An Indomitable Spirit and Hunger: “Beware of the Monkey” by MIKE Reviewed

January 20, 2023 by Luke Modugno in Reviews, Read

Art will always be a haven for the ambiguous and the obscure. No matter the medium, art provides grounds for creatives to test the status quo, borrow from the past and amalgamate it with a progressive future. From the onset of his career, Brooklyn’s resident underground hip-hop vanguard MIKE has found himself at home within his experimental niche.

Bursting onto the underground scene with the elusive New York collective sLUms, MIKE’s undisputable mic presence fused with a uniquely warped production style has turned heads since day one. Augmenting his pen, wordplay, introspection and skill as a producer with each release, MIKE has silently become one of the most talented acts in rap’s avant-garde sector. Beware of the Monkey, his latest project, only solidifies the emcee as one of his generation’s most powerfully forward thinkers.

Preluding the release with a slew of notable singles and a three-track EP with Wiki and The Alchemist, those who were paying attention to MIKE’s trajectory could see what lens Beware of the Monkey was peering through before its arrival. A continuation of so many of the idiosyncrasies that made 2021’s Disco! a dense and head-swirling composition, Beware of the Monkey picks up the pieces of MIKE’s despair and refigures them, recontextualizes them, harbors them in his pen and hands them off to the listener in the form of 13 comprehensive tracks.

While usually borrowing a page of Some Rap Songs’ burned and tattered blueprint of confessionary, gut-wrenching writing focusing on crumbling, crushing depressive states, MIKE has a unmistakable hunger for more on this record. Sure, his drab tonality and lyrical content are here, but there’s an ambition and boldness to Beware of the Monkey. If MIKE was asking questions on projects like MAY GOD BLESS YOUR HUSTLE and War in my Pen, he’s moving significantly closer to the answers on Beware of the Monkey. The result of astute solitary observation and theorization, MIKE’s growing up with his music. “Live like it’s my all, gotta give a bunch/Sit tight through the fog it be bigger floods” he spits on the stunning opener “nuthin I can do is wrng.” MIKE’s moved past allowing the vapid dystopia he occasionally inhabits affect his outlook on life, a sentiment that’s backed by the follow-up track “As 4 Me.”

Stating his intention to showcase why he should be consider amongst the greatest rappers in the world, MIKE lays down a viscous flow over a intoxicating beat. This craving is demonstrated by his clever one liners, existential psychology and technical ability throughout Beware of the Monkey. Perhaps the most potent illustration of MIKE’s intricate commentary comes in the form of “Tapestry.” Struggling to make a distinction between complacency, success and converting his passionate hobby into a lucrative business, MIKE’s mind state leads him right back to his greatest asset as a writer: asking alluringly pertinent questions about himself and the world around him. “We in the crib making classics/It be hard making a living in catastrophe/At our darkest this shit be hidden in fallacies,” MIKE raps. “Tapestry” and the commentary it makes regarding MIKE’s past, present and future as a rapper is an absorbing example of his maturation as a writer and human being.

Sonically, Beware of the Monkey is utilizes a decisively brighter palette. Sticking to the use of distorted vocalizations as the backbone of his production, MIKE’s skill behind the board is boundless. MIKE uses this inherent skill to convey a broad range of feelings and moods. Utilizing his features in the same vain as a sample, “Stop Worry!” is pushed along by a head bopping chorus from dancehall legend Sister Nancy. From the determined and nearly motivational horns of “No Curse Lifted (rivers of love)” to “Ipari Park’s” haunting piano loop, MIKE has continually proven that the some of the most inventive production from this batch of avant-garde rap producer emits from his discography.

With Beware of the Monkey, MIKE has proven that he has all he needs. He has the raw feel of a contemplative writer. He has the ear and mind of a producer capable of baroque sonic tapestries. And he certainly has the ability to merge it all into a sweeping hip-hop masterpiece. At this point, all he needs is your attention, and more importantly, your respect.

favorite tracks:

nuthin i can do is wrng

As 4 Me

Ipari Park (feat. Klein)

Luke Modugno is the editor-in-chief.

