for the love of music
Thanks for watching! Make sure to subscribe to our YouTube channel and follow us on Instagram to stay up on the hottest new music:
Thanks for watching! Make sure to subscribe to our YouTube channel and follow us on Instagram to stay up on the hottest new music:
2020 was rough on all fronts, but perhaps unsurprisingly, its saving grace was the new music released over the past year. Though the industry was hit hard, and most live music has been suspended indefinitely, many artists and their teams overcame this new adversity. Together they worked to release records to tide fans over in tough times, and we couldn’t be more appreciative. Our team at StereoVision listened to a lot of music this year, and lately we’ve been hard at work compiling a year-end list showcasing our favorite projects of 2020. Well this list is mostly comprised of albums and mixtapes, some EPs were so damn good we just couldn’t leave them off (See God Bless the Child). Projects released between December 13th, 2019 and December 11th, 2020 were eligible for selection meaning that well some bold claims were certainly made about Playboi Carti’s Whole Lotta Red in the StereoVision group chat, it was not considered for this list. Without further ado, please enjoy StereoVision’s top 50 albums of 2020:
36. Boldy James & The Alchemist: The Price of Tea in China
Spotlight Track: Surf & Turf (Feat. Vince Staples)
35. A Boogie Wit Da Hoodie: Artist 2.0
Spotlight Track: Numbers (Feat. London On Da Track, Gunna, & Roddy Ricch)
25. bryson tiller: anniversary
Spotlight Track: Things Change
Bryson Tiller’s third studio album ANNIVERSARY shows a Tiller consumed with his use of time. Although its level of impact does not match his debut album, TRAPSOUL (2015), ANNIVERSARY is an ode to the classic because of Tiller’s raw emotion and undeniable relatability throughout the approximately thirty-minute project. My favorite song “Things Change” victoriously demonstrates an exchange between Tiller and an ex-lover who is obsessed with closure. -Amaya Lorick
24. kota the friend: Everything
Spotlight Track: Long Beach (Feat. Hello O’Shay & Alex Banin)
EVERYTHING is a brilliant compilation of varying perspectives that discuss the purpose of life. Although Kota the Friend’s 2020 album was under appreciated because of the width of his fanbase, its May release was essential during a time where many felt uncertain about their livelihood dealing with the coronavirus pandemic. With a descriptor as the saddest song on the project, the introductory track “Summerhouse” epitomizes coming to terms with unwanted realities and recognizing life’s beauty. 2020 prompted many to engage in self-reflection and EVERYTHING poses two arguably abstract questions: “What means everything to you?” and “What does it mean to have everything?” -Amaya Lorick
23. bino rideaux: Outside
Spotlight Track: Brand New (Feat. Blxst)
On Bino Rideaux’s Def Jam debut, OUTSIDE, the 27-year-old delivers his best music to date while simultaneously making a legitimate case for the hottest rapper in Los Angeles. The 15-track record has something for everyone ranging from trunk-rattling, west coast bangers like “BET” and “BREAKFAST” to more emotional chill cuts such as “COLD FEET” and “FUCCWITCHU”. Over the course of the 28-minute run time, Bino is assisted by fellow LA natives Ty Dolla $ign, BlueBucksClan, and most notably, Blxst on the album’s fantastic climax “BRAND NEW”. With the release of OUTSIDE it’s clear that Bino Rideaux is more than just Nipsey Hussle protege; he’s a budding superstar whose stock will continue to rise as the rest of the country catches wind of his hypnotic flows and the enthralling landscapes he’s able to craft and communicate, three short minutes at a time. -Spencer Lobdell
22. run the jewels: rtj4
Spotlight Track: goonies vs. E.T.
