar production link up and join the Baby Keem fandom before the hype-train leaves the station. Keem’s irresistibly catchy hooks on tracks like ‘BULLIES’ and ‘TOP RAMEN’ will make you an instant fan, and the possibility of an upcoming collaboration with Kendrick might give you something to look forward to this year. Whether or not you’re already a fan, it is never too early - or too late - to enjoy this record.” -Carter Fife

 
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We hope these records help lift your spirits in such an uncertain time. Stay safe out there, and be sure to let us know what you’ve been listening to over the past few weeks.


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