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What did you think of Lil Yachty’s new album “Let’s Start Here”? 🤔⬇️

Congratulations to 21 for being named the best rapper alive by Complex 🗡🔥

Counting Down the Top 20 Albums of 2022

December 31, 2022 by StereoVision Staff in Specials, Reviews, Albums of the Year

by StereoVision Staff

The end of a calendar year marks new beginnings. The rapid approach of new goals, new situations and new beginnings force us to look back on what we built in the year we just experienced. For music fans, the end of 2022 is an ode to the household names who reminded us of their brilliance, the meteoric rise of originative artists bursting onto their respective scenes, records with such gravitational attraction and quality that they derail Twitter discourse for days on end, and everything in between. Here at StereoVision, the final flip of a page on our yearly calendar just wouldn’t feel complete without counting down our favorite projects of the year. Without further adieu,

Honorable Mentions of 2022

“Luv 4 rent” — Smino

Hints of: Southern Hip-Hop

“Bar & Grill” — Royel otis

Hints of: Indie Rock

“Its Almost dry” — Pusha T

Hints of: Coke Rap, Hip-hop

“kiss the ring” — Rome streetz

Hints of: Coke Rap, Avant-Garde Rap

“Get Fucked” — The Chats
Hints of: Punk

aethopies — billy woods

Hints of: Avant-Garde Rap

the 20 best albums of 2022:

20. god dont make mistakes — conway the machine

Conway the Machine has always been the darker rapper of the founding Griselda Records members, but God Don’t Make Mistakes takes it up a notch. GDMM is a reflective album that details the effects of grief and guilt on an otherwise “successful” life, giving listeners an up-close look at the darkness that’s invaded Conway’s world. His most personal record to date, Conway explores the relationships and isolation that comes with fame while remaining true to his boom-bap, New York roots.

From the dedicated Conway shown in “Drumwork” to the lonely and depressed Conway in “Stressed”, GDMM is a courageously holistic look into Conway’s life, proving that even the darkest topics cannot distract from Conway’s raw musical talent.

Spotlight Track:

19. fair exchange no robbery — boldy james & nicholas craven

Boldy James is a machine. The Griselda standout doesn’t compromise quality, but stills produces impeccable records with quantity. His team-up with rising producer Nicholas Craven is a continuation of what Boldy has built over recent years. With luxurious coke raps laced over inventive sampling, Fair Exchange No Robbery is an amalgamation of the Detroit emcee’s strengths. Craven keeps the record compelling and Boldy looks to expand his sonic palette here as well, taking on surprising beat selections and sliding over them more smoothly than ice.

Boldy’s consistency on Fair Exchange No Robbery is just another reason why he’s one of the best rap artists in the game today.

Spotlight Track:

18. intros, outros & interludes — domo genesis

Since the inception of Odd Future, Domo Genesis has continually proven to be one of the preeminent traditional emcees out of the collective. In his first LP since 2016, Intros, Outros & Interludes, Domo recommences that narrative.

Executively produced by Evidence, Domo explores contemporary underground hip-hop’s distorted landscape to listeners’ excitement. The LA rapper’s wordplay clearly grew by leaps-and-bounds during his hiatus, as he navigates Evidence’s delectable choice of chopped soul samples and drum-less loops. Tracks like “Victories & Losses,” “Trust the Process” and “Don’t Believe Half” showcase a hungry and viscous version of Domo, something that been missing on prior records. Not only is Intros Domo’s highest quality album behind the boards, it’s comfortably one of the best-produced hip-hop records of the year.