If there’s one word I could use to describe Killer Mike and El-P’s return to their critically-acclaimed Run The Jewels series, it’s “massive” as everything about this project seems to have upped the stakes from their last installment. The duo’s verses hit harder, are more aggressive, and eager to call out the vast injustices that the United States has grown complacent with over the past few years. El-P and Killer Mike call out Pseudo-Christians failing to condemn the injustices caused by the Trump administration, the racism ingrained in our nation’s police forces, and a wealth disparity that grows larger every day, among other subjects. Meanwhile, El-P’s production serves as some of the strangest from the duo’s entire discography; the melodies are sparse, the ambiances are overbearing, and the bass slams against the top of the mix from start to finish. With plenty of strange samples and unfiltered performances, this project is often as difficult and complex as it is invigorating, and I believe its message is only emphasized by the endless chaos that we lived through this year. -Owen Tait
21. Thundercat: It is what it is
Spotlight Track: Funny Thing
It is fascinating how an artist can work on a project for months, maybe even years before they plan to release it to the public and yet once it drops, it speaks to zeitgeist as if it was written yesterday. This is the case with Thundercat’s fourth studio album It Is What It Is. Released less than a month into many of our state sanctioned lockdowns, It Is What Is was the breath of fresh air we all needed during such an uncertain time. On the album, Thundercat explores themes of melconchony, loss, and directionlessness in tandem with tongue and cheek humor for an album that can either make you laugh or cry depending on what you need to express during each listen. Complimented by Thundercat’s immaculate instrumentation that has made him a mainstay in the industry for two decades, It It What It Is is a poignant reminder to have fun, let go of fear, and trust the process no matter how difficult things may get. -Kaila Cherry
20. Big Sean: Detroit 2
Spotlight Track: Deep Reverence (Feat. Nipsey Hussle)
When Detroit 2 was released, you could immediately tell Big Sean was on a mission. In an era of short length albums, Sean decided to release a whopping 21-track project. There were many Detroit-themed bangers on this album, and what stood out to me was that he even included stories from talents like Dave Chappelle and Erykah Badhu. This was the first time in a while where I felt the essence of a true “album experience.” There is a lot of depth to this record and every time I play it through I find a new favorite song. And I mean, who doesn’t enjoy listening to Sean’s swagger filled wordplay? -Colson O’Connor
19. Childish Gambino: 3.15.20
Spotlight Track: 12.38 (Feat. 21 Savage, Ink, & Kadhja Bonet)
Of all the projects to come out this year, the latest album from Childish Gambino might have been the most surprising. From the rollout to how sonically all over the place it is, 3.15.20 almost seems like a random release from Childish. This led to the project being one of his more slept on pieces of work, but it is also some of the best music of 2020. Gambino captures a sound that is futuristic, yet also has moments that would impress most people’s parents and grandparents. Gambino uses a different vocal inflection on almost every track and manages not to miss once. While doing all of this there is still a track like 12.38 that could be one of the biggest hits on the radio if it got the play it deserved. In a time where he could have rested on his previous success, he continues to challenge himself and the listener to take a deeper look at what music can be. -Miles Hagan
18. lil uzi vert: eternal atake
Spotlight Track: Prices
Lil Uzi Vert had a very busy 2020. He dropped not one, not two, but three full-length albums this year after not releasing new music since 2017. The project that kicked off this trio of drops was Eternal Atake which came out in early March. With the reality of the pandemic causing this album to fall to the wayside for some time, as the year comes to an end and we are reflecting on the music we were met with, Eternal Atake is coming back into the spotlight. A concept album about Uzi’s abduction by aliens and subsequent travels through space, Eternal Atake is without a doubt one of the most unique projects to come out of 2020. Not only is it a concept album, but it also is broken up into three sections that reflect Uzi’s three artistic personas: Baby Pluto, Renji, then finally, Lil Uzi Vert. Like the rest of Uzi’s discography, Eternal Atake is a well-produced, fantastical, and fun project that will make you want to type like a scene kid from 2008 with no remorse. -Kaila Cherry
