Music Videos and Their Increasingly Complex Role in Pop Culture

By Cori Carpenter

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Music videos were at their peak in the late 80s and into the 90s as MTV had a tight grip on pop culture. But the millennial age has seen that wave come and go in the last decade as the height of music videos has declined. Although there are still very memorable music videos that have been produced in recent years, some millennials would even regard them as their favorites, it seems as though memorable music videos have become scarce. Certain artists like Beyoncé, Amine, Ariana Grande, and Childish Gambino have made big splashes with their music videos but many other artist’s projects have fallen flat in what many would regard as a lack of creativity.

The shift in the way music is consumed can be tied to the ways in which music videos have fallen off. The consumption of music has shifted from MTV and most recently, YouTube, into streaming services such as Apple Music, Spotify, etc. Popular shows like 106 & Park, which showcased all the new and exciting music videos have become nearly extinct.

Before today, music videos and the song itself were consumed simultaneously but now that is not the case and music videos often come following song releases. Unlike the 2010s and before, the visuals of a music video are not what will make a song more valuable because music is a lot more accessible than it used to be. After Beyoncé’s game-changing digital album release in 2013, streaming services became the new wave of music consumption and plenty of artists alike decided to hop on the same trend. In the years to follow, streaming services reached new heights in competition to lure in artists to release exclusively on their platforms which would intentionally lure in artists’ fanbases. In this era, music videos were put on a back burner and artists switched their focuses to album releases in order to maximize their streams, the new payout for artists aside from music sales. Now that the competition between streaming services has slowed from previous years, music videos are beginning to pick back up with more splashes of creativity.

Mainstream female artists have been carrying the music video industry these past few years, with their seductive cinematography and heavy sex appeal all while creating controversy while doing so. Megan Thee Stallion and Cardi B’s single WAP had already created quite a commotion because of its explicit lyrics but the hot visual is what really sent us into a media frenzy. Childish Gambino’s “This is America” visual brought about the connection of the music industry and social issues in a new way that sent his video to viral status and left chills amongst those who watched. The attention and conversations being had on music videos again is exciting for those like myself who are ready for them to have the same impact they did on pop culture as in the 80s and 90s.

My Top 10 Favorite Music Videos

10. Childish Gambino - Feels Like Summer 

9. Ari Lennox - BMO 

8. Masego - Tadow 

7. Ariana Grande - Thank U Next  

6. Rihanna - Bitch Better Have My Money 

5. Beyonce - Already 

4. The Internet - Roll (Burbank Funk) 

3. Amine - Compensating 

2. Doja Cat - Say So

1. Beyonce - Mood4Eva 


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A$AP Twelvyy: "Little After Sunset" Review

By Cori Carpenter

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A$AP Twelvyy, from the notorious hip hop collective A$AP Mob, features alongside PineappleCITI on Sam Silver’s “Little After Sunset”. This track brings juxtaposition to a new level. Starting off at a steady pace, Twelvyy’s flow opens up the track spitting lyrics about the ups and downs of relationships. A song of transitions, his flow is sped up steadily and climaxes into a dance/electronic break. PineappleCITI, a rising hip hop artist/songwriter, enters the track as the break fades out, almost like the song is restarting. CITI is singing, speaking on broken hearts and breakups, before breaking into rap. Her verse ends in the same dance/electronic break and the track finishes. The opening line of the song couldn’t be more perfect. “This how music make you feel”, is the most accurate description for the trip that this track is. It’s a slow ride with unexpected turns, but all to be enjoyed in the end and enough fun to leave you wanting more. Twelvyy is introducing a new side of versatility with this track and newer fans like myself are here to enjoy every bit of it. A$AP Twelvyy and PineappleCITI on top of Sam Silver’s production is an unexpected combination, but what each individual artist brought to this track is what makes it extremely impressive. But if you want to be taken on a real ride, go watch the chronicles of “Little After Sunset” in the trippy animated music video. The elements of this collaboration know no limits and this track is one of the best showcases for the new wave of music to come in 2021.

Listen to “Little After Sunset” here:

Listen to Little After Sunset on Spotify. Sam Silver · Song · 2021.


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Artist Spotlight: Tanerelle

By Cori Carpenter

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Tanerelle is an independent artist whose music is sure to take you on a journey. Her music embodies seduction, desire, and space. Space, as in outer space. If you want to know what I’m talking about, go listen to her 2019 single “A Trip Through Space to Clear My Head”. She blends R&B, Rock/Alternative, and Dance/Electronica music genres with ease, encompassing a sound that is one of a kind. Her aesthetic captures the influence of 1970s disco queen, Donna Summer, with an added space element. Referring to herself as “Mama Saturn”, also the title of one of her singles released in 2019, the independent artist masters that aesthetic in every way possible. Her Instagram is nothing but series of different photo shoots mostly with intergalactic overtones, that have many infatuated.   

Tanerelle (pronounced tuh-nair-ree-elle) is born and raised in Atlanta, GA and moved to Los Angeles when she was 18 to pursue a career in music. In 2015, she released her first single titled “Siren”. With a more upbeat, rock/alternative sound, “Siren” shows off Tanerelle’s versatility and how a voice like hers can transcend across a wide range of production. In 2017, she released an EP titled “11:11”. The seven tracks carried a similar tune as “Siren” while also introducing a newer sound that I and many other fans have fallen in love with. On track 4, “Dali”, Tanerelle repeats the line “I don’t do drugs, I am them”. Her seductive voice over a slowed alternative beat leaves one in a feeling of ecstasy. The releases that would follow would hook me and many others. “Dreamgirl”, a single released in 2018 is my personal favorite. The track embraces a tale of seduction and temptation all over a production that travels through space. The experience, to say the least, is otherworldly. 

Releasing a few singles a year, Tanerelle gives her fans just enough to fulfill them while keeping them wanting more. As we wait for another EP or perhaps a debut album, we appreciate the newfound recognition she is receiving. In 2020, Tanerelle reached new heights in her artistry. Prior to the pandemic and quarantine, the independent artist kicked off the year going on tour for the first time, opening for Ari Lennox in Australia and New Zealand. Her 2020 single “Nothing Without You” made it onto the season 3 soundtrack of HBO’s Insecure and was also given consideration for a 2021 Grammy nomination. She was also named Playboy’s December 2020 Playmate making history as the 40th African-American Playmate. And lastly, she had nearly 9 million streams on Spotify over the course of the year.  

As an artist just beginning to scrape the world of mainstream, Tanerelle is going to shake the world very soon and like the rest of her fans, I can’t wait. Mama Saturn is coming.

Listen to 11:11 below:

Listen to 11:11 on Spotify. Tanerélle · Album · 2017 · 7 songs.


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