Spotlight Track:

17. ramona park broke my heart — vince staples

Over the past two years, Vince Staples has hit his stride artistically. Following up his glittering eponymous LP, RAMONA PARK BROKE MY HEART is an extension of Vince coming into his own. Dabbling in his west coast influences, blending in atmospheric production and revisiting his laid-back delivery, Vince created yet another quality record in 2022.

While RAMONA PARK BROKE MY HEART lacks much of the concision that made his last record so potent, multiple tracks harken back to the energy harnessed on his last record (“DJ QUICK" for example), landing him a spot on this list.

Spotlight Track:

16. cheat codes — Black thought & danger mouse

In case the world forgot, Danger Mouse knows hip-hop. His first hip-hop record since 2005’s THE MOUSE & THE MASK, Cheat Codes is the culmination of two decades of collaboration between Danger Mouse and Black Thought.

Their comfort with each other is clear, as Black Thought remains sharp throughout the album over Danger Mouse’s heavy rhythmic style. Danger Mouse’s ability to adapt to his artists shows with the features, giving A$AP Rocky and Run The Jewels a fast-paced intense beat on “Strangers” and Conway the Machine a more boom-bap, classier style rhythm on “Saltwater.”

Spotlight Track:

15. cocodrillo turbo — action bronson

Cocodrillo Turbo is a quintessential Action Bronson album — not for one second will you forget who created this masterpiece. Simply put, the avant-garde “Cocodrillo Turbo” is a psychedelic-fueled Indiana Jones adventure condensed into a 30-minute album.

From the action-packed intro song “Hound Dog” down to Yung Mehico’s saxophone closing out the album, Bronson keeps listeners entertained throughout. The artists featured on the album maintain their artistic authenticity while still rapping over distinctly Bronson beats, like Conway’s gaudy and relaxed verse on “Tongpo” and Mayhem Lauren’s bougie and confident feature on “Turkish.” Throughout the album, Bronson bodies beats that don’t even sound like music, holding his footing over snarling crocodiles, growling jaguars and squealing pigs like it’s nothing.

Spotlight Track:

14. WHat yall mad about today — chris crack

Chris Crack’s What Y’all Mad About Today is just one of countless reasons to start paying attention to the rising 32 year-old.

Employing many of the underground elements of avant-garde rap, Chris Crack’s iconic delivery and witty wordplay takes a page from Griselda’s playbook and makes it completely his own. On What Y’all Mad About Today, Chris Crack shows why his listeners regard him so highly when it comes to his pen. You cannot have a discussion about the emcees with the most canny one-liners without including Chris Crack. The result is a grimed record filled with personality and witty piece of music that shows flashes of supreme artistic refinement.

Spotlight Track:

13. the elephant man’s bones — roc marciano & the alchemist

Unstoppable force meets immoveable object. Goliath of the underground teams up with a producer whose name is etched into the very fabric of hip-hop history. Roc Marciano and The Alchemist’s collaborative tape had immense expectations to live up to. Only possible with artists of this duo’s magnitude, The Elephant Man’s Bones is able to simultaneously fall short and impress in the same vain.

Boasting songs such as “Quantum Leap,” “Stigmata,” as well as the title track, calling The Elephant Man’s Bones disappointing would be entirely unfair. On the other hand, the production here just isn’t quite as ground breaking as we’ve seen from Alchemist. Opting for understated production to allow Roc’s wordplay to take center-stage works in places, but not across all 14 tracks. While also possessing several song of the year and verse of the year candidates, The Elephant Man’s Bones’ inconsistent bright spots alone propel it past many rap records this year.

Spotlight Track:

12. sos — sza

Considering it’s thoroughness, thoughtfulness and craftmanship, its hard to believe SOS is SZA’s second studio album. You simply cannot begin to have a dialogue regarding contemporary R&B without mentioning the angel-voiced TDE member and this record reminded everyone why.