17. Lil Uzi Vert: LUV vs. the world 2
Spotlight Track: Strawberry Peels (Feat. Young Thug & Gunna)
Though there seems to be some debate on who started the ‘surprise-deluxe-double-album’ trend, it is hard to deny that Lil Uzi Vert mastered it earlier this year. LUV vs. The World 2, which released as a sister record to the long-awaited Eternal Atake, is a nonstop rollercoaster that arrived just a week later. While EA’s only featured artist was Syd, this record is the polar opposite - collaboration heavy and decorated with features from artists like Young Thug, Chief Keef, 21 Savage, and Future. EA helped solidify Uzi as a talented lyricist and rapper, and this project returned to a more exciting and light-hearted register where Uzi simply sounded like he was having a great time - and I had a great time listening to it. Though some of the tracks had leaked beforehand, LUV vs. The World 2 managed to fulfill the high expectations set after the popularity of the first LUV vs. The World, and it isn’t hard to see why. -Carter Fife
16. Lil BAby: My Turn
Spotlight Track: Emotionally Scarred
Lil Baby did not disappoint with the drop of his second studio album, My Turn. Lil Baby displays versatility in his sound, giving us songs to blast in the car like “Sum 2 Prove,” and even songs to vibe to like “Catch The Sun”. He manages to deliver trap hits such as “Forget That” and “Woah” as well as highlighting lyrical depth, as he opens up on songs like “Emotionally Scarred”, with narratives of his past and personal rap journey. As if his graceful flow wasn’t enough, Lil Baby teamed up with artists like Lil Uzi Vert, Lil Wayne, and Future to offer even more heat. -Chloe Clark
15. westside gunn: Prey for paris
Spotlight Track: $500 Ounces (Feat. Freddie Gibbs & Roc Marciano)
Griselda was locked in this year. From Boldy James' stunning collaborative project with The Alchemist The Price of Tea in China, to Benny the Butcher’s LP Burden of Proof, it’s safe to say Griselda did not miss in 2020, including label head-honcho Westside Gunn. With Pray for Paris, Westside Gunn delivers exactly what you'd expect: hard coke bars, production defined by dusty drum loops, and the iconic Westside Gunn ad-libs. Although Gunn may be infamously known for valuing quantity over quality in terms of album releases, Pray for Paris is easily his most concise and focused work to date. With guest appearances from Tyler, The Creator, Joey Bada$$, Freddie Gibbs, The Alchemist, Wale, and the rest of the Griselda crew, Pray for Paris put the rap game on notice. -Luke Modugno
14. Charli xcx: how I’m feeling now
Spotlight Track: enemy
Following the seamless blend of pop and experimental aesthetics that appeared on her 2019 outing Charli, fans were definitely eager to see where UK pop artist Charli XCX’s sound would venture next. Trapped in self-isolation, she took the time to reflect on her relationships with her significant other, her friends, and herself—a process that resulted in her most intimate and innovative project to date. On how i’m feeling now, Charli pushes further into the strange than ever before, as the majority of the tracklist is saturated with glitchy percussion, distortion, noise, and busy synths that perfectly compliment Charli’s heavily-manipulated vocal delivery. Additionally, Charli manages to bring one powerful performance after another to the table, delving into a variety of introspective topics such as her love life, friendships, and mental health. If you’re searching for the future of pop music, look no further than how I’m feeling now, a one-of-a-kind sugar rush that I would deem pop record of the year. -Owen Tait
13. blxst: no love lost
Spotlight Track: No Love Lost
No new artist burst onto the scene in 2020 with half as much confidence, momentum, and poise as Blxst. The LA native’s breakout year was largely due to an incredible debut solo project, No Love Lost, an addicting 8-song album jam-packed with beautiful hooks and exceptionally polished writing that had me smashing repeat for months. This tape is the definition of “no skips” and I can confidently say that any of the eight songs could’ve been the spotlight track. Over the course of the quick 18-minute listen, Blxst tells vivid stories of the fast life in the city of angels while captivating listeners with mesmerizing melodies and a slew of slick bars that leads me to believe Blxst could out-rap half of my favorite emcees. No Love Lost is a damn-near perfect project in my eyes making it my personal favorite release of 2020. -Spencer Lobdell
12. Future: High off life
Spotlight Track: Accepting My Flaws