Borrowing the addictive song writing and structuring employed on 2017’s CTRL, SZA expands on her signature blend of R&B and hip-hop undertones here in an intriguing way. SZA’s rapping ability noticeably improved during her 5 year hiatus, allowing her to create standouts such as “Forgiveless” and “Smoking on my Ex Pack SOS has something for every listener, making it a versatile, impeccable and glorious return to form for SZA.

Spotlight Track:

11. no thank you - little simz

The age-old saying “better late than never” couldn’t be more accurate when regarding Little Simz’ belated entry to the 2022 album of the year contest with NO THANK YOU. Simz is in a similar space mentally here as her previous standout record: she’s tired of hip-hop fame and the indignation that comes with it. But on NO THANK YOU, Simz isn’t just tired, she’s angry.

Felt through her razor-sharp delivery and cunning writing such as “f**k the politics I’m going Meghan on you neeks,” Simz has evidently grown as both an artist and emcee at an expeditious pace. With varied and enjoyable production throughout, the sole issue with NO THANK YOU is that it dropped in the twilight of 2022.

Spotlight Track:

10. the forever story — jid

The most definitive way to describe JID’s The Forever Story is that it’s the unblemished and rounded record that we all knew JID was capable of creating.

Everything presented here is at the absolute peak of JID’s capabilities as an artist. From the abstract and captivating beat selections, to the intricate double entendres sprinkled across the record, The Forever Story is by far JID’s most complete record to date. With a jaw-dropping list of guests including Yasiin Bey, Lil Wayne, 21 Savage, EARTHGANG and more, The Forever Story does more than just hold the listener’s attention throughout its one hour runtime, it ensnares.

Spotlight Track:

9. tana talk 4 — benny the butcher

Following up an unquestionably classic mixtape like Tana Talk 3 is no small task, and Benny the Butcher was clearly here for the challenge.

Tana Talk 4 was a shining star in Griselda’s marvelous calendar year. With the production duties split between the legendary Daringer and Alchemist, the beats served up for Benny are prodigious, allowing Benny to reach new heights as an emcee. From song of the year contender and J. Cole collaboration “Johnny P’s Caddy,” to the opulent “Weekend’s in the Perry’s” with Boldy James, you’d be hard pressed to find a single skip on Tana Talk 4. Benny isn’t doing anything necessarily groundbreaking here, however, elongating his ridiculous run of consistently enjoyable underground rap records is certainly remarkable.

Spotlight Track:

8. wasteland — brent faiyaz

Since Brent Faiyaz burst onto the modern R&B scene in the mid-to-late 2010’s, listeners have marveled at his gifted singing voice. While dazzling on features and singles, Brent struggled to put together a comprehensive and thoroughly composite LP. That is, until the release of his 2022 effort WASTELAND.

WASTELAND sees Brent pull together the various components of his musical talents and employ them properly. The songwriting is as catchy as ever, his occasionally rap verses are well written, and, of course, his vocalization is spot-on. Brimming with silky tracks from head-to-toe, WASTELAND is an actualization of the potential Brent has displayed over the years. In conjunction with a central narrative about his toxic ways causing tragedy, WASTELAND is both Brent’s highest-quality record and the best traditional R&B record of 2022.

Spotlight Track:

7. no fear of time — black star & madlib

One word tends to come to mind when discussing the Madlib-produced Black Star reunion we hip-hop fans were blessed with: retrofuturism. Madlib’s patchwork production symphonies offer Black Star a complete escape from their previous boom-bap driven sound. From the shades of bouncy reggae present on “Sweetheart. Sweethard. Sweetodd.,” to the high energy masterpiece that is “So Be It,” Madlib has continually found a way to be at the forefront of innovation behind the boards in hip-hop.

26 years since releasing their first record as a duo, Yasiin Bey and Talib Kweli have yet to lose their hip-hop chemistry, a fact that’s evident on No Fear of Time.

Highlight Track: Sweetheart. Sweethard. Sweetodd.