With Future’s release of High Off Life he gave another hour of pure heat. With his signature sound, we received bangers like “Hitek Tek” as well as more mellow cuts like “Outer Space Bih”. Lyrically, narratives of trapping display Future well in his element, but in “Accepting My Flaws”, he takes on a different route. In this song, he speaks of asking for forgiveness, as he fights against demons and acknowledges his struggles. Much like other hits on the album, the booming beat carries the song. Along with production, features are another element that elevates the album as Future feeds off great appearances from artists including Young Thug, Travis Scott, and NBA Youngboy. -Chloe Clark
11. brent faiyaz: fuck the world
Spotlight Track: Fuck the World (Summer in London)
Brent Faiyaz solidified his spot in the R&B scene with the release of his album Fuck the World. In this album, Faiyaz touches on the themes of love, lust, and loss. Lyrically, Faiyaz invites the listener in on an intimate experience as we listen and relate to similar heartfelt emotions. His angelic vocals, paired seamlessly with the smooth beats, offer nothing but chill vibes. Specifically on the song, “Let Me Know”, Brent sings over a repeated instrumental and piano keys, while elaborating on self love and reflection. With only 10 songs on the album, it is a true testament to quality over quantity. -Chloe Clark
10. kid cudi: man on the moon III
Spotlight Track: Tequila Shots
Kid Cudi delivers on MOTM III, rapping harder than we’ve ever seen him rap before, bringing together an unstoppable and classic team of producers like Plain Pat and Dot Da Genius to start the decade off right. The first and innovative act of the album sounds like it could have been written with Travis Scott last year, and the second act sounds like the classic 2009-era Cudi that many of us grew up with. MOTM III’s final act sounds like something entirely new itself, which is rare for an artist to do in the third decade of their career. I would have enjoyed more guests on the record to celebrate the trilogy’s conclusion, but it is hard to complain when the guests we got include Skepta, Phoebe Bridgers, and even a posthumous Pop Smoke hook. Though fans can expect a whopping four more records from the Philly rapper in the future - WZRD 2, Entergalactic, KSG 2, and an untitled project with Travis Scott - hopefully MOTM III will tide us over until then. -Carter Fife
9. smino: she already decided
Spotlight Track: 2Much Fronto
Smino is one of the most unique acts in music today and She Already Decided is the project that shows how close he is to greatness. From a vocal standpoint, he flips between slick bars and constant flow changes to melodies that make you question if he should even be considered a rapper. He combines classic R&B sounds with some of today’s biggest hits from the past year to create a sound that feels necessary in 2020. The album is upbeat and engaging, while also still feeling relevant and in the moment. Smino is able to ease the listeners’ mind for a little while he focuses on the few things we can control and enjoy in a time like this. -Miles Hagan
8. jhené aiko: chilombo
Spotlight Tracks: Triggered (Freestyle)
Grammy-nominated Chilombo has been a top contender for album of the year since its release. The use of alchemy crystal singing bowls within every song indicates Jhené Aiko’s intention to not only entertain but provide her listeners with tools for healing. The Los Angeles native’s initial single “Triggered” was packed with painful lyrics describing relationship strains but also includes the first and sixth chakras to promote clarity and stability. It is clear when a project is strategically constructed beyond the order of its tracklist. From the sequencing of the selected singles to their implementation onto the album, it’s clear that Chilombo is destined for success throughout the rest of this decade. -Amaya Lorick
7. aminé: limbo
Spotlight Track: Roots (Feat. JID & Charlie Wilson)
Limbo, Aminé’s 14-track masterpiece, surpassed all of my expectations by miles. From the very first track Limbo feels bigger and more important than anything Aminé has released to date. The beat selections, the few but well-placed features, and the versatility of Aminé’s sound are among the many reasons why Limbo will go down as one of the most impressive albums of 2020. -Colson O’Connor
6. mac miller: circles
Spotlight Track: Right
In his posthumous record Circles, Mac delivers a love-letter to his fans and a completion of a generation-defining artistic evolution. Transforming and refining himself from awkward frat rapper to musical genius, Mac leaves his legacy with his most sonically elegant project to date. Narratively, sonically and lyrically, Circles accompanies Miller's magnum-opus Swimming, building on the jazzy, lo-fi soundscape and mental-health centered lyrical content. Circles is a truly beautiful work of art and is well-deserving of its top 10 spot on this list. -Luke Modugno