6. mr. morale & the big steppers — kendrick lamar

Since 2012, Kendrick Lamar has been anointed as the savior of rap music. An immense pressure that informed his generational pen for the vast majority of his career, Lamar spent the last 10 years digging and searching for ways to live up to the burden placed on his shoulders.

But Mr. Morale & The Big Steppers turns the mirror away from that duty, and inward at the man Lamar has become, for better and for worse. Kendrick’s 2022 project is his most confessionary record to date. Exploring his own childhood trauma, toxic tendencies and mental state, Mr. Morale & The Big Steppers tells the story of a flawed man who has taken his focus away from being other people’s savior. An endearing journey through Lamar’s personal journey as a human being ignited by his inherent talent as a musician, Mr. Morale & The Big Steppers is yet another superb addition to a catalogue littered with classic records.

Spotlight Track:

5. dawn fm — the weeknd

The Weeknd possesses an immensely rare skill as an artist: he’s a bonafide master of concept albums. Dawn FM showcases Abel’s ability to tell an intriguing story, one that builds off of the same conceptual mastery displayed on After Hours.

Journeying into the beyond after his narrative death in After Hours, Dawn FM is a purgatorial pitstop in his trilogy, one made possible by a exciting exploration of 80’s synth-pop. Paired with his distinguishably unique voice, the production on this record is groovy and superb throughout. Hit making comes easy to an artist of Abel’s magnitude, as his fills Dawn FM’s track list with hit after hit (“Out of Time,” “Is There Someone Else?,” “Take My Breath).

Spotlight Track:

4. 10 — westside gunn

Despite only having two solo songs, Westside Gunn never loses the spotlight in 10. Gunn maintains his signature high-class style throughout, surprising listeners by bringing in legends like Ghostface Killah, Busta Rhymes, Black Star and more to close out the “Hitler Wears Hermes” series.

In true Gunn fashion, each song brings a unique beat to back up equally attention-grabbing lyrics without sounding like it’s doing too much. Elegant and clean-cut, 10 is a culmination of the skill Gunn has honed throughout his HWH series. Plus, the second track spotlights his son, FlyGod Jr., as a producer. The father-son artistic connection benefits both Gunn and Doe Boy, as they thrive on the cold-blooded beat in “FlyGod Jr.”

Spotlight Track:

3. melt my eyez see your future (deluxe) — denzel curry

The maturation of an artist is a stunning phenomenon to witness. While it’s been evident for a number of years that Denzel Curry was one of the astute writers of his generation, Zel has been trying to find consistency in his sonic approach for some time now. Melt My Eyez See Your Future is an entirely aimed record, one’s that individual components are wrapped tightly and produce a comprehensive body of work.

Melt My Eyez See Your Future is a personification of Zel and his relationship with the world he exists in. Across the album, Zel is inquisitive, pessimistic, optimistic, candid, calculated and contemplative. Focusing on both his own personal faults and the inadequacies of modern life, Zel displays a level of pellucidity that is simply not available on his prior LPs. The production here is scattered in the best way possible, pulling in JPEGMAFIA, Thundercat, Kenny Beats & Kal Banx to blend their wildly unique sonic styles with his own. Paired with a innovative deluxe album release, 2022 was Zel’s year.

Spotlight Track:

2. sick! — Earl sweatshirt

If one truth has been proven to be self evident about Earl Sweathsirt and his artistry, it’s that he is nothing short of a brilliant poet whose greatest strength is his ability to convey feeling. SICK! is a bit of a departure from Earl’s gruesomely bleak, visceral avant-garde sonic aesthetic, yes. But it’s far from a departure from the unmitigated honesty in his pen.

At times, SICK! is light-hearted, allowing Earl to expand artistically and challenge himself as an emcee. Tracks like “Lobby (int),” “Visions,” and “Titanic” have an unmistakable trap influence, a sound we have sparingly seen from the Odd Future alumni. Simulatenously pushing his sound forward (“God Laughs,” “Tabula Rasa”), SICK! allows Earl to grow and explore his own talents. For an artist as gifted as him, it’s not a surprise SICK! was one of the best rap records of 2022.

Spotlight Track:

1. gemini rights — steve lacy

Each year, music fans anticipate a release so superb, it commands the attention of music enjoyers of all varieties. Turning heads, directing trends and dominating the perpetual musical deliberation, albums as superlative as Steve Lacy’s Gemini Rights etch an indelible mark on the musical year itself.

A 35-minute romantic catharsis doubling as a funky R&B, pop fusion exercise, Gemini Rights has all the elements of clear-cut album of the year candidate. Lacy’s endearing and relatable storytelling mixed with his undeniably generational song writing ability allowed tracks like “Bad Habit” to explode as a megahit. Lacy finding the precise and proper combination of experimentalism and hit making produce a track list to be littered with song of the year candidates (“Sunshine,” “Helmet,” “Mercury”). 2022 was a superb year musically, but it will ultimately be known as the year of the Gemini.

Spotlight Track:

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An Exhibition in Consistency: Freddie Gibbs’ “SSS” meets expectations

October 16, 2022 by Luke Modugno in Reviews, Read

by Luke Modugno

Artistic complacency is a term that has an unjustly poor connotation. When you’re as consistent and dependable as Freddie Gibbs, being smug and content about the prestige of your career is, really, quite easy.

Such is the story of Freddie Gibbs’ latest record $oul $old $eparately, as Gibbs revamps his signature blend of typically transcendent coke raps over avant-garde trap and alternate hip-hop production. However, the “Alfredo” follow-up is relatively unsurprising in both positive and negative aspects.

Few artists can match the album run Gibbs has produced in the time frame of 2014 through 2022. Crafting two classic records with help from hip-hop’s most fabled producer Madlib, receiving a Grammy nomination for his brilliant collaboration project with The Alchemist, Alfredo and delivering a steady supply of high-quality music in between, Gibbs is a well-oiled machine at the art of album curation.

While this record is a revisitation of the chemistry constructed between Gibbs, The Alchemist and Madlib, $oul $old $eparately opens the door behind-the-boards to some intriguing producers. James Blake, KAYTRANDA and DJ Dahi all bring their incredibly diverse sounds to this record, allowing Gibbs to tinker with the experimentation of his usual formula.

While Gibbs wanders outside his comfort zone for a portion of the record on tracks like “Dark Hearted,” Gibbs is simply a master of his craft and he utilizes that to generate the clear standouts of the track list.

“Blackest in the Room” is pushed along by a silky and luxurious Alchemist loop and accompanied by a beat switch that display Gibbs’ versatility as an emcee. Switching flows multiple times throughout the track, it seems almost too easy for Gibbs to craft intriguing and memorable verses. “Space Rabbit” and “PYS” featuring DJ Paul are aggressive trap bangers showcasing his dizzying flow and clever word play. Madlib provides an angelic horn loop for the closer “CIA,” recalling the same brilliance produced on “Gat Damn” off of 2019’s Bandana. All-in-all, $oul $old $eparately’s bright spots are a quality union of the works that have propelled Gibbs to rap prestige.

Following suit of the elite producer credits on this album, Gibbs’ recruits for $oul $old $eparately’s feature list don’t disappoint. Anderson .Paak’s suave graces “Feel No Pain” in his catchy hook joined by a Raekwon verse that harkens back to the excellence of his early Wu-Tang days. Pusha T adds to his catalogue of flawless features on Gold Rings, and Rick Ross easily blends with the opulence emitted from the production on “Lobster Omelette.”

While Gibbs’ usual subject matter, sonic aesthetic and technical superiority are all in attendance on $oul $old $eperately, it’s hard to overlook the fact that the record produces a mere iota of the grandness we’ve become accustomed to with new releases from Gibbs. In Layman’s terms, $oul $old $eperately is watered-down in some ways.