5. Jay electronica: A written testimony
Spotlight Track: A.P.I.D.T.A
In my review earlier this year I touched on the mythos surrounding this record, though months later, all you really need to know is that A Written Testimony is a big deal. Jay Electronica and Jay-Z go head-to-head throughout just about every song on this project, showing a versatility previously unseen from the Louisiana Rapper. One moment, he’s trading bars about success and expectations with Travis Scott over a beat from Hit-Boy - the next he and Jay Z are lamenting the loss of loved ones over a Khruangbin instrumental. Though the two Jay’s do not invite too many artists to share their spotlight (The-Dream is the only other guest), there are so many styles and sounds at work that anyone can find something to enjoy here. This was my favorite record of the year for most of 2020, though it’s hard to name what makes this record so special. Perhaps it’s the almost prophetic lyricism, or the confident cadence of the two rappers, or maybe it’s just the fact that many of us have been ravenous for more Electronica music for close to a decade. They say absence makes the heart grow fonder, but I’m hoping we get another Electronica record before the end of the 2020’s. -Carter Fife
4. the weeknd: After hours
Spotlight Track: Faith
Selling 444,000 units first week and having two platinum singles, After Hours was one of 2020’s biggest, and best releases. The album was an artistic reinvention for The Weeknd, taking inspiration from 80’s pop music. Much like Tyler the Creator’s “IGOR” The Weeknd created an entire new identity for this album, which made the rollout and the listening experience one of the most memorable moments in music this year. -Courtney Fields
3. pop smoke: shoot for the stars aim for the moon
Spotlight Track: Got It On Me
One of the most anticipated albums of the year that delivered far beyond the public’s expectations. Pop Smoke’s posthumous album proved that he was no one-trick pony. While he did popularize himself off of one particular sound, this project showed us that Pop was an artist who was destined for stardom. Shoot for the Stars Aim for the Moon is one of the most addicting albums of the year and because of Pop’s unique artistry all signs point towards this album getting even better with time. -Courtney Fields
2. benny the butcher: burden of proof
Spotlight Track: Where Would I Go (Feat. Rick Ross)
Griselda's own Benny the Butcher has been quietly crafting a compelling niche within the Buffalo collective. With projects under his belt like The Plugs I Met and Tana Talk 3; Benny has what it takes to be one of the elite rappers in the world. Burden of Proof sees Benny realize his full potential, as the project is chalk-full of reasons why Benny has a legitimate claim to being the best rapper in Griselda and in turn, one of the best in the game. Executively produced by the legendary Hit-Boy, Benny kills each and every one of the beats laid down for him. Burden of Proof is one of few projects this year I can legitimately say has no skips. -Luke Modugno
1. freddie gibbs & The alchemist: Alfredo
Spotlight Track:
In a year full of inconsistency and turmoil, Freddie Gibbs and Alchemist came through and delivered in every way possible. With the incredible release of Bandana in 2019 many fans of the rapper were left wondering where he would go next, after seemingly conquering the drug rap game. Freddie responded by linking up with one of the most creative and dynamic producers of the last decade in The Alchemist, and they created the cinematic masterpiece that was Alfredo. From the merchandise, to the vinyl, to every cut throat bar Freddie delivers, this drop felt like it was aiming to be some of their best work. Alchemist provided Freddie with a blank canvas for him to paint a picture on. Alfredo was a coke rap kingpin reflecting on his incredible rise to power and asking himself, “who can stop me besides me.” -Miles Hagan
Thanks for reading! Make sure to follow us on Instagram, Facebook, and Twitter to never miss a post:
By Carter Fife
Arizona hip-hop trio Injury Reserve has had quite the year. After 2017’s mixtape Drive It Like It’s Stolen, their 2018 was spent headlining their first tour with JPEGMAFIA, signing their first record deal, and recording for their debut record Injury Reserve released last Friday. Although the group is relatively unknown, their singles ‘Oh Shit!!!’, ‘Campfire’ and ‘Jailbreak the Tesla’ (the latter two of which feature PDX native Aminé) have quickly helped them establish their place in the underground hip-hop scene.