It’s not unfair to call $oul $old $eperately unambitious. We’ve grown accustomed to Gibbs dropping boundary-pushing art consistently. Records like Alfredo, Pinata and Bandana have placed the bar extraordinarily high for new releases from Gibbs, a bar that simply isn’t surpassed on $oul $old $eperately. Gibbs isn’t getting any more creative with his pen here, he isn’t flexing his vocal range as much as anticipated, and the beat selection, while admirable, isn’t unique to his catalog.

Instead, $oul $old $eparately is a victory lap for an artist who deserves all the flowery praise he receives. Speckled with intriguing and ear-catching tracks, this record is a microcosm of the successes Gibbs has enjoyed throughout his tenured career. Freddie Gibbs has nothing to prove, and still raps his weight in bricks on $oul $old $eparately.

Luke Modugno is the editor-in-chief.

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Thanks for making the last six years a little easier 💎

Back and Better than Ever: "Intros Outros & Interludes" reviewed

September 06, 2022 by Luke Modugno in Read, Reviews

by Luke Modugno

Domo Genesis has always occupied an evocative lane of the Odd Future assemblage. Since their split and subsequent pursuit of solo work back in 2015, each member of the former collective has journeyed deeper into their experimental absorptions, morphing their artistry into something that hardly resembles their original work. However, Domo’s latest record Intros, Outros & Interludes is more of the same from the 31-year-old emcee, in the best way possible.

Clocking in at 11 tracks spanning 25 minutes, the concision and precise identity lyrically, sonically and aesthetically of Intros, Outros & Interludes is what propel this to be Domo’s most outstanding individual work to date.

Executively produced by Evidence, a sapling stemming from The Alchemist’s tree of influence, the record is a product of contemporary alternative hip-hop: soul vocal loops, antique drums, stumbling horns, pianos and other instrumentation splattered and dragged through the dusty, brilliant producer’s mind of Evidence. The direction behind-the-boards pairs smoothly with Domo’s delivery, which retains its intrigue via his unique intonation.

As the record static cuts in on the opener “Don’t Believe Half” and the accompanying horn loop joins, Domo’s pen and delivery makes it blatantly obvious that he’s been working on perfecting his craft during his nearly five year absence from music. “I'm probably out the way, but I’m exactly where to be at/the energy where we at/and the home where my feet at/the road is what I drive on, the chrome where the seat at” shows Domo’s retention of his witty pen from his Odd Future days. Mixed with his especially nasally inflection on this track and across the record, Intros, Outros & Interludes properly displays Domo’s full potential as a solo rap artist.

The ever promising Navy Blue joins Domo on track two, “Skeletons,” with a beat tailor-made for Navy’s obscure braggadocio and clever word play. Remy Banks, Griselda’s-own Boldy James and Evidence join Domo as featured artists, all with exceptional verses in their own right. Beside Intros, Outros & Interludes representing Domo’s most complete and remarkable body of writing, this record is easily his most distinguished sonically.

Every beat on Intros, Outros & Interludes emits its own exclusive aura, affording Domo a diverse palette of experimental flavors to work with on this project. The heading nodding vocal chop on “Trust the Process” is simply filthy. A clever soul sample paired with a skilled emcee has rarely failed, and “Stay One More Day” and “Running, Running” are no exception to that trend. The luxurious piano and grimy drums on “Victories & Losses” provide a lush backdrop for Domo and Evidence to trade bars. Boldy and Domo’s relaxed deliveries pair well with the lo fi production on “December Coming.” All-in-all, Intros, Outros & Interludes is in the conversation of being the best produced hip-hop record of the year.

With next to zero skips, drastic improvements lyrically, artistically and directionally from Domo Genesis, Intros, Outros & Interludes is a premier release in hip-hop during 2022. A glorious return to form, Domo has proven here that he is definitively back and here to stay.

Luke Modugno is the editor-in-chief.

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