Injury Reserve's music combines many qualities from both modern and classic hip-hop, as well as pop, R&B, punk, and garage rock. Their sound is consistently inconsistent, but often times their music pairs slick hip-hop delivery and diverse production methods, with a dash of abrasive instrumentation. Their newest self-titled album is no exception, as Injury Reserve is full of excitement at every turn.
Injury Reserve’s Self Titled album contains heavy thematic elements surrounding the rise to fame, addressing the past, and the problems that can come from trying to balance the two. The opening track ‘Koruna and Lime’ is a disjointed but catchy introduction to the group and their talents. The beat’s plain melody paired with the abrasive and industrial effects create an aggressive emotional tone that carries over into many of the other tracks. The song features rappers Stepa Groggs and Ritchie With a T delivering hard-hitting yet smooth bars with an unparalleled confidence describing their status in terms of both street credit and their ability to make money.
‘Koruna and Lime’ contains a formula that can be seen on many other tracks, such as ‘GTFU’ with JPEGMAFIA and Cakes da Killa, ‘Hello?!’, and ‘Best Spot in the House’, where the beat contains elements of an almost indulgent simplicity while also entertaining outlandish and unique pieces of glitchy instrumentation and samples. Even the song ‘QWERTY Interlude’ embraces this overly technical trend with chopped up vocals with an 808 heavy beat and a snare. Technology is the most dominant theme on this album both aurally and lyrically, but the technology isn’t explored too deeply in the album’s rapping except on the track ‘Jailbreak the Tesla’ featuring Aminé.
If there was any song on the album that would be Injury Reserve’s standout moment, ‘Jailbreak the Tesla’ stands alone. The beat subverts the audiences expectations of a simple but engaging arrangement, as the song contains multiple tracks of vocals, percussion, mbira-adjascent melodies, chaotic static, and even car noises. Ritchie’s verse contains two vocal tracks laid over one another, with them often being attuned off-pitch in instances that are equally interesting and eerie. Here he details his desire to, quite literally, Jailbreak a Tesla, exploring themes of money and the potentially unlawful manipulation of power via technological means. If that sounds like a reach, it’s because it probably is, but his verse is aggressive, and he flows well on a beat that would overpower many modern rappers. Aminé also pops in and shouts out Grimes, while delivering a fire performance as expected.
There are other notable moments on the album, such as the hard and humorous ‘Rap Song Tutorial’, the wonky and topsy-turvy classic piano sound of ‘Gravy n’ Biscuits’, and the chill but also hard-hitting ‘Wax On’ featuring a performance from Freddie Gibbs. Injury Reserve certainly portrays the group’s talents and abilities, but there are also weaker moments that don’t seem to fit on the album or make sense within the sonic and lyrical narrative of the album. ‘Jawbreaker’ featuring Rico Nasty and Pro Teens is a boring cut from the album that was actually on of the singles to the project itself. Songs like ‘What a Year It’s Been’ sound boring when compared to the flashiness of the album’s other tracks, but every moment of boring lyricism or uninspired production is easy to forgive after the album’s closing track ’Three Man Weave’. A sunny and jazzy classic rap track that almost sounds like it could be a Tribe Called Quest track, this song acts as Injury Reserve’s Victory lap after a solid first album.
Injury Reserve is definitely a group that will be on many hip-hop fans watch lists. Few groups show this much potential this soon after their first record deal. After this album, it’s clear skies from here.
Jailbreak the Tesla (Feat. Aminé)
Wax On (Feat. Freddie Gibbs)
Three Man Weave
Rating: 7
Listen to Injury Reserve here:
Injury Reserve, an album by Injury Reserve on Spotify
Thanks for reading! Follow us on Twitter and Instagram to get notified when we post:
Welcome to “Songs of the Week” a weekly segment where I highlight three of the best new songs released the week prior along with one throwback song of the week. To stay up to date on all new music, follow my Spotify playlist “What I’m Feeling” which is updated weekly to always include the freshest new music. Always 30 songs, hottest always at the top. Stream it here:
A playlist updated weekly with whatever new songs I'm feeling at the time. Always 30 songs and in order with what I'm feeling the most at the top.
CAPO, a song by NLE Choppa on Spotify
At the beginning of the year the world was introduced to 16 year old NLE Choppa when his high energy underground hit “Shotta Flow” broke onto the charts. The Memphis rapper is back this week with a cut even more exciting than his breakout hit. On “CAPO” Choppa once again shows his ability to lock into an instrumental and snap on verses but this time it’s his menacing hook that steals the show. This is the best song we’ve heard from the promising young artist only adding to the already existing excitement surrounding his name.
“Ran down in the street, man, this nigga tried to play me
I hit one in the head but his gun was on safety
They askin’ how I been, what I been feelin’ lately
I got good aim in the pocket like I’m Brady”
Woah (feat. Miguel & Ty Dolla $ign), a song by Rich The Kid, Miguel, Ty Dolla $ign on Spotify
This week Rich the Kid dropped The World Is Yours 2. While Rich sticks to his tested formula for most of the album, the occasional detour into a more experimental direction lead to the best moments on the album. This is the case with the slower, wavy cut “Woah” which is the best song on the album. Everything about this song is pure bliss from Miguels beautiful harmonies on the chorus to Rich’s tasteful and entertaining first verse. This song can fit many different vibes giving it serious potential when it comes to sales. Regardless of how it sells, I don’t see this song leaving my constant rotation any time soon.
“She got that woah
She got that drip slow
She got that I might pull up on her buy a Range Rove”
Jailbreak the Tesla (feat. Aminé), a song by Injury Reserve, Aminé on Spotify
This week, critically acclaimed rap trio Injury Reserved teamed up with Amine for their second release this year. “Jailbreak the Tesla” is a grinding cut anchored by a futuristic instrumental filled with high-tech sound effects. Injury Reserve and Amine go bar for bar throughout the song rapping about their cars and connecting it to when everyone was obsessed with jailbreaking their apple products. It appears an album is on the near horizon for Injury Reserve which is always a reason for excitement.
“Had the iPod Touch with the Redsn0w
Cydia, but you could pirate all the apps though
They would have security cams by the back doors
Nigga, this was Limewire on crack, though”
M.F.T.R., a song by Pusha T, The-Dream on Spotify
In 2015 Pusha T released King Push, a perfect precursor for his masterpiece that was Daytona. The third track on the album “M.F.T.R” stands for “More Famous Than Rich” and showcases King Push coming for the throat of all clout chasers in the industry. Pusha has always made a point of his authenticity and “M.F.T.R” is one of the best examples. The Dream assists on the song and sings an epic hook that sits perfectly on top of the polished instrumental. “M.F.T.R” is a sleeper in Pusha T’s excellent discography and a personal favorite.
“King Push is synonymous with kingpin
Chess moves on your checkerboard, king him”
Check back in next week for three new hot songs and one new throwback! Follow us on Twitter and Instagram to get updated when we